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    Red Nation

    Shimmering at the Edges: Jason de Haan at Foreman Gallery and Clint Roenisch
    Reviews July 3, 2026
    Sky Goodden

    Shimmering at the Edges: Jason de Haan at Foreman Gallery and Clint Roenisch

    Duane Linklater and the Limits of Dia Art Foundation’s Reckoning
    Features June 24, 2026
    David W. Norman

    Duane Linklater and the Limits of Dia Art Foundation’s Reckoning

    Pride of Place: Looking for Michael Asher’s Los Angeles at MOCA
    Reviews June 18, 2026
    Melissa Lo

    Pride of Place: Looking for Michael Asher’s Los Angeles at MOCA

    Directly to the Adversary: Claude Cahun and Marcel Moore at CAM St. Louis
    Reviews June 11, 2026
    Farrah Karapetian

    Directly to the Adversary: Claude Cahun and Marcel Moore at CAM St. Louis

    Farrah Karapetian

    Farrah Karapetian

    You Might Just Call It Love: Mapping the World(s) of Paul Thek and Peter Hujar
    Reviews June 4, 2026
    Emma Fiona Jones

    You Might Just Call It Love: Mapping the World(s) of Paul Thek and Peter Hujar

    Momus and celador Present: Lisa Robertson’s Riverwork
    June 18, 2026 6:00 PM–8:00 PM
    celador

    Momus and celador Present: Lisa Robertson’s Riverwork

    What Remains: The Fugitive Gestures of Carmen Neely at Mariane Ibrahim
    Reviews May 28, 2026
    Alexandra M. Thomas

    What Remains: The Fugitive Gestures of Carmen Neely at Mariane Ibrahim

    Abbas Akhavan

    Abbas Akhavan

    New Geographies of the Sacred: Lines That World a River at Nottingham Contemporary
    Reviews May 21, 2026
    Najrin Islam

    New Geographies of the Sacred: Lines That World a River at Nottingham Contemporary

    What it Means to Continue: On Gabrielle Goliath, Reparative Work, and Resisting State Violence
    Features May 14, 2026
    M. Neelika Jayawardane

    What it Means to Continue: On Gabrielle Goliath, Reparative Work, and Resisting State Violence

    A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles
    Features May 7, 2026
    Kate Wolf

    A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles

    Belonging to Ourselves: Lynn Hershman Leeson and Sophie Calle
    Reviews April 30, 2026
    Tara Anne Dalbow

    Belonging to Ourselves: Lynn Hershman Leeson and Sophie Calle

    A Love Song, in Protest: Joyce Joumaa at Galerie UQO
    Reviews April 29, 2026
    eunice bélidor

    A Love Song, in Protest: Joyce Joumaa at Galerie UQO

    Collision, Erosion: Roksana Pirouzmand at OXY Arts and JOAN
    Reviews April 23, 2026
    Teresa Fleming

    Collision, Erosion: Roksana Pirouzmand at OXY Arts and JOAN

    Momus Convening: To Build and Sustain
    June 26–27, 2026
    PHI
    Montreal

    Momus Convening: To Build and Sustain

    Psychodrama of Interiors: Fabrice Schneider at Établissement d’en Face
    Reviews April 9, 2026
    Bitsy Knox

    Psychodrama of Interiors: Fabrice Schneider at Établissement d’en Face

    Staying to the End: Gossip, Banter, and Loss in Peter Hujar’s Friendships
    Features April 2, 2026
    Harley Wong

    Staying to the End: Gossip, Banter, and Loss in Peter Hujar’s Friendships

    Adrian Stimson

    Adrian Stimson

    America Meredith

    America Meredith

    Kyle Dacuyan

    Kyle Dacuyan

    In Search of True Collectivity: Infrastructure and Intent at the Kochi-Muziri Biennale
    Features, Reviews March 26, 2026
    Pallavi Surana

    In Search of True Collectivity: Infrastructure and Intent at the Kochi-Muziri Biennale

    Elvia Wilk

    Elvia Wilk

    Momus Residency: To Build and Sustain

    Residency August 11–15, 2025

    Estuaries: An International Indigenous Art Criticism Residency

    Residency May 15–June 4, 2023

    Because my metier is black … (after Toni Morrison)

    August 1–March 19, 2022

    Advertise

    Pablo José Ramírez

    Pablo José Ramírez

    Dr. Maia Nuku

    Dr. Maia Nuku

    Margo Jefferson

    Margo Jefferson

    Writing Relations, Making Futurities: Global Indigenous Art Criticism Residency

    Residency February 7-11, 2022 and March 14-18, 2022
    Emma Hassencahl-Perley

    Emma Hassencahl-Perley

    Nicole Kuʻuleinapuananiolikoawapuhimelemeleolani Furtado

    Nicole Kuʻuleinapuananiolikoawapuhimelemeleolani Furtado

    t.c. lynch

    t.c. lynch

    Mia Imani

    Mia Imani

    Angela N. Carroll

    Angela N. Carroll

    Sháńdíín Brown

    Sháńdíín Brown

    Adele D’Souza

    Adele D’Souza

    Momus Emerging Critics Residency 2021

    Residency August 9–20, 2021
    Christiana Myers

    Christiana Myers

    Austin Henderson

    Austin Henderson

    Momus Emerging Critics Residency 2020

    Residency August 3–28, 2020
    Surviving the Ache: Yifan Jiang at 56 Henry
    Reviews March 12, 2026
    Donasia Tillery

    Surviving the Ache: Yifan Jiang at 56 Henry

    “Post/doc” Launch: Intervals
    Talk May 5, 2025 6:30 PM
    Storm Books & Candy
    Brooklyn

    “Post/doc” Launch: Intervals

    Charting an Inflection Point in Art Criticism & Publishing
    Talk April 12, 2024 6:00 PM
    Plural
    Montreal

    Charting an Inflection Point in Art Criticism & Publishing

    Moving Through the Rupture: Tehching Hsieh and Linda Montano Revisit Rope Piece
    Features March 4, 2026
    Eliza Swann

    Moving Through the Rupture: Tehching Hsieh and Linda Montano Revisit Rope Piece

    Unsettled Vision: Aaron Morse on the Fantasized West at Philip Martin Gallery
    Reviews February 26, 2026
    Lisa Locascio Nighthawk

    Unsettled Vision: Aaron Morse on the Fantasized West at Philip Martin Gallery

    Looking at Women: Gladys Nilsson’s Seriously Sexy Figures at the Menil Drawing Institute
    Reviews February 5, 2026
    Lauren Stroh

    Looking at Women: Gladys Nilsson’s Seriously Sexy Figures at the Menil Drawing Institute

    Authentically Vaginal: The Life Force of Vaginal Davis at PS1
    Features, Reviews January 29, 2026
    Lisa Hsiao Chen

    Authentically Vaginal: The Life Force of Vaginal Davis at PS1

    Without Deference: The Political Clarity of Coco Fusco at El Museo del Barrio
    Reviews January 22, 2026
    Luke Urbain

    Without Deference: The Political Clarity of Coco Fusco at El Museo del Barrio

    Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation
    Reviews January 15, 2026
    Sky Goodden

    Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation

    History as a Chorus: Reimagining Monumentality at SITE Santa Fe
    Reviews January 8, 2026
    Ceci Moss

    History as a Chorus: Reimagining Monumentality at SITE Santa Fe

    Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion
    Features December 3, 2025
    Summer Kim Lee, TJ Shin

    Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion

    Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements
    Reviews November 20, 2025
    Emma Fiona Jones

    Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements

    Dare to Have Fun: Pixy Liao Plays with Gendered Power at the Art Institute of Chicago
    Reviews November 13, 2025
    Anna Aguiar Kosicki

    Dare to Have Fun: Pixy Liao Plays with Gendered Power at the Art Institute of Chicago

    Call from Inside the House: Christina Forrer at Parker Gallery
    Reviews November 6, 2025
    Lisa Locascio Nighthawk

    Call from Inside the House: Christina Forrer at Parker Gallery

    Learning to Move Differently: Nadia Myre at the National Gallery of Canada
    Reviews October 30, 2025
    Alexandra Nordstrom

    Learning to Move Differently: Nadia Myre at the National Gallery of Canada

    Fellow Members of an Unfolding Constellation: Leilah Babirye at the de Young
    Reviews October 23, 2025
    Caroline Picard

    Fellow Members of an Unfolding Constellation: Leilah Babirye at the de Young

    About

    Extraordinary Living Begins Here: Artists Negotiate Large-Scale Infrastructure
    Features October 16, 2025
    Jade Meili Barget

    Extraordinary Living Begins Here: Artists Negotiate Large-Scale Infrastructure

    Risking Fear: Hamad Butt at Whitechapel Gallery
    Reviews October 9, 2025
    Tatum Howey

    Risking Fear: Hamad Butt at Whitechapel Gallery

    What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs
    Features September 25, 2025
    Elisa Wouk Almino

    What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs

    Myth and Reality Converge: Qiu Anxiong and Howie Tsui at Richmond Art Gallery
    Reviews September 23, 2025
    Lin Li

    Myth and Reality Converge: Qiu Anxiong and Howie Tsui at Richmond Art Gallery

    Lin Li

    Lin Li

    “Staying with the Trouble” at the Helsinki Biennial: Challenges of Environmental Curating
    Reviews September 11, 2025
    Katie Lawson

    “Staying with the Trouble” at the Helsinki Biennial: Challenges of Environmental Curating

    asdf
    Features, Reviews September 4, 2025
    Aaron Katzeman

    Jeffrey Gibson Saves America

    Aaron Katzeman

    Aaron Katzeman

    Programming the Diaspora: On How the Moving Image Shapes the Present
    Features August 21, 2025
    Nasrin Himada

    Programming the Diaspora: On How the Moving Image Shapes the Present

    Love Letter Incinerators: Martin Wong’s Prison Paintings
    Features August 14, 2025
    Ramona Ngin

    Love Letter Incinerators: Martin Wong’s Prison Paintings

    “I Always Wanted to Participate”: In Conversation with Vijay Masharani
    Features July 25, 2025
    Mimi Howard

    “I Always Wanted to Participate”: In Conversation with Vijay Masharani

    A Note on Omission: Navigating Institutional Censorship and the Need for Repair
    Features July 17, 2025
    Najrin Islam

    A Note on Omission: Navigating Institutional Censorship and the Need for Repair

    Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art
    Reviews June 26, 2025
    MacKenzie River Foy

    Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art

    End of the World: Revisiting a Lost Future at Spiral Jetty
    Features June 19, 2025
    Sarah Hollenberg

    End of the World: Revisiting a Lost Future at Spiral Jetty

    A Punk-Rock Polyglot: The Subversive Riffing of Carole Caroompas
    Reviews June 5, 2025
    Paula Mejía

    A Punk-Rock Polyglot: The Subversive Riffing of Carole Caroompas

    The High Stakes of Nancy Holt’s Systems
    Features May 15, 2025
    Cat Kron

    The High Stakes of Nancy Holt’s Systems

    We Are the Same Thing: The Sutured Selves of María Magdalena Campos-Pons
    Reviews May 8, 2025
    Allison Noelle Conner

    We Are the Same Thing: The Sutured Selves of María Magdalena Campos-Pons

    On Seher Shah, Expanding Home, and Listening to Delhi
    Features April 24, 2025
    Pramodha Weerasekera

    On Seher Shah, Expanding Home, and Listening to Delhi

    Dreams Being Real: EDELO’s Frontline Resistance
    Reviews April 17, 2025
    Brian Karl

    Dreams Being Real: EDELO’s Frontline Resistance

    Remembering Kelly Mark
    Features March 25, 2025
    Sky Goodden

    Remembering Kelly Mark

    The Boy in the Bathroom: Tom Burr’s Torrington Project
    Features March 14, 2025
    Jamie Ross

    The Boy in the Bathroom: Tom Burr’s Torrington Project

    A Very Real American Place: The Suburban Unconscious in Mike Kelley
    Reviews March 6, 2025
    Simon Wu

    A Very Real American Place: The Suburban Unconscious in Mike Kelley

    Monica Uszerowicz

    Monica Uszerowicz

    On Weather and the Archive: Sofía Gallisá Muriente and Tony Cruz Pabón
    Features, Reviews February 21, 2025
    Alexandra Méndez García

    On Weather and the Archive: Sofía Gallisá Muriente and Tony Cruz Pabón

    Ritual Maintenance: Edges and Encounters with Tina Girouard
    Features, Reviews February 13, 2025
    Diana SeoHyung

    Ritual Maintenance: Edges and Encounters with Tina Girouard

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto
    Features February 5, 2025
    Tiana Reid

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto

    When Women Run the World: Gail Thacker’s Queer Feminist Marvel
    Features January 30, 2025
    Jackson Davidow

    When Women Run the World: Gail Thacker’s Queer Feminist Marvel

    “You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished
    Reviews January 23, 2025
    Amelia Wong-Mersereau

    “You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished

    The Wish in Yong Soon Min’s KISSSSS
    Reviews January 17, 2025
    Summer Kim Lee

    The Wish in Yong Soon Min’s KISSSSS

    Prescient About Still-Active Threats, Marisol Is Right on Time
    Reviews January 6, 2025
    Sky Goodden

    Prescient About Still-Active Threats, Marisol Is Right on Time

    Arenas of Freedom
    Reviews December 20, 2024
    Claudia La Rocco

    Arenas of Freedom

    Swelling Time: Sam Tam Ham Probes the Prime Meridian
    Reviews December 12, 2024
    Claire Voon

    Swelling Time: Sam Tam Ham Probes the Prime Meridian

    Picturing Disease and Desire
    Reviews December 4, 2024
    Emma Cohen

    Picturing Disease and Desire

    Sinister and Playful: Anne Duk Hee Jordan at Canal Projects
    Reviews November 29, 2024
    Cat Dawson

    Sinister and Playful: Anne Duk Hee Jordan at Canal Projects

    Spaces of Doubt: Ursula Biemann at MUAC
    Reviews November 4, 2024
    David Ayala-Alfonso

    Spaces of Doubt: Ursula Biemann at MUAC

    Dempsey Bob is Waking Up
    Features October 28, 2024
    Napatsi Folger

    Dempsey Bob is Waking Up

    Divya Mehra, Stirring and Whirring Colonialism’s Ghosts
    Reviews October 17, 2024
    Allison Noelle Conner

    Divya Mehra, Stirring and Whirring Colonialism’s Ghosts

    On Not Lasting: Diaries, Loss, and the Art of Eva Hesse
    Features October 12, 2024
    Lauren Stroh

    On Not Lasting: Diaries, Loss, and the Art of Eva Hesse

    Unplugged Games: Poetry as Resistance in Yanko González Cangas
    Reviews October 4, 2024
    Ignacio Szmulewicz R.

    Unplugged Games: Poetry as Resistance in Yanko González Cangas

    Invasion from Mars: On the Charged Personae of Shelly Mars
    Features September 27, 2024
    Gyula Muskovics

    Invasion from Mars: On the Charged Personae of Shelly Mars

    Daddy Says: Ed Ruscha in Other Words
    Reviews September 11, 2024
    Rachel Elizabeth Jones

    Daddy Says: Ed Ruscha in Other Words

    Sidestepping Violence: The German Pavilion’s Failure to See the Present in the Past
    Reviews September 5, 2024
    Julie Weitz

    Sidestepping Violence: The German Pavilion’s Failure to See the Present in the Past

    Peter Hujar’s Still Life in Motion
    Reviews August 28, 2024
    Miciah Hussey

    Peter Hujar’s Still Life in Motion

    Reviewing the Reviews: The 2024 Whitney Biennial
    Features, Reviews August 15, 2024
    Jessica Lynne, Catherine G. Wagley

    Reviewing the Reviews: The 2024 Whitney Biennial

    Paul Chan’s Breathers Turns Away
    Reviews August 8, 2024
    Annette LePique

    Paul Chan’s Breathers Turns Away

    Goodbye to Berlin
    Features, Reviews July 31, 2024
    Sholem Krishtalka

    Goodbye to Berlin

    Romantic and Brawling: On Four Chicago Artists
    Features, Reviews July 25, 2024
    Jeremy Lybarger

    Romantic and Brawling: On Four Chicago Artists

    The Possessions of Paul Pfeiffer
    Reviews July 11, 2024
    Simon Wu

    The Possessions of Paul Pfeiffer

    Pacita Abad Sees the Soul of an Artifact
    Features, Reviews July 5, 2024
    Enzo Escober

    Pacita Abad Sees the Soul of an Artifact

    Paper Abstractions: Virginia Jaramillo’s Social Theory
    Reviews June 28, 2024
    Michael Dango

    Paper Abstractions: Virginia Jaramillo’s Social Theory

    Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative
    Features June 14, 2024
    Julie Weitz

    Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative

    There is the Rising: Shelley Niro’s Reckoning Retrospective
    Reviews June 7, 2024
    Salma Hussain

    There is the Rising: Shelley Niro’s Reckoning Retrospective

    Radical Looking: Newly Seeing Art With My Baby
    Features May 30, 2024
    Maya Mackrandilal

    Radical Looking: Newly Seeing Art With My Baby

    Loosening the Stays
    Features May 15, 2024
    Claudia La Rocco

    Loosening the Stays

    Changing the Ground: Amy Sillman Talks About Painting
    Features May 3, 2024
    Jason Stopa

    Changing the Ground: Amy Sillman Talks About Painting

    A Feeling Between the Lines: The Anxious Influence of Agnes Martin’s “Writings”
    Features, Reviews April 26, 2024
    Terry Nguyen

    A Feeling Between the Lines: The Anxious Influence of Agnes Martin’s “Writings”

    Terry Nguyen

    Terry Nguyen

    On the Sense of Queer Loneliness: Sacha Yanow’s “Uncle!” at The Kitchen
    Reviews April 17, 2024
    Miciah Hussey

    On the Sense of Queer Loneliness: Sacha Yanow’s “Uncle!” at The Kitchen

    Caroline Monnet’s Uneasy Objects
    Reviews April 4, 2024
    Kirsty Robertson

    Caroline Monnet’s Uneasy Objects

    Falling From the Tower: Levani on the Necessity of Endings
    Features March 29, 2024
    Gyula Muskovics

    Falling From the Tower: Levani on the Necessity of Endings

    She Was Paying Attention: Remembering Alexis Smith
    Features March 9, 2024
    Kate Wolf

    She Was Paying Attention: Remembering Alexis Smith

    Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes of Intelligence
    Features February 29, 2024
    Kira Xonorika

    Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes of Intelligence

    Our Visuality: Abortion Care Work and Photography
    Features February 23, 2024
    Carmen Winant

    Our Visuality: Abortion Care Work and Photography

    Abstraction, Legibility, and Desire in the Work of Brenda Draney
    Features, Reviews February 14, 2024
    Lois Taylor Biggs

    Abstraction, Legibility, and Desire in the Work of Brenda Draney

    Caitlin Jones

    Caitlin Jones

    Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape
    Features February 2, 2024
    Caitlin Jones

    Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape

    When Feminisms and Futurisms Collide: Judy Chicago and Puppies Puppies at New Museum
    Reviews January 19, 2024
    Harley Wong

    When Feminisms and Futurisms Collide: Judy Chicago and Puppies Puppies at New Museum

    They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith
    Reviews December 12, 2023
    Eliza Swann

    They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith

    Forms of Echo: Sónia Vaz Borges & Filipa César Draw from a Sense-Memory Educational Legacy
    Features November 23, 2023
    Minh Nguyen

    Forms of Echo: Sónia Vaz Borges & Filipa César Draw from a Sense-Memory Educational Legacy

    From Cinematic to Static: Isa Genzken’s 75/75 Retrospective in Berlin
    Reviews November 14, 2023
    M. Folescu

    From Cinematic to Static: Isa Genzken’s 75/75 Retrospective in Berlin

    Fought Through Women’s Bodies: Mona Hatoum’s Early Performances
    Reviews November 9, 2023
    Michael Dango

    Fought Through Women’s Bodies: Mona Hatoum’s Early Performances

    Tracking the Sapphic Social Imaginaries: Lesbian Art in Print
    Features October 16, 2023
    Cassie Packard

    Tracking the Sapphic Social Imaginaries: Lesbian Art in Print

    Christina Sharpe’s Perpetual Present
    Reviews September 20, 2023
    Ruth Gebreyesus

    Christina Sharpe’s Perpetual Present

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
    Features September 8, 2023
    Simon Wu

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color

    We’re Alive, Pablo Is Dead
    Features, Reviews August 22, 2023
    Elisabeth Nicula

    We’re Alive, Pablo Is Dead

    Leo Cocar

    Leo Cocar

    The Polyphonous Calls for Land (and Land Back) of Manuel Axel Strain
    Features, Reviews August 5, 2023
    Leo Cocar

    The Polyphonous Calls for Land (and Land Back) of Manuel Axel Strain

    Dataspace: From the Observed Object to the Participating Subject
    Features July 28, 2023
    Doreen A. Rios

    Dataspace: From the Observed Object to the Participating Subject

    The Art of Accumulation in an Age of Decluttering
    Features July 18, 2023
    Mimi Wong

    The Art of Accumulation in an Age of Decluttering

    Jessica Lynne

    Jessica Lynne

    A Clinic the Size of the World
    Features, Reviews June 15, 2023
    Rouzbeh Shadpey

    A Clinic the Size of the World

    An Alien Echo at the Gwangju Biennale
    Reviews June 8, 2023
    X. Amy Zhang

    An Alien Echo at the Gwangju Biennale

    Tiana Reid

    Tiana Reid

    Between Language and Cure: Athena Papadopoulos at MOCA Toronto
    Reviews June 1, 2023
    Tiana Reid

    Between Language and Cure: Athena Papadopoulos at MOCA Toronto

    Working It
    Features, Reviews May 25, 2023
    Kate Wolf

    Working It

    Kate Wolf

    Kate Wolf

    Evidence of Things Seen*: Capture and Control in India
    Features May 22, 2023
    Arushi Vats

    Evidence of Things Seen*: Capture and Control in India

    Bad Reviews
    Features, Reviews May 2, 2023
    Elisabeth Nicula

    Bad Reviews

    Solitary: Collective Authorship and its Discontents
    Features, Reviews April 12, 2023
    Jenny Wu

    Solitary: Collective Authorship and its Discontents

    The New World Looks Like the Old One: DYOR at Kunsthalle Zürich
    Reviews March 29, 2023
    Philipp Hindahl

    The New World Looks Like the Old One: DYOR at Kunsthalle Zürich

    Never Risky: Seeking New Life at the Singapore Biennale
    Reviews March 22, 2023
    Andrew Russeth

    Never Risky: Seeking New Life at the Singapore Biennale

    The Soft Syncretism of Tau Lewis
    Reviews March 15, 2023
    Darla Migan

    The Soft Syncretism of Tau Lewis

    Out of Necessity and Out of Love: Andrea Fatona’s 30-Year Tribute to Black Canadian Women
    Reviews March 2, 2023
    Neil Price

    Out of Necessity and Out of Love: Andrea Fatona’s 30-Year Tribute to Black Canadian Women

    Submerged Mothers: On Thuy-Han Nguyen-Chi’s Tidal Embrace
    Features February 21, 2023
    Jade Meili Barget

    Submerged Mothers: On Thuy-Han Nguyen-Chi’s Tidal Embrace

    “The Non-Places Are the Places”: Manifesta 14’s Uneasy Presence in Kosovo
    Reviews February 12, 2023
    Ryan Ferko

    “The Non-Places Are the Places”: Manifesta 14’s Uneasy Presence in Kosovo

    It’s All About Good Timing: Goodwater at the Plumb
    Features, Reviews February 7, 2023
    Ella Dawn McGeough

    It’s All About Good Timing: Goodwater at the Plumb

    Chelsea Rozansky

    Chelsea Rozansky

    Mia Sandhu Holds the Gaze Hostage
    Reviews January 24, 2023
    Chelsea Rozansky

    Mia Sandhu Holds the Gaze Hostage

    Portrait of the Artist as a Young Thief
    Features, Reviews January 6, 2023
    Jenny Wu

    Portrait of the Artist as a Young Thief

    “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery
    Features December 22, 2022
    Sky Goodden

    “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery

    Common Boundaries and Refused Exits: Aman Sandhu and Andrew Black
    Reviews December 19, 2022
    Megan Switzer

    Common Boundaries and Refused Exits: Aman Sandhu and Andrew Black

    Reviewing the Reviews: Documenta 15
    Features, Reviews December 10, 2022
    Rahel Aima and Catherine G. Wagley

    Reviewing the Reviews: Documenta 15

    The Remains of the Day: Nadia Belerique in Glasgow
    Reviews November 21, 2022
    Calum Sutherland

    The Remains of the Day: Nadia Belerique in Glasgow

    Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity
    Features, Reviews November 18, 2022
    Shazia Hafiz Ramji

    Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity

    Shazia Hafiz Ramji

    Shazia Hafiz Ramji

    A Distance That I Cannot Seem to Close
    Features November 8, 2022
    Diana SeoHyung

    A Distance That I Cannot Seem to Close

    Preoccupied with Things Left Behind: On Three Nigerian Artists
    Features November 2, 2022
    Ayodeji Rotinwa

    Preoccupied with Things Left Behind: On Three Nigerian Artists

    On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen
    Features October 26, 2022
    Catherine G. Wagley

    On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen

    How Does a Collective End? An Interview with Robert Gabris and Ľuboš Kotlár
    Features October 3, 2022
    Denisa Tomková

    How Does a Collective End? An Interview with Robert Gabris and Ľuboš Kotlár

    Relocating Trauma at the Venice Biennale
    Features, Reviews September 23, 2022
    Julie Weitz

    Relocating Trauma at the Venice Biennale

    “Name What is Unnamed”: Geocinema on Diarying the War in Ukraine
    Features August 29, 2022
    Abhijan Toto

    “Name What is Unnamed”: Geocinema on Diarying the War in Ukraine

    Rearrange: Torkwase Dyson and Black Feminist Breathing
    Features August 3, 2022
    Camille Bacon

    Rearrange: Torkwase Dyson and Black Feminist Breathing

    A Meditation on Hannah Wilke’s Last Work
    Features July 19, 2022
    Nora Rosenthal

    A Meditation on Hannah Wilke’s Last Work

    Against Nations
    Features, Reviews July 8, 2022
    Jayne Wilkinson

    Against Nations

    Akram Zaatari: Dance to the End of Love
    Features June 23, 2022
    Vijay Masharani

    Akram Zaatari: Dance to the End of Love

    Wayne Salmon’s Portraits of Black Belonging in Kensington Market
    Reviews June 16, 2022
    Neil Price

    Wayne Salmon’s Portraits of Black Belonging in Kensington Market

    Where Do Dreams Live?
    Features, Reviews June 3, 2022
    Siera Hyte

    Where Do Dreams Live?

    Hypoxia and Hope
    Features May 26, 2022
    Kamayani Sharma

    Hypoxia and Hope

    Mary Mattingly’s Way to Adapt
    Features May 2, 2022
    Michael McCanne

    Mary Mattingly’s Way to Adapt

    Proving the Rule: The “Exceptionalism” Problem with Art-World Labor
    Features April 28, 2022
    Dana Kopel

    Proving the Rule: The “Exceptionalism” Problem with Art-World Labor

    Colossal Harbingers: The Monumentalism of Art About Climate Change
    Features April 21, 2022
    Hua Xi

    Colossal Harbingers: The Monumentalism of Art About Climate Change

    Jocelyn Parr

    Jocelyn Parr

    A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics
    Reviews April 12, 2022
    Jocelyn Parr

    A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics

    Hua Xi

    Hua Xi

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden
    Features April 4, 2022
    Calum Sutherland

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden

    The Historical Invention of Gala Porras-Kim
    Reviews March 7, 2022
    Maddie Klett

    The Historical Invention of Gala Porras-Kim

    On Whiteness
    Features February 24, 2022
    Simon Wu

    On Whiteness

    Breathing Resistance: An Interview with Sahar Te
    Features February 23, 2022
    Amin Alsaden

    Breathing Resistance: An Interview with Sahar Te

    Oliver Lee Jackson, the People’s Painter
    Features, Reviews February 17, 2022
    Del O'Brien

    Oliver Lee Jackson, the People’s Painter

    Caribbean Being and Becoming in “Fragments of Epic Memory”
    Reviews February 16, 2022
    Ashley Raghubir

    Caribbean Being and Becoming in “Fragments of Epic Memory”

    The Bodies That Scramble India’s “Constitutions”
    Reviews February 9, 2022
    Tammer El-Sheikh

    The Bodies That Scramble India’s “Constitutions”

    Meredyth Cole

    Meredyth Cole

    The Anxious Nostalgia of Steven Shearer
    Reviews January 28, 2022
    Meredyth Cole

    The Anxious Nostalgia of Steven Shearer

    Seeking Specificity in Postcommodity
    Reviews January 21, 2022
    Adrienne Huard

    Seeking Specificity in Postcommodity

    Plant People
    Features January 10, 2022
    Danielle Wu

    Plant People

    Losing Ground in Singapore’s State-Curated Digital Age
    Features December 21, 2021
    Eunice Lacaste

    Losing Ground in Singapore’s State-Curated Digital Age

    Don’t Look Back: Renée Green’s Present Tense
    Reviews December 14, 2021
    Jess Chen

    Don’t Look Back: Renée Green’s Present Tense

    Across This Fraught Place: Survivance at the 2021 Texas Biennial
    Reviews November 23, 2021
    Laura August

    Across This Fraught Place: Survivance at the 2021 Texas Biennial

    An Aesthetic of Enough
    Reviews November 4, 2021
    Jayne Wilkinson

    An Aesthetic of Enough

    Dr. Léuli Eshrāghi

    Dr. Léuli Eshrāghi

    Situating Great Ocean Art in Canadian Museums
    Features October 29, 2021
    Dr. Léuli Eshrāghi

    Situating Great Ocean Art in Canadian Museums

    The Capaciousness of Blackness: An Interview with Dawit. L. Petros
    Features October 21, 2021
    Letticia Cosbert Miller

    The Capaciousness of Blackness: An Interview with Dawit. L. Petros

    More than Not: LACMA’s “Not I” and the Necessity of History
    Reviews October 7, 2021
    Melissa Lo

    More than Not: LACMA’s “Not I” and the Necessity of History

    Correcting for the Bawdy Rage of Paula Rego
    Features September 17, 2021
    Natalie Frank

    Correcting for the Bawdy Rage of Paula Rego

    Cameron Rowland’s Property Relations
    Features August 16, 2021
    Simon Wu

    Cameron Rowland’s Property Relations

    Imperfect Archives: Lilian Leung and Linda Zhang Virtually Capture Eroding Chinatowns
    Features July 12, 2021
    Steph Wong Ken

    Imperfect Archives: Lilian Leung and Linda Zhang Virtually Capture Eroding Chinatowns

    A Speculative Mourning: Iris Häussler’s Lament for Print Media
    Reviews July 6, 2021
    Jayne Wilkinson

    A Speculative Mourning: Iris Häussler’s Lament for Print Media

    Haubitz+Zoche Frames India’s Iconic Movie Theaters—and Absents Them
    Features, Reviews July 1, 2021
    Deepa Bhasthi

    Haubitz+Zoche Frames India’s Iconic Movie Theaters—and Absents Them

    Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim
    Reviews June 25, 2021
    Max Pearl

    Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim

    The Voicemail Interview: Erica Dawn Lyle and Mattilda Bernstein Sycamore on the Phone
    Features June 3, 2021
    Erica Dawn Lyle

    The Voicemail Interview: Erica Dawn Lyle and Mattilda Bernstein Sycamore on the Phone

    Reading Between the Lines: On the Asian Americanness of Badlands Unlimited and Paul Chan
    Features May 26, 2021
    Lisa Yin Zhang

    Reading Between the Lines: On the Asian Americanness of Badlands Unlimited and Paul Chan

    “I Left This for a Reason”: An Interview with Amy Fung
    Features May 17, 2021
    Jarrett Earnest

    “I Left This for a Reason”: An Interview with Amy Fung

    “I Think I’m Really Enjoying Painting”: Margaux Williamson’s New Work
    Features May 12, 2021
    Mark Mann

    “I Think I’m Really Enjoying Painting”: Margaux Williamson’s New Work

    “I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting
    Features April 30, 2021
    Jason Stopa

    “I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting

    Laura August

    Laura August

    Anna Mayer Reconstitutes Loss in Houston
    Features, Reviews April 20, 2021
    Laura August

    Anna Mayer Reconstitutes Loss in Houston

    Ron Athey’s “Far-Right Flirtations”
    Features, Reviews April 7, 2021
    Simon Wu

    Ron Athey’s “Far-Right Flirtations”

    See You on the Other Side: Matthew Wong’s Vistas of the Mind
    Features April 1, 2021
    Lauren DiGiulio

    See You on the Other Side: Matthew Wong’s Vistas of the Mind

    Imagination Over Submission: Luis Camnitzer’s Liberatory Art Education
    Features, Reviews March 23, 2021
    Minh Nguyen

    Imagination Over Submission: Luis Camnitzer’s Liberatory Art Education

    Letter From Atlanta: St. Roch Blues
    Features March 2, 2021
    Jasmine Amussen

    Letter From Atlanta: St. Roch Blues

    Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater
    Features, Reviews February 11, 2021
    Catherine G. Wagley

    Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater

    The Aesthetic Dimension of Erasure: Voluspa Jarpa on Twenty Years of Recovering Trauma
    Features January 27, 2021
    Juan José Santos

    The Aesthetic Dimension of Erasure: Voluspa Jarpa on Twenty Years of Recovering Trauma

    We Are Gathered Here to Grieve: Salvaging, Mourning, and “Cargo Cult Formalism” in New York
    Features, Reviews January 13, 2021
    Andrew Woolbright

    We Are Gathered Here to Grieve: Salvaging, Mourning, and “Cargo Cult Formalism” in New York

    The Shadow-Self Universe of Chris Ware
    Reviews December 14, 2020
    Mitch Speed

    The Shadow-Self Universe of Chris Ware

    Stringing the Net: An Interview with Small Arts Patron Annie Koyama
    Features December 8, 2020
    Sky Goodden

    Stringing the Net: An Interview with Small Arts Patron Annie Koyama

    Wide Open Spaces: Pacifico Silano Emancipates His Gay Erotica
    Reviews November 16, 2020
    Bean Gilsdorf

    Wide Open Spaces: Pacifico Silano Emancipates His Gay Erotica

    An Insipid Blame Game: Tony Cokes and the Monotony of Art About Trump
    Features, Reviews November 3, 2020
    Rahel Aima

    An Insipid Blame Game: Tony Cokes and the Monotony of Art About Trump

    The Untenability of the Unethical Museum
    Features October 30, 2020
    Catherine G. Wagley

    The Untenability of the Unethical Museum

    The Anxious “I”: Walter Scott’s Autofictional Universe
    Features, Reviews October 22, 2020
    Saelan Twerdy

    The Anxious “I”: Walter Scott’s Autofictional Universe

    Waiting to Return to the Places We Were Going: Mapping Robin Cameron’s “Memory Palace”
    Reviews October 15, 2020
    Helen Lee

    Waiting to Return to the Places We Were Going: Mapping Robin Cameron’s “Memory Palace”

    Dora García Has Many Names: The Artist on Three Works Across a Pandemic
    Features October 8, 2020
    Juan José Santos

    Dora García Has Many Names: The Artist on Three Works Across a Pandemic

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”
    Features September 28, 2020
    Ben Davis

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”

    In the Studio with Didier William: “I Came Back to the Body”
    Features September 18, 2020
    Jason Stopa

    In the Studio with Didier William: “I Came Back to the Body”

    “As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge
    Features September 17, 2020
    Andrew Woolbright

    “As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge

    Lifesaving and Abolitionism: Shifting the Frame on Prison Art
    Features August 24, 2020
    Matthew Joseph Irwin

    Lifesaving and Abolitionism: Shifting the Frame on Prison Art

    Between the Gallery and the Street: An Interview with Vanessa Thill
    Features August 18, 2020
    Andreas Petrossiants

    Between the Gallery and the Street: An Interview with Vanessa Thill

    “A Planetary Expenditure”: Ensayos on Learning Across a Distance
    Features August 6, 2020
    Jarrett Earnest

    “A Planetary Expenditure”: Ensayos on Learning Across a Distance

    Last Night a DJ Saved My Life: On Artists and Survival
    Features July 13, 2020
    Andrew Berardini

    Last Night a DJ Saved My Life: On Artists and Survival

    Blood and Paper: Zarina and the Currencies of Violence in India
    Reviews June 30, 2020
    Kamayani Sharma

    Blood and Paper: Zarina and the Currencies of Violence in India

    Raven Chacon

    Raven Chacon

    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality
    Features June 11, 2020
    Sky Goodden, Casey Beal

    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil
    Features May 29, 2020
    Saelan Twerdy

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil

    Listening to Jeanne Randolph
    Features May 23, 2020
    Sky Goodden

    Listening to Jeanne Randolph

    Cyclical Gods: Reliving Pandemic
    Features May 8, 2020
    Xin Wang

    Cyclical Gods: Reliving Pandemic

    Artists in Isolation: There Have Always Been Signs
    Features April 27, 2020
    Tao Fei

    Artists in Isolation: There Have Always Been Signs

    The Invention of the Humane: Ken Lum’s Collected Writings
    Features, Reviews April 6, 2020
    Andy Patton

    The Invention of the Humane: Ken Lum’s Collected Writings

    Writing About Indigenous Art with Critical Care
    Features March 25, 2020
    David Garneau

    Writing About Indigenous Art with Critical Care

    The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA
    Features March 13, 2020
    Catherine G. Wagley

    The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA

    With Sharper Tools: Defending the National Endowment for the Arts
    Features March 6, 2020
    Ben Davis

    With Sharper Tools: Defending the National Endowment for the Arts

    The Lake and The Lake: Against Crisis as Narrative
    Reviews March 3, 2020
    Asa Mendelsohn

    The Lake and The Lake: Against Crisis as Narrative

    Anna Oppermann Looks Down
    Reviews February 29, 2020
    Dagmara Genda

    Anna Oppermann Looks Down

    Living Fragments: On Berlin’s Winter of Broken Pieces
    Features, Reviews February 27, 2020
    Mitch Speed

    Living Fragments: On Berlin’s Winter of Broken Pieces

    Lives of the Artists: Remembering Vilmos
    Features February 13, 2020
    Ted Goodden

    Lives of the Artists: Remembering Vilmos

    To Better Days: Optimistic Design for an Uncertain Future
    Reviews February 7, 2020
    Jessica Rizzo

    To Better Days: Optimistic Design for an Uncertain Future

    The Weight of Enduring: Miles Greenberg’s Sanguine Devotion
    Reviews February 5, 2020
    Terence Trouillot

    The Weight of Enduring: Miles Greenberg’s Sanguine Devotion

    The Apocalypse is Selective, Not Total: Geoffrey Pugen’s Disanthropic Moment
    Reviews February 4, 2020
    Tyler Muzzin

    The Apocalypse is Selective, Not Total: Geoffrey Pugen’s Disanthropic Moment

    Detective Stories About Feelings: The Driving Force of Peter Schjeldahl
    Features January 27, 2020
    Jarrett Earnest

    Detective Stories About Feelings: The Driving Force of Peter Schjeldahl

    An Arch and a Gulf: When Public Art Falls Short of Social Reality
    Features January 24, 2020
    Ken Lum

    An Arch and a Gulf: When Public Art Falls Short of Social Reality

    After the Afterparty: Alan Belcher and Friends, in Retrospect
    Reviews January 10, 2020
    Saelan Twerdy

    After the Afterparty: Alan Belcher and Friends, in Retrospect

    The Art We Deserve: Luc Tuymans’s Exhausted Image
    Reviews January 8, 2020
    Andy Patton

    The Art We Deserve: Luc Tuymans’s Exhausted Image

    Land and Landlessness: A Conversation with Larry Towell
    Features December 19, 2019
    Giancarlo T. Roma

    Land and Landlessness: A Conversation with Larry Towell

    Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art
    Features December 17, 2019
    Mitch Speed

    Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art

    The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick
    Features December 13, 2019
    James Kirkpatrick

    The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
    Features December 2, 2019
    Mark Mann

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art

    Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame
    Reviews November 25, 2019
    Vince Rozario

    Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame

    A Provisional Biennial Amid Istanbul’s Endless Restoration
    Reviews November 14, 2019
    David Balzer

    A Provisional Biennial Amid Istanbul’s Endless Restoration

    Unequal Planes: Vancouver’s Architectural Clash of Ideal and Real
    Reviews November 5, 2019
    Mitch Speed

    Unequal Planes: Vancouver’s Architectural Clash of Ideal and Real

    Fantastic Emissions: Mika Rottenberg’s Labor of Mystification
    Reviews November 4, 2019
    Maru Pabón

    Fantastic Emissions: Mika Rottenberg’s Labor of Mystification

    Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven
    Features October 28, 2019
    Kimberlee Córdova

    Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven

    The Future Wandering of Tau Lewis
    Features October 18, 2019
    Sky Goodden

    The Future Wandering of Tau Lewis

    The Tautological Reeling of Young & Giroux
    Reviews October 18, 2019
    Rhiannon Vogl

    The Tautological Reeling of Young & Giroux

    The Eerie Optimization of “Self-Care” Decor
    Reviews October 10, 2019
    Alison Hugill

    The Eerie Optimization of “Self-Care” Decor

    Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney
    Features September 27, 2019
    Anj Fermor

    Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney

    The Thread of the Weave: Meaning from Material at Oakville Galleries
    Reviews September 17, 2019
    Vince Rozario

    The Thread of the Weave: Meaning from Material at Oakville Galleries

    Art and Labor: Writers Bloc
    Features September 16, 2019
    Jasmine Amussen

    Art and Labor: Writers Bloc

    A Crit of the Crit
    Features September 12, 2019
    Josh Thorpe

    A Crit of the Crit

    Learning as Supporting: Alternatives for Futures in Art Education
    Features September 3, 2019
    Catherine G. Wagley

    Learning as Supporting: Alternatives for Futures in Art Education

    Love and Loneliness: Queering Modernisms in Figurative Painting
    Features, Reviews August 1, 2019
    Joseph Henry

    Love and Loneliness: Queering Modernisms in Figurative Painting

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect
    Features July 27, 2019
    Ben Davis

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect

    Wire and String: Olga Balema’s Sinewy Abjection
    Reviews July 26, 2019
    Mitch Speed

    Wire and String: Olga Balema’s Sinewy Abjection

    Remembering Katharine Mulherin
    Features July 18, 2019
    Sky Goodden

    Remembering Katharine Mulherin

    Firing Blanks: Hito Steyerl and the Voiding of Research Art
    Reviews July 16, 2019
    Rahel Aima

    Firing Blanks: Hito Steyerl and the Voiding of Research Art

    Where Do We Go From Here? Dubious Wealth and Ethical Funding
    Features July 5, 2019
    Ben Davis

    Where Do We Go From Here? Dubious Wealth and Ethical Funding

    Free Your Mind, or Else: “Acid Communism” and Contemporary Art’s Futurism
    Features, Reviews June 12, 2019
    Saelan Twerdy

    Free Your Mind, or Else: “Acid Communism” and Contemporary Art’s Futurism

    The Faces That You Meet: Huma Bhabha’s Close Encounters
    Reviews June 5, 2019
    Tausif Noor

    The Faces That You Meet: Huma Bhabha’s Close Encounters

    Anique Jordan

    Anique Jordan

    “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke
    Features May 30, 2019
    Anique Jordan, Michèle Pearson Clarke

    “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke

    “This Reductive Brave New World”: Andrea Dworkin’s Painful Relevance
    Features, Reviews May 15, 2019
    Wendy Vogel

    “This Reductive Brave New World”: Andrea Dworkin’s Painful Relevance

    One Hundred Years of Ambivalence: The Many Legacies of the Bauhaus
    Features, Reviews May 8, 2019
    Kristian Vistrup Madsen

    One Hundred Years of Ambivalence: The Many Legacies of the Bauhaus

    Invisible Labor and Black Burnout
    Features May 3, 2019
    Melissa Smith

    Invisible Labor and Black Burnout

    The Erotics of Liberty: Dorothy Iannone’s Cultivated Bohemia
    Features, Reviews May 1, 2019
    Mitch Speed

    The Erotics of Liberty: Dorothy Iannone’s Cultivated Bohemia

    From Dust to Light: On Photography’s Material Traces
    Reviews April 24, 2019
    Erin Silver

    From Dust to Light: On Photography’s Material Traces

    The Legacy of Mary Sully: Early Indigenous Feminism, and the “American Indian Abstract”
    Reviews April 19, 2019
    Matthew Joseph Irwin

    The Legacy of Mary Sully: Early Indigenous Feminism, and the “American Indian Abstract”

    “But Can a Spirit Burn?”: Alternatives for Art Under Capital
    Features April 1, 2019
    Catherine G. Wagley

    “But Can a Spirit Burn?”: Alternatives for Art Under Capital

    Deeper Wounds: Nep Sidhu and Aestheticizing Trauma
    Reviews March 28, 2019
    Vince Rozario

    Deeper Wounds: Nep Sidhu and Aestheticizing Trauma

    “So Many Glaring Absences That Were Very Loud to Me”: An Interview with Titus Kaphar
    Features March 27, 2019
    Terence Trouillot

    “So Many Glaring Absences That Were Very Loud to Me”: An Interview with Titus Kaphar

    The Substance of Grief: Nelson Henricks Deepens the Black Page
    Reviews March 20, 2019
    Casey Beal

    The Substance of Grief: Nelson Henricks Deepens the Black Page

    The Architecture of Exclusion: Storytelling Hannah Hoffman’s New Home Through Paul Williams and Tony Cokes
    Reviews March 15, 2019
    Catherine G. Wagley

    The Architecture of Exclusion: Storytelling Hannah Hoffman’s New Home Through Paul Williams and Tony Cokes

    More Culture than Capital: Modesty and Ambition at the Atlanta Biennial
    Reviews March 15, 2019
    Maura Callahan

    More Culture than Capital: Modesty and Ambition at the Atlanta Biennial

    Can Words “Bounce”? A Complicated Resilience on Vancouver Island
    Reviews February 22, 2019
    Casey Beal

    Can Words “Bounce”? A Complicated Resilience on Vancouver Island

    The Seductive Branding of Phoebe Greenberg
    Features February 20, 2019
    Sky Goodden

    The Seductive Branding of Phoebe Greenberg

    Feeling the Idea: Jennifer Rose Sciarrino Advances a Speculative Future in Flesh
    Reviews February 14, 2019
    Christina Cuthbertson

    Feeling the Idea: Jennifer Rose Sciarrino Advances a Speculative Future in Flesh

    Ana Mendieta’s Death is Not a Metaphor
    Features, Reviews February 12, 2019
    Mitch Speed

    Ana Mendieta’s Death is Not a Metaphor

    Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine
    Reviews February 1, 2019
    Kanad Chakrabarti

    Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine

    The Picture of Terror: Contemporary Art and the Islamic State
    Features January 25, 2019
    Owen Duffy

    The Picture of Terror: Contemporary Art and the Islamic State

    Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”
    Features, Reviews January 21, 2019
    Sky Goodden

    Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”

    What’s Wrong with a Fairly Good Biennial?
    Features, Reviews January 16, 2019
    Mitch Speed

    What’s Wrong with a Fairly Good Biennial?

    Signal and Noise: Sara Eliassen and the Visual Roots of Fascism
    Reviews January 11, 2019
    Wendy Vogel

    Signal and Noise: Sara Eliassen and the Visual Roots of Fascism

    The 57th Carnegie International Wanders in Search of “Museum Joy”
    Reviews January 10, 2019
    Earl Miller

    The 57th Carnegie International Wanders in Search of “Museum Joy”

    Shannon Bool Traces the Women of Algiers
    Reviews December 21, 2018
    Sky Goodden

    Shannon Bool Traces the Women of Algiers

    Conspiracy, Discounted Histories, and Nostalgia at the Met Breuer
    Reviews December 17, 2018
    Tausif Noor

    Conspiracy, Discounted Histories, and Nostalgia at the Met Breuer

    Maru Pabón

    Maru Pabón

    How a Dynasty Defines Taste: The Deep Roots of Middle Eastern Abstraction
    Features, Reviews December 12, 2018
    Maru Pabón

    How a Dynasty Defines Taste: The Deep Roots of Middle Eastern Abstraction

    The Bold Refusal of lauren woods’s “American Monument”
    Features, Reviews December 7, 2018
    Catherine G. Wagley

    The Bold Refusal of lauren woods’s “American Monument”

    Marilyn Minter’s Co-opted Desire
    Features, Reviews December 4, 2018
    Elliat Albrecht

    Marilyn Minter’s Co-opted Desire

    Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial
    Reviews November 23, 2018
    Mark Cheetham

    Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial

    Homage to Oneself: Julian Schnabel Interprets the Musée d’Orsay
    Reviews November 20, 2018
    Philip Monk

    Homage to Oneself: Julian Schnabel Interprets the Musée d’Orsay

    “In the Round of Her Need”: An Interview with Ambera Wellmann
    Features November 13, 2018
    Sky Goodden

    “In the Round of Her Need”: An Interview with Ambera Wellmann

    The Curtain’s Part: Confronting Abstraction’s Complacency in Unquiet Times
    Reviews November 7, 2018
    Caitlin Chaisson

    The Curtain’s Part: Confronting Abstraction’s Complacency in Unquiet Times

    Archeology and Ambivalence at Austria’s Steirischer Herbst Festival
    Reviews November 2, 2018
    Kristian Vistrup Madsen

    Archeology and Ambivalence at Austria’s Steirischer Herbst Festival

    Now More Than Ever: Sarah Lucas’s Provocations, Renewed
    Reviews October 10, 2018
    Johanna Fateman

    Now More Than Ever: Sarah Lucas’s Provocations, Renewed

    A Study in American Denial: David Wojnarowicz’s Return to the Piers
    Reviews September 28, 2018
    Erica Dawn Lyle

    A Study in American Denial: David Wojnarowicz’s Return to the Piers

    Confronting Gender Imbalance at the Rencontres d’Arles
    Features September 13, 2018
    Naomi Rea

    Confronting Gender Imbalance at the Rencontres d’Arles

    A Pile of Dirt
    Features August 28, 2018
    Josh Thorpe

    A Pile of Dirt

    Wealth and Lust in Monaco: The Sensuous Illusions of Tom Wesselmann
    Reviews August 7, 2018
    Andrew Berardini

    Wealth and Lust in Monaco: The Sensuous Illusions of Tom Wesselmann

    A Long, Dull Shadow: Georg Baselitz’s Legacy of Misogyny
    Reviews August 2, 2018
    Maura Callahan

    A Long, Dull Shadow: Georg Baselitz’s Legacy of Misogyny

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads
    Features, Reviews July 27, 2018
    Saelan Twerdy

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads

    Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus
    Reviews July 25, 2018
    Mitch Speed

    Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus

    Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns
    Reviews July 17, 2018
    Max L. Feldman

    Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns

    Traumatizing the Museum: An Interview with Joshua Schwebel
    Features July 13, 2018
    Jon Davies, Joshua Schwebel

    Traumatizing the Museum: An Interview with Joshua Schwebel

    Courting Exhaustion: Manifesta’s Dog Days
    Reviews July 6, 2018
    Kristian Vistrup Madsen

    Courting Exhaustion: Manifesta’s Dog Days

    Chinese Futures for American Eyes at the Guggenheim
    Reviews June 29, 2018
    Elliat Albrecht

    Chinese Futures for American Eyes at the Guggenheim

    Cruising for Sex in the Garden of Eden: Architecture and Desire in Venice
    Reviews June 23, 2018
    Alison Hugill

    Cruising for Sex in the Garden of Eden: Architecture and Desire in Venice

    Me For You: The Modest Directives of Ho Tam and Rainer Ganahl
    Reviews June 19, 2018
    Mark Mann

    Me For You: The Modest Directives of Ho Tam and Rainer Ganahl

    The Manner of Their Dying
    Features June 15, 2018
    Andy Patton

    The Manner of Their Dying

    An Open Door, By the Lake: Nadia Belerique Advances Her Symbolism
    Reviews June 2, 2018
    Sky Goodden

    An Open Door, By the Lake: Nadia Belerique Advances Her Symbolism

    Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time
    Reviews June 1, 2018
    Saelan Twerdy

    Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time

    How to Make Art History
    Features May 18, 2018
    Andrew Berardini

    How to Make Art History

    Irreligious Icons: Superficial Heresy at the Met
    Reviews May 10, 2018
    Eleanor Heartney

    Irreligious Icons: Superficial Heresy at the Met

    What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern
    Features, Reviews May 4, 2018
    Mitch Speed

    What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern

    Think of Harald’s Position: Weighing Szeemann’s Obsessions in L.A.
    Features, Reviews April 30, 2018
    Catherine G. Wagley

    Think of Harald’s Position: Weighing Szeemann’s Obsessions in L.A.

    New Forms for New Crises: The Need for a New Ecological Representation
    Features, Reviews April 26, 2018
    Thea Ballard

    New Forms for New Crises: The Need for a New Ecological Representation

    Embarrassed Celebrity: Laurie Simmons’s Feature Debut
    Reviews April 18, 2018
    Christina Catherine Martinez

    Embarrassed Celebrity: Laurie Simmons’s Feature Debut

    How to Stop Working Better
    Features April 9, 2018
    Andrew Berardini

    How to Stop Working Better

    Virginia Woolf: Thinking Back Through Our Mothers at the Tate
    Features April 5, 2018
    Laura Smith

    Virginia Woolf: Thinking Back Through Our Mothers at the Tate

    An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde
    Features March 26, 2018
    Ben Davis

    An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde

    The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive
    Features, Reviews March 23, 2018
    Mark Mann

    The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive

    Worst-Case Scenarios: Contemporary Art’s #Metoo Handwringing
    Features March 21, 2018
    Aruna D'Souza

    Worst-Case Scenarios: Contemporary Art’s #Metoo Handwringing

    Naming “Where is Here”: Ed Zelenak at Christopher Cutts
    Reviews March 15, 2018
    Sky Goodden

    Naming “Where is Here”: Ed Zelenak at Christopher Cutts

    America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)
    Features March 13, 2018
    America Meredith, Lori Blondeau, Adrian Stimson

    America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)

    “More Than Those Who Despised Her”: Unforgetting on the Prairies
    Features March 9, 2018
    Mitch Speed

    “More Than Those Who Despised Her”: Unforgetting on the Prairies

    The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself”
    Reviews March 3, 2018
    Marcus Civin

    The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself”

    No Measure of Health: Ilona Sagar Scans the Politics of Wellbeing
    Reviews February 28, 2018
    Kathryn Lloyd

    No Measure of Health: Ilona Sagar Scans the Politics of Wellbeing

    Faulty Infrastructure: New Orleans’s Triennial Can’t Commit
    Reviews February 19, 2018
    Eva Díaz

    Faulty Infrastructure: New Orleans’s Triennial Can’t Commit

    Maria Hupfield Returns to the Beginning
    Reviews February 13, 2018
    Mark Mann

    Maria Hupfield Returns to the Beginning

    Dubious Icons: Godheads, Messiahs, and the Artist as Celebrity
    Features, Reviews February 9, 2018
    Mitch Speed

    Dubious Icons: Godheads, Messiahs, and the Artist as Celebrity

    “Afrogallonism” Takes Dubai: South-South Solidarity and the Urge to Exoticize
    Reviews February 7, 2018
    Rahel Aima

    “Afrogallonism” Takes Dubai: South-South Solidarity and the Urge to Exoticize

    Raymond Gervais

    Raymond Gervais

    The Listening Gaze: Raymond Gervais (1946-2018)
    Features January 31, 2018
    Raymond Gervais

    The Listening Gaze: Raymond Gervais (1946-2018)

    From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”
    Features, Reviews January 23, 2018
    Ulysses Castellanos

    From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”

    Freeing Latin American Art from Eurocentric Curating
    Reviews January 16, 2018
    Juan José Santos

    Freeing Latin American Art from Eurocentric Curating

    “Seen Anything Good?” The Burden of Biennial Excess
    Features January 12, 2018
    Hettie Judah

    “Seen Anything Good?” The Burden of Biennial Excess

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen
    Reviews December 21, 2017
    Casey Beal

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen

    Crocodile Tears: Ed Atkins and the Crisis of Pathetic Masculinity
    Reviews December 15, 2017
    Mitch Speed

    Crocodile Tears: Ed Atkins and the Crisis of Pathetic Masculinity

    Does the Sublime Know Change? Updating Landscape for the Anthropocene
    Reviews December 6, 2017
    Riva Symko

    Does the Sublime Know Change? Updating Landscape for the Anthropocene

    Darkling Futures and Desert Hangover at the New SITE Sante Fe
    Features, Reviews December 1, 2017
    Andrew Berardini

    Darkling Futures and Desert Hangover at the New SITE Sante Fe

    Against Tidy Memory: Anti-Fascist Memorials and the Horror of Kitsch
    Features November 28, 2017
    Kristian Vistrup Madsen

    Against Tidy Memory: Anti-Fascist Memorials and the Horror of Kitsch

    Everybody Knows: Prada Foundation’s Stylish Cynicism
    Reviews November 23, 2017
    Catherine G. Wagley

    Everybody Knows: Prada Foundation’s Stylish Cynicism

    Privilege as Political Tool: Tania Bruguera on the Usefulness of Art
    Features November 21, 2017
    Merray Michael Mina

    Privilege as Political Tool: Tania Bruguera on the Usefulness of Art

    Palpable Urgency and Understated Ecology: Latvia’s “Survival Kit 9”
    Reviews November 17, 2017
    Mitch Speed

    Palpable Urgency and Understated Ecology: Latvia’s “Survival Kit 9”

    Joseph Tisiga Unsettles Exoticism with Mythic Force at Parisian Laundry
    Reviews November 14, 2017
    Mark Mann

    Joseph Tisiga Unsettles Exoticism with Mythic Force at Parisian Laundry

    “Pacific Standard Time” Writes Overlooked Chicano Artists Back Into Art History
    Reviews November 7, 2017
    Catherine G. Wagley

    “Pacific Standard Time” Writes Overlooked Chicano Artists Back Into Art History

    Risking Pop-Solipsism, Moyra Davey Gets Earnest in Berlin
    Reviews October 23, 2017
    Mitch Speed

    Risking Pop-Solipsism, Moyra Davey Gets Earnest in Berlin

    Seeking a More Intimate Fair with /edition’s Paul Butler
    Features October 18, 2017
    Sky Goodden

    Seeking a More Intimate Fair with /edition’s Paul Butler

    White Like Me: Encountering Divya Mehra’s “You have to tell Them, i’m not a Racist”
    Reviews October 12, 2017
    Mark Mann

    White Like Me: Encountering Divya Mehra’s “You have to tell Them, i’m not a Racist”

    The Strangeness of the Everyday: Skulptur Projekte Münster’s Deep Grey
    Reviews October 6, 2017
    Juan José Santos

    The Strangeness of the Everyday: Skulptur Projekte Münster’s Deep Grey

    Do Androids Dream of Representative Art?
    Reviews October 4, 2017
    Kanad Chakrabarti

    Do Androids Dream of Representative Art?

    Fake News, Bad Art
    Features, Reviews September 27, 2017
    Tausif Noor

    Fake News, Bad Art

    For Common and Decent Things: Resisting Co-opted “Collaboration”
    Features September 22, 2017
    Owen Duffy

    For Common and Decent Things: Resisting Co-opted “Collaboration”

    The Personal and Political Wrestle it Out in Kara Walker’s Rebellious New Show
    Reviews September 15, 2017
    Aruna D'Souza

    The Personal and Political Wrestle it Out in Kara Walker’s Rebellious New Show

    Performance Art Blows Open the Prairies, in “Stages”
    Reviews September 14, 2017
    Mitch Speed

    Performance Art Blows Open the Prairies, in “Stages”

    A Shattered Mirror: Geoffrey Farmer’s Disobedient Object in Venice
    Reviews August 16, 2017
    Andrew Witt

    A Shattered Mirror: Geoffrey Farmer’s Disobedient Object in Venice

    Place, Space, or Backdrop: The Dilemma of Desert X, the “Coachella Biennial”
    Features, Reviews August 9, 2017
    Monica Westin

    Place, Space, or Backdrop: The Dilemma of Desert X, the “Coachella Biennial”

    Post-Confessional: The Aging Intimacies of Sophie Calle
    Features, Reviews August 2, 2017
    Sarah Burke

    Post-Confessional: The Aging Intimacies of Sophie Calle

    Art at the Border: Cutting for Signs in Pace Gallery’s “Border Cantos”
    Reviews July 26, 2017
    Rob Goyanes

    Art at the Border: Cutting for Signs in Pace Gallery’s “Border Cantos”

    That’s the Way to Do It!: The Fairy Tale Life of Ydessa Hendeles
    Features, Reviews July 18, 2017
    Philip Monk

    That’s the Way to Do It!: The Fairy Tale Life of Ydessa Hendeles

    Hélio Oiticica’s Journey From Art Visionary to Coke Dealer and Back Again
    Features July 14, 2017
    Ben Davis

    Hélio Oiticica’s Journey From Art Visionary to Coke Dealer and Back Again

    The Intimate Dangers of Reading Georgia O’Keeffe Through a Blouse
    Features, Reviews July 13, 2017
    Melissa Wyse

    The Intimate Dangers of Reading Georgia O’Keeffe Through a Blouse

    “Made in Germany”: Can the Artworld Have a Nation?
    Features, Reviews July 7, 2017
    Kristian Vistrup Madsen

    “Made in Germany”: Can the Artworld Have a Nation?

    Courting Crisis: Condescension, Disaster Tourism, and “Learning from Athens”
    Reviews July 5, 2017
    Alison Hugill

    Courting Crisis: Condescension, Disaster Tourism, and “Learning from Athens”

    White Space, Black Spectacle at MASS MoCA
    Features June 29, 2017
    Aruna D'Souza

    White Space, Black Spectacle at MASS MoCA

    Wu Tsang, Eileen Myles, and Me: Reading Zoe Leonard’s “I Want a President”
    Features, Reviews June 22, 2017
    Mitch Speed

    Wu Tsang, Eileen Myles, and Me: Reading Zoe Leonard’s “I Want a President”

    Sound/Off: Uneasy Listening at documenta 14 in Kassel
    Reviews June 21, 2017
    Tausif Noor

    Sound/Off: Uneasy Listening at documenta 14 in Kassel

    “All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project
    Reviews June 14, 2017
    Joseph Henry

    “All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project

    The Center Holds: Bruce High Quality Foundation’s Accidental Gulf Nativism
    Reviews June 7, 2017
    Rahel Aima

    The Center Holds: Bruce High Quality Foundation’s Accidental Gulf Nativism

    A Parasitic ‘joie de vivre’ in “Viva Arte Viva”
    Features, Reviews May 30, 2017
    Mitch Speed

    A Parasitic ‘joie de vivre’ in “Viva Arte Viva”

    Invasiveness and Indigeneity: Alicia Escott’s Complicit Critique
    Reviews May 19, 2017
    Monica Westin

    Invasiveness and Indigeneity: Alicia Escott’s Complicit Critique

    What Happened to the Anthropocene? Searching the 57th Venice Biennale for Signs of Destruction
    Reviews May 17, 2017
    John Holten

    What Happened to the Anthropocene? Searching the 57th Venice Biennale for Signs of Destruction

    “She Comes in Colors”: A Portrait of Sarah Cain, Painter
    Features May 10, 2017
    Andrew Berardini

    “She Comes in Colors”: A Portrait of Sarah Cain, Painter

    Gallerist Virginia Dwan, the Reluctant Legend
    Features, Reviews May 5, 2017
    Catherine G. Wagley

    Gallerist Virginia Dwan, the Reluctant Legend

    The Tonal Ambivalence of Feminist Land Art Retreat
    Features April 26, 2017
    Alison Hugill

    The Tonal Ambivalence of Feminist Land Art Retreat

    The Inevitable Cannibalization of Institutional Critique: Surveying Michael Asher and Christopher D’Arcangelo in L.A.
    Reviews April 20, 2017
    Hyunjee Nicole Kim

    The Inevitable Cannibalization of Institutional Critique: Surveying Michael Asher and Christopher D’Arcangelo in L.A.

    The Enduring Popularity of Fictional Critic “Madame Realism”
    Features April 14, 2017
    Mitch Speed

    The Enduring Popularity of Fictional Critic “Madame Realism”

    What Kind of Criticism Do We Need Now? Coming to Terms with Teju Cole’s “Known and Strange Things”
    Reviews April 7, 2017
    Casey Beal

    What Kind of Criticism Do We Need Now? Coming to Terms with Teju Cole’s “Known and Strange Things”

    An Elegy for Beau Dick (1955–2017)
    Features April 5, 2017
    Candice Hopkins

    An Elegy for Beau Dick (1955–2017)

    Stay on It: Maintaining Julius Eastman’s Radical Desire
    Reviews March 24, 2017
    Mitch Speed

    Stay on It: Maintaining Julius Eastman’s Radical Desire

    The Double-Bind in Raqs Media Collective’s Institutional Critique
    Features March 15, 2017
    Tausif Noor

    The Double-Bind in Raqs Media Collective’s Institutional Critique

    As Both Dancer and Texter: Julien Prévieux Choreographs Our Changing Bodies
    Reviews March 3, 2017
    Fabien Maltais-Bayda

    As Both Dancer and Texter: Julien Prévieux Choreographs Our Changing Bodies

    How Do We Decolonize Desire? Evelyn Taocheng Wang Massages Difficult Truths at Château Shatto
    Reviews February 22, 2017
    Hyunjee Nicole Kim

    How Do We Decolonize Desire? Evelyn Taocheng Wang Massages Difficult Truths at Château Shatto

    With the Logic of Vegas, the Seduction of Art: Hadar Kleiman’s Cheap Desirability in San Francisco
    Reviews February 17, 2017
    Monica Westin

    With the Logic of Vegas, the Seduction of Art: Hadar Kleiman’s Cheap Desirability in San Francisco

    Where the Party Is: Mark Leckey’s Vernacular, Autobiographical Tour Through Pop
    Reviews February 14, 2017
    Sam Korman

    Where the Party Is: Mark Leckey’s Vernacular, Autobiographical Tour Through Pop

    Interrupting Business as Usual: A Close Reading of MoMA’s Muslim Ban Intervention
    Features February 13, 2017
    Ben Davis

    Interrupting Business as Usual: A Close Reading of MoMA’s Muslim Ban Intervention

    Cassils and the Complicated Rhetoric of the Hero
    Features February 9, 2017
    Emily Vey Duke

    Cassils and the Complicated Rhetoric of the Hero

    Drones, by Design: Mahwish Chishty and the Politics of Representation
    Reviews February 3, 2017
    Tausif Noor

    Drones, by Design: Mahwish Chishty and the Politics of Representation

    “Liberation and Consumption”: Surveying Korean Art in the ’90s
    Reviews January 26, 2017
    Alison Hugill

    “Liberation and Consumption”: Surveying Korean Art in the ’90s

    Jill Magid’s Post-Truth Diamond Proposal
    Features January 24, 2017
    Kimberlee Córdova

    Jill Magid’s Post-Truth Diamond Proposal

    Feeling Good, Feeling Bad: The Self-Help Vibrations of Patrick Howlett
    Reviews January 19, 2017
    Heather White

    Feeling Good, Feeling Bad: The Self-Help Vibrations of Patrick Howlett

    New Books: Gauguin and Proust Meet at the Border of Painting and Literature
    Features January 17, 2017
    Jonathon Sturgeon

    New Books: Gauguin and Proust Meet at the Border of Painting and Literature

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados
    Features January 12, 2017
    Fabien Maltais-Bayda

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados

    The Portent in Exhibiting Robert Mapplethorpe: What Can He Mean to Us Now?
    Reviews January 11, 2017
    Sky Goodden

    The Portent in Exhibiting Robert Mapplethorpe: What Can He Mean to Us Now?

    The Atmospheric Pressure in “Reading” Barbara Bloom
    Reviews January 6, 2017
    Mitch Speed

    The Atmospheric Pressure in “Reading” Barbara Bloom

    The Material Undoings of Kelly Lycan
    Features, Reviews December 21, 2016
    Joni Low

    The Material Undoings of Kelly Lycan

    “If I Ventured in the Slipstream”: Tamara Henderson’s Nomadic Encampment at REDCAT
    Reviews December 19, 2016
    Andrew Berardini

    “If I Ventured in the Slipstream”: Tamara Henderson’s Nomadic Encampment at REDCAT

    An Allegory for an Absconded Modernity: Claudio Correa Signals Chile’s Speculative Present
    Features, Reviews December 15, 2016
    Juan José Santos

    An Allegory for an Absconded Modernity: Claudio Correa Signals Chile’s Speculative Present

    Ways of Seeing John Berger, in Two Recent Documentaries
    Reviews December 13, 2016
    Mitch Speed

    Ways of Seeing John Berger, in Two Recent Documentaries

    Isa Genzken Plays with the Artworld’s Insides in “I Love Michael Asher”
    Reviews December 8, 2016
    Catherine G. Wagley

    Isa Genzken Plays with the Artworld’s Insides in “I Love Michael Asher”

    Sara Cwynar Prepares Herself to Turn
    Reviews December 2, 2016
    Sky Goodden

    Sara Cwynar Prepares Herself to Turn

    Acting Out: The Visibility of Blackness in the Work of Martine Syms
    Reviews November 30, 2016
    Zoë Chan

    Acting Out: The Visibility of Blackness in the Work of Martine Syms

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial
    Features, Reviews November 22, 2016
    Saelan Twerdy

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial

    Weird Science: William Kentridge Deepens Time at Whitechapel
    Reviews November 17, 2016
    Tausif Noor

    Weird Science: William Kentridge Deepens Time at Whitechapel

    Romancing the Stone: Three Berlin Exhibitions Commune with the Ancients
    Reviews November 15, 2016
    Mitch Speed

    Romancing the Stone: Three Berlin Exhibitions Commune with the Ancients

    A Culture War is Coming
    Features November 10, 2016
    Christian Viveros-Fauné

    A Culture War is Coming

    A House Divided: Theaster Gates’s Confused Beat at the AGO
    Reviews November 4, 2016
    Ulysses Castellanos

    A House Divided: Theaster Gates’s Confused Beat at the AGO

    The 11th Gwangju Biennale’s Overreach: “What Does Art Do?”
    Reviews November 1, 2016
    Ben Eastham

    The 11th Gwangju Biennale’s Overreach: “What Does Art Do?”

    Toronto the Good, in Two Histories
    Reviews October 26, 2016
    Philip Monk

    Toronto the Good, in Two Histories

    The Past Imperfect of Jutta Koether
    Reviews October 18, 2016
    Mitch Speed

    The Past Imperfect of Jutta Koether

    While the World Burns: The 32nd São Paulo Biennial’s Political Disregard
    Reviews October 13, 2016
    Juan José Santos

    While the World Burns: The 32nd São Paulo Biennial’s Political Disregard

    Stardust Tears: Sojourner Truth Parsons’s “Crying in California”
    Reviews October 10, 2016
    Andrew Berardini

    Stardust Tears: Sojourner Truth Parsons’s “Crying in California”

    The Instagrammable Angst of Anne Imhof
    Reviews October 5, 2016
    Alison Hugill

    The Instagrammable Angst of Anne Imhof

    Candice Hopkins

    Candice Hopkins

    An Elegy for Annie Pootoogook (1969–2016)
    Features September 30, 2016
    Candice Hopkins

    An Elegy for Annie Pootoogook (1969–2016)

    The Ellipses of Eva Hesse: Reading Her Collected Diaries
    Features September 29, 2016
    Mitch Speed

    The Ellipses of Eva Hesse: Reading Her Collected Diaries

    Wifredo Lam: The Albissola Years
    Features September 22, 2016
    Eskil Lam

    Wifredo Lam: The Albissola Years

    Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum
    Reviews September 20, 2016
    Ben Davis

    Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum

    Simone Leigh’s Powerful Meditation on Race and Healthcare Suffers, Ironically, from Lack of Access
    Reviews September 13, 2016
    Mitch Speed

    Simone Leigh’s Powerful Meditation on Race and Healthcare Suffers, Ironically, from Lack of Access

    “Embarrassment is a Challenge”: The Queasy Vulnerability of Maria Lassnig
    Features September 6, 2016
    Gilda Williams

    “Embarrassment is a Challenge”: The Queasy Vulnerability of Maria Lassnig

    Momus Best-Of: Vol. 2 2015-16
    Features August 25, 2016
    Sky Goodden

    Momus Best-Of: Vol. 2 2015-16

    DIS Collective’s Apathetic and Ironic Berlin Biennial Underestimates its Audience
    Reviews August 16, 2016
    Alison Hugill

    DIS Collective’s Apathetic and Ironic Berlin Biennial Underestimates its Audience

    Dumb Material and Animate Belief: Sadie Benning Plays (with) God
    Reviews August 10, 2016
    Mitch Speed

    Dumb Material and Animate Belief: Sadie Benning Plays (with) God

    Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto
    Features August 9, 2016
    Sky Goodden

    Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent
    Features August 4, 2016
    Saelan Twerdy

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent

    The Renewed Focus and Acrid Targeting of Rachel Harrison at MoMA and Greene Naftali
    Reviews August 3, 2016
    Mitch Speed

    The Renewed Focus and Acrid Targeting of Rachel Harrison at MoMA and Greene Naftali

    Wresting the Work of Straub and Huillet from the Annals of Academia and Art History
    Reviews July 25, 2016
    Mitch Speed

    Wresting the Work of Straub and Huillet from the Annals of Academia and Art History

    “If You Are Black, You Really Are Coming from Behind”: Orders of Visibility in Kerry James Marshall’s “Mastry”
    Features July 20, 2016
    Raél Jero Salley

    “If You Are Black, You Really Are Coming from Behind”: Orders of Visibility in Kerry James Marshall’s “Mastry”

    From a Safe Distance: Guy Maddin Stills His Lens with Collage
    Reviews July 18, 2016
    Mark Mann

    From a Safe Distance: Guy Maddin Stills His Lens with Collage

    Battle Hymn of the Republic: The Measure of Kehinde Wiley in the American South
    Reviews July 13, 2016
    Tausif Noor

    Battle Hymn of the Republic: The Measure of Kehinde Wiley in the American South

    Georgia O'Keeffe

    Georgia O'Keeffe

    “Out There in the Many Miles of Bad Lands”: Georgia O’Keeffe in Her Own Words
    Features July 13, 2016
    Georgia O'Keeffe

    “Out There in the Many Miles of Bad Lands”: Georgia O’Keeffe in Her Own Words

    Colin Edgington

    Colin Edgington

    After Brexit, Art Must Break Out of Its Bubble
    Features June 30, 2016
    Ben Davis

    After Brexit, Art Must Break Out of Its Bubble

    Emerging Artist Neil Beloufa Turns Smug at MoMA
    Reviews June 28, 2016
    Mitch Speed

    Emerging Artist Neil Beloufa Turns Smug at MoMA

    Sholem Krishtalka

    Sholem Krishtalka

    The Fair They Built: The Disappeared Workers of Art Basel, in Painting
    Features June 27, 2016
    Sholem Krishtalka

    The Fair They Built: The Disappeared Workers of Art Basel, in Painting

    Understanding Lina Bo Bardi’s Unending Popularity (and Misuse)
    Features June 23, 2016
    Juan José Santos

    Understanding Lina Bo Bardi’s Unending Popularity (and Misuse)

    Abigail DeVille Unburies Bodies at The Contemporary
    Reviews June 13, 2016
    Owen Duffy

    Abigail DeVille Unburies Bodies at The Contemporary

    Art and Architecture’s DIY Practices and “Folk Politics”: Radical or Picking Up the Social Tab?
    Features June 9, 2016
    Alison Hugill

    Art and Architecture’s DIY Practices and “Folk Politics”: Radical or Picking Up the Social Tab?

    Printmaking in the Anthropocene: Sean Caulfield’s Uncannily-Timed “Firedamp” Burns Darkly
    Reviews June 7, 2016
    Stephanie Bailey

    Printmaking in the Anthropocene: Sean Caulfield’s Uncannily-Timed “Firedamp” Burns Darkly

    The Unspecific (But Straining) Politics of Joan Jonas
    Reviews June 3, 2016
    Mitch Speed

    The Unspecific (But Straining) Politics of Joan Jonas

    Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy
    Reviews June 1, 2016
    Ben Davis

    Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy

    A Parallel Landscape: Ned Pratt’s Abstract Sublime
    Reviews May 24, 2016
    Sky Goodden

    A Parallel Landscape: Ned Pratt’s Abstract Sublime

    Troubling Self-Care in a Selfie World: The Photographs of Karen Asher
    Reviews May 17, 2016
    Dagmara Genda

    Troubling Self-Care in a Selfie World: The Photographs of Karen Asher

    How to Become a Curator
    Features May 16, 2016
    Andrew Berardini

    How to Become a Curator

    The “Fuck Em” Sex and Class Reversals of Alicia Gibson
    Reviews May 12, 2016
    Mitch Speed

    The “Fuck Em” Sex and Class Reversals of Alicia Gibson

    Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding
    Reviews May 11, 2016
    Zoë Chan

    Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding

    Embracing the Sāo Paulo Biennial’s Acute Uncertainty
    Features May 4, 2016
    Juan José Santos

    Embracing the Sāo Paulo Biennial’s Acute Uncertainty

    “Accessibility” and the New Hoser Aesthetics
    Features April 27, 2016
    Lee Henderson

    “Accessibility” and the New Hoser Aesthetics

    The Depressing Power of Art in Raphaëlle de Groot’s “Summit Meetings”
    Reviews April 26, 2016
    Sky Goodden, Mark Mann

    The Depressing Power of Art in Raphaëlle de Groot’s “Summit Meetings”

    Eeriness: Tracing an Unquiet Tradition in British Landscape Art
    Features April 20, 2016
    Robert MacFarlane

    Eeriness: Tracing an Unquiet Tradition in British Landscape Art

    Regionalism Vs. Provincialism: Agitating Against Critical Neglect in Artworld Peripheries
    Features April 18, 2016
    Amy Zion, Cora Fisher

    Regionalism Vs. Provincialism: Agitating Against Critical Neglect in Artworld Peripheries

    “As a Relief from Language”: Hilton Als, as Artist
    Reviews April 13, 2016
    Mitch Speed

    “As a Relief from Language”: Hilton Als, as Artist

    The Ages of Mat Brown
    Features April 12, 2016
    Ulysses Castellanos

    The Ages of Mat Brown

    “You Can’t Win It”: Jon McCurley on the Art of Facebook
    Features April 7, 2016
    Sky Goodden

    “You Can’t Win It”: Jon McCurley on the Art of Facebook

    “I Wanted to Find a Way to Respond”: Artist Ben Quilty on Working with Refugees
    Features April 4, 2016
    Ben Davis

    “I Wanted to Find a Way to Respond”: Artist Ben Quilty on Working with Refugees

    The Humanist Impulse of Yousuf Karsh
    Reviews April 1, 2016
    Ulysses Castellanos

    The Humanist Impulse of Yousuf Karsh

    Misogyny and the Myth of the ’90s at Mexico City’s Kurimanzutto
    Reviews March 30, 2016
    Kimberlee Córdova

    Misogyny and the Myth of the ’90s at Mexico City’s Kurimanzutto

    Fantasies Both Light and Dark in Veteran Mavericks Eldon Garnet and Max Dean
    Reviews March 24, 2016
    Ben Portis

    Fantasies Both Light and Dark in Veteran Mavericks Eldon Garnet and Max Dean

    How To Be an Unprofessional Artist
    Features March 23, 2016
    Andrew Berardini

    How To Be an Unprofessional Artist

    Flickering Insight from the Whitechapel’s “Electronic Superhighway”
    Reviews March 20, 2016
    Ben Eastham

    Flickering Insight from the Whitechapel’s “Electronic Superhighway”

    In Search of Himself: Sky Glabush’s Mimetic Practice Drifts Into the Neo-Modernist Trend
    Reviews March 14, 2016
    Sky Goodden

    In Search of Himself: Sky Glabush’s Mimetic Practice Drifts Into the Neo-Modernist Trend

    Hold Still: A History of Performing for the Camera from Nadar to the Selfie
    Features March 9, 2016
    Liz Jobey

    Hold Still: A History of Performing for the Camera from Nadar to the Selfie

    Does the Right Hand Cover for the Left?: The Case of the Remai Modern and Its Errant Board
    Features March 4, 2016
    Mitch Speed

    Does the Right Hand Cover for the Left?: The Case of the Remai Modern and Its Errant Board

    The State of the Artworld, Explained
    Features March 2, 2016
    Ben Davis

    The State of the Artworld, Explained

    To Cloak or Reveal: Ryan Gander on the Question That Dogs Him
    Features February 29, 2016
    Sky Goodden

    To Cloak or Reveal: Ryan Gander on the Question That Dogs Him

    The Art of Protest
    Features February 22, 2016
    Nina Power

    The Art of Protest

    “I Think We’re Changing Into a Tribal Nation”: A Conversation with Dave Hickey on “25 Women”
    Features February 16, 2016
    Sky Goodden

    “I Think We’re Changing Into a Tribal Nation”: A Conversation with Dave Hickey on “25 Women”

    The Sadean Woman: Tricia Middleton and the Violence of Art
    Reviews February 9, 2016
    Saelan Twerdy

    The Sadean Woman: Tricia Middleton and the Violence of Art

    The Hermetic Lyricism of Anri Sala
    Reviews February 8, 2016
    Ben Davis

    The Hermetic Lyricism of Anri Sala

    The Slow, Meditative Optimism of Jillian Kay Ross
    Reviews February 5, 2016
    Alex Bowron

    The Slow, Meditative Optimism of Jillian Kay Ross

    Back to the Future: The Social-Activist Architecture of Moshe Safdie
    Features February 3, 2016
    Carol Strickland

    Back to the Future: The Social-Activist Architecture of Moshe Safdie

    “How to Lie About Canadian Art”: A Case Study in Art Criticism
    Features February 2, 2016
    Dick Averns

    “How to Lie About Canadian Art”: A Case Study in Art Criticism

    The Incautious Abstractions of Erin Loree
    Reviews January 29, 2016
    Randy Gladman

    The Incautious Abstractions of Erin Loree

    Only at Home in a Paradox: M.C. Escher Gets His Artworld Due
    Reviews January 26, 2016
    Becca Rothfeld

    Only at Home in a Paradox: M.C. Escher Gets His Artworld Due

    How to See the Invisible
    Features January 25, 2016
    Andrew Berardini

    How to See the Invisible

    Redefining the Sex in the Sale at Birch Contemporary
    Reviews January 21, 2016
    Ulysses Castellanos

    Redefining the Sex in the Sale at Birch Contemporary

    Towards the Quiet, or with Larger Amplifiers: An Interview with Berlin Performance Artist Aleks Slota
    Features January 15, 2016
    RM Vaughan

    Towards the Quiet, or with Larger Amplifiers: An Interview with Berlin Performance Artist Aleks Slota

    Do You Have to Be Rich to Make It as an Artist?
    Features January 14, 2016
    Ben Davis

    Do You Have to Be Rich to Make It as an Artist?

    From Exile to Acclaim, the Unlikely Story of Mu Xin, and China’s Reformation
    Features January 11, 2016
    Carol Strickland

    From Exile to Acclaim, the Unlikely Story of Mu Xin, and China’s Reformation

    No Land in Sight: A Timely Response to the Migrant Crisis from Denmark’s SUPERFLEX
    Reviews January 7, 2016
    Earl Miller

    No Land in Sight: A Timely Response to the Migrant Crisis from Denmark’s SUPERFLEX

    Any Plans After the Exhibition?
    Features January 4, 2016
    Orit Gat

    Any Plans After the Exhibition?

    The Most Important Art Essays of the Year
    Features December 22, 2015
    Ben Davis

    The Most Important Art Essays of the Year

    Why Can’t We Talk About Class and Art in Canada?
    Features December 18, 2015
    RM Vaughan

    Why Can’t We Talk About Class and Art in Canada?

    The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga
    Features December 14, 2015
    Sky Goodden

    The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga

    Friends Among Us: Reflections on the Value and Risk of Nepotism in Art
    Features December 8, 2015
    Catherine G. Wagley

    Friends Among Us: Reflections on the Value and Risk of Nepotism in Art

    The Inequality of Contemporary Art
    Features December 5, 2015
    Christian Viveros-Fauné

    The Inequality of Contemporary Art

    How to Art Fair
    Features December 3, 2015
    Andrew Berardini

    How to Art Fair

    The Function of Gossip as Criticism in Mexico’s Artworld
    Features December 1, 2015
    Kimberlee Córdova

    The Function of Gossip as Criticism in Mexico’s Artworld

    “It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure
    Features November 26, 2015
    Sky Goodden

    “It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure

    The Lips of a Wound: Reflections on Doris Salcedo
    Reviews November 23, 2015
    Liz Park

    The Lips of a Wound: Reflections on Doris Salcedo

    Nothing in These Works is Given Freely: The Phenomenological Approach of Frank Auerbach
    Reviews November 19, 2015
    Becca Rothfeld

    Nothing in These Works is Given Freely: The Phenomenological Approach of Frank Auerbach

    A Prismatic Picture of Colombian Street Culture in Jorge Lozano’s Experimental Films
    Features November 17, 2015
    Ulysses Castellanos

    A Prismatic Picture of Colombian Street Culture in Jorge Lozano’s Experimental Films

    These Are Not Ideas; These Are Things: A Conversation with Liz Magor
    Features November 13, 2015
    Sky Goodden

    These Are Not Ideas; These Are Things: A Conversation with Liz Magor

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review
    Features November 10, 2015
    Sky Goodden, Benjamin Genocchio, James McAnally, Sarrita Hunn

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review

    Cohering His Compulsions: Ken Nicol Advances at Olga Korper
    Reviews November 5, 2015
    Ben Portis

    Cohering His Compulsions: Ken Nicol Advances at Olga Korper

    How to Read an Art Magazine
    Features November 2, 2015
    Andrew Berardini

    How to Read an Art Magazine

    Public Art Has to Be Art First and Public Second: A Conversation with Stuart Reid on Union Station
    Features October 27, 2015
    Sky Goodden

    Public Art Has to Be Art First and Public Second: A Conversation with Stuart Reid on Union Station

    Helen Molesworth Upends the Permanent Hang at MOCA LA
    Reviews October 26, 2015
    Catherine G. Wagley

    Helen Molesworth Upends the Permanent Hang at MOCA LA

    Our Mutual Desire for Critical Change: Momus and Feature Art Fair
    Features October 21, 2015
    Sky Goodden

    Our Mutual Desire for Critical Change: Momus and Feature Art Fair

    The Spinning “YOLO” Sympathies of Sandra Meigs
    Reviews October 20, 2015
    Kelly Jazvac

    The Spinning “YOLO” Sympathies of Sandra Meigs

    Interview: The Compressed Violence of Dana Schutz
    Features October 19, 2015
    Benjamin Bruneau

    Interview: The Compressed Violence of Dana Schutz

    A Portrait of The Artist as a Young Professional: Joseph Hartman’s Artist Studios
    Reviews October 13, 2015
    Ulysses Castellanos

    A Portrait of The Artist as a Young Professional: Joseph Hartman’s Artist Studios

    Robert Rauschenberg and Rachel Harrison Mirror Media and More Across Time
    Features October 7, 2015
    Sky Goodden

    Robert Rauschenberg and Rachel Harrison Mirror Media and More Across Time

    All That Is Solid …: Alex McLeod Taps the Cult of the Canadian Sublime and Explodes the Digital
    Reviews October 7, 2015
    Otino Corsano

    All That Is Solid …: Alex McLeod Taps the Cult of the Canadian Sublime and Explodes the Digital

    A New Level of Anxiety in Derek Liddington
    Reviews October 5, 2015
    Dagmara Genda

    A New Level of Anxiety in Derek Liddington

    Slowing Down Perception: “are you experienced?” Tries to Affect the White Cube
    Reviews October 1, 2015
    Adam Barbu

    Slowing Down Perception: “are you experienced?” Tries to Affect the White Cube

    What is the Museum of the Future?
    Features September 29, 2015
    Chris Dercon

    What is the Museum of the Future?

    The Incurable Distance of Gustave Caillebotte
    Reviews September 28, 2015
    Becca Rothfeld

    The Incurable Distance of Gustave Caillebotte

    Contemporary Art Writing in Mexico: The Intractable and Necessary Issue of Corruption
    Features September 23, 2015
    Kimberlee Córdova

    Contemporary Art Writing in Mexico: The Intractable and Necessary Issue of Corruption

    The First Modern Art Dealer and the Movement He Incited
    Features September 21, 2015
    Carol Strickland

    The First Modern Art Dealer and the Movement He Incited

    A Spitting Fit of Teenage Rage: On the Increasing Impotence of Political Art
    Features September 16, 2015
    RM Vaughan

    A Spitting Fit of Teenage Rage: On the Increasing Impotence of Political Art

    Beware the “Creative Economy”
    Features September 15, 2015
    Ben Davis

    Beware the “Creative Economy”

    The Subtle Evolution and Marked Aging of Michael Smith’s “Mike”
    Reviews September 14, 2015
    Michael Vass

    The Subtle Evolution and Marked Aging of Michael Smith’s “Mike”

    Shedding New Light on the Night: Obscurity and Clarity in the American Nocturne
    Features September 11, 2015
    Carol Strickland

    Shedding New Light on the Night: Obscurity and Clarity in the American Nocturne

    From This Deep and Powerful Sculpture Emerged This Mask: Reading Haegue Yang Through Victor Hugo
    Reviews September 8, 2015
    Gauthier Lesturgie

    From This Deep and Powerful Sculpture Emerged This Mask: Reading Haegue Yang Through Victor Hugo

    First Nations Art and the Matter of Its Politics
    Features September 8, 2015
    Clint Burnham

    First Nations Art and the Matter of Its Politics

    Grey Skies Over Melancholy Bay: Creative Antagonism and Cultural Preservation on the West Coast
    Reviews August 19, 2015
    Lee Plested

    Grey Skies Over Melancholy Bay: Creative Antagonism and Cultural Preservation on the West Coast

    What Gets Revealed When Iris Häussler Finally Owns Her Name
    Reviews August 15, 2015
    Sky Goodden

    What Gets Revealed When Iris Häussler Finally Owns Her Name

    Inside My Head: An Interview with Glenn Ligon
    Features August 14, 2015
    Glenn Ligon, Simon Grant

    Inside My Head: An Interview with Glenn Ligon

    Bodies Beholden: The Changed Corporeality of David Salle’s New Paintings
    Reviews August 12, 2015
    Becca Rothfeld

    Bodies Beholden: The Changed Corporeality of David Salle’s New Paintings

    On the Subtle Joy of Agnes Martin
    Features August 6, 2015
    Karen Schiff

    On the Subtle Joy of Agnes Martin

    Are Sex Differences Getting in the Way?: The Limits of Gender-Based Curating
    Features August 4, 2015
    Natasha Chaykowski

    Are Sex Differences Getting in the Way?: The Limits of Gender-Based Curating

    Picturing Nothing: Reading the Drawings of Sophie Jodoin Through the Words of Samuel Beckett
    Features July 29, 2015
    Dagmara Genda

    Picturing Nothing: Reading the Drawings of Sophie Jodoin Through the Words of Samuel Beckett

    #Longform and #Longreads Journalism: Its Reality and Potential
    Features July 22, 2015
    Orit Gat

    #Longform and #Longreads Journalism: Its Reality and Potential

    Mary Heilmann and David Reed’s “Two By Two” at the Hamburger Bahnhof Floats Towards Americana
    Reviews July 20, 2015
    Mitch Speed

    Mary Heilmann and David Reed’s “Two By Two” at the Hamburger Bahnhof Floats Towards Americana

    Tracey Emin

    Tracey Emin

    Perfect Bedfellows: Tracey Emin on Francis Bacon
    Features July 17, 2015
    Tracey Emin, Simon Grant

    Perfect Bedfellows: Tracey Emin on Francis Bacon

    How To See a Sunset
    Features July 15, 2015
    Andrew Berardini

    How To See a Sunset

    Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto
    Features July 13, 2015
    Sky Goodden

    Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
    Reviews July 9, 2015
    Saelan Twerdy

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web

    It’s Not Stealing If It’s Art: A Re-Primer on Image Appropriation for the Internet Generation
    Features July 6, 2015
    RM Vaughan

    It’s Not Stealing If It’s Art: A Re-Primer on Image Appropriation for the Internet Generation

    View from Here: On the Contingency of Sight in Wanda Koop
    Reviews June 29, 2015
    Dagmara Genda

    View from Here: On the Contingency of Sight in Wanda Koop

    The Exit Interview: Matthew Teitelbaum
    Features June 26, 2015
    Jennifer Matotek

    The Exit Interview: Matthew Teitelbaum

    Sheila Heti Interviews John Currin on the Fun, Beautiful Things
    Features June 24, 2015
    Sheila Heti

    Sheila Heti Interviews John Currin on the Fun, Beautiful Things

    A Rebuttal, Not a Conversation: Discussing Ombaasin’s AGO Intervention, “Land Rights Now”
    Features June 23, 2015
    Sky Goodden

    A Rebuttal, Not a Conversation: Discussing Ombaasin’s AGO Intervention, “Land Rights Now”

    Interview: Tacita Dean
    Features June 17, 2015
    Sky Goodden

    Interview: Tacita Dean

    What Is an Art Critic Doing at an Art Fair?
    Features June 15, 2015
    Orit Gat

    What Is an Art Critic Doing at an Art Fair?

    Interview: Rashaad Newsome on Voguing, Heraldry, and FKA Twigs
    Features June 10, 2015
    David Balzer

    Interview: Rashaad Newsome on Voguing, Heraldry, and FKA Twigs

    Paul P. on Two Works by Stephen Andrews
    Features June 9, 2015
    Paul P.

    Paul P. on Two Works by Stephen Andrews

    Wayne Baerwaldt on ACAD’s Dissolution of His Director/Curator Position: “It’s an Issue of Public Trust”
    Features June 8, 2015
    Sky Goodden

    Wayne Baerwaldt on ACAD’s Dissolution of His Director/Curator Position: “It’s an Issue of Public Trust”

    Rui Amaral

    Rui Amaral

    Can Art Museums Afford to Be Free?
    Features June 1, 2015
    Sarah Cascone

    Can Art Museums Afford to Be Free?

    Labor Lost: Okwui Enwezor’s Artworld Biennale
    Reviews May 27, 2015
    David Balzer

    Labor Lost: Okwui Enwezor’s Artworld Biennale

    A Future Never Sought: Okwui Enwezor’s 56th Venice Biennale
    Reviews May 26, 2015
    Sky Goodden

    A Future Never Sought: Okwui Enwezor’s 56th Venice Biennale

    After Bjork Fiasco, MoMA’s Yoko Ono Show Makes a Case for Art and Celebrity
    Features May 13, 2015
    Ben Davis

    After Bjork Fiasco, MoMA’s Yoko Ono Show Makes a Case for Art and Celebrity

    To Cut and To Swipe: Understanding Hito Steyerl Through “HOW NOT TO BE SEEN”
    Features May 12, 2015
    Kaegan Sparks

    To Cut and To Swipe: Understanding Hito Steyerl Through “HOW NOT TO BE SEEN”

    Taking On “The Gaze,” and Doing Away With it, Too: Warsaw’s Elsner and Rogalski
    Reviews May 5, 2015
    RM Vaughan

    Taking On “The Gaze,” and Doing Away With it, Too: Warsaw’s Elsner and Rogalski

    The Whitney’s Triumphant New Museum is Worrying For Art
    Features May 1, 2015
    Ben Davis

    The Whitney’s Triumphant New Museum is Worrying For Art

    The Suffering Body of 1993: Whatever Happened to the “Abject”
    Features April 27, 2015
    Joseph Henry

    The Suffering Body of 1993: Whatever Happened to the “Abject”

    Valérie Blass Is Both Accessible and Locked-Up in “My Life”
    Reviews April 19, 2015
    Wojciech Olejnik

    Valérie Blass Is Both Accessible and Locked-Up in “My Life”

    Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography
    Features April 16, 2015
    Sky Goodden

    Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography

    Seeing Red: Understanding Kazuo Shiraga’s Sudden Fame
    Features April 8, 2015
    Carol Strickland

    Seeing Red: Understanding Kazuo Shiraga’s Sudden Fame

    The Alchemist: A Studio Visit with Sadie Weis
    Features April 7, 2015
    RM Vaughan

    The Alchemist: A Studio Visit with Sadie Weis

    Will Fenstermaker

    Will Fenstermaker

    Tools for Redress: A Century of Political Art Between “Zero Tolerance” and “The Left Front”
    Features April 1, 2015
    Will Fenstermaker

    Tools for Redress: A Century of Political Art Between “Zero Tolerance” and “The Left Front”

    “I Don’t Give a Shit About Authenticity”: Sholem Krishtalka Performs His Reveal in “A Berlin Diary”
    Features March 30, 2015
    RM Vaughan

    “I Don’t Give a Shit About Authenticity”: Sholem Krishtalka Performs His Reveal in “A Berlin Diary”

    Retrospective: Pollock in LIFE
    Features March 27, 2015
    Cliff Eyland

    Retrospective: Pollock in LIFE

    Girls Gone Viral: Anicka Yi’s Pathological Feminism
    Reviews March 24, 2015
    Chloe Wyma

    Girls Gone Viral: Anicka Yi’s Pathological Feminism

    Interview: The Difficulty in Distilling Suzy Lake
    Features March 23, 2015
    Sky Goodden

    Interview: The Difficulty in Distilling Suzy Lake

    Is the iPhone a Blessing or a Curse for Art?
    Features March 20, 2015
    Ben Davis

    Is the iPhone a Blessing or a Curse for Art?

    Aiming to Please: Division Gallery Surveys Post-Internet Entertainment
    Reviews March 17, 2015
    Saelan Twerdy

    Aiming to Please: Division Gallery Surveys Post-Internet Entertainment

    The Anxiety of Influence: Jack Bush at the National Gallery
    Reviews March 16, 2015
    David Balzer

    The Anxiety of Influence: Jack Bush at the National Gallery

    Interview: Venice Biennale Curator Okwui Enwezor On “All the World’s Futures” and the Angel of History
    Features March 12, 2015
    Coline Milliard

    Interview: Venice Biennale Curator Okwui Enwezor On “All the World’s Futures” and the Angel of History

    “What Instruments Have We?”: A Conversation with Emily Roysdon
    Features March 10, 2015
    Joseph Henry

    “What Instruments Have We?”: A Conversation with Emily Roysdon

    The Deadening Gaze of Tal R
    Reviews March 3, 2015
    Mitch Speed

    The Deadening Gaze of Tal R

    The Contemporary Erotics of Laurie Kang
    Reviews February 24, 2015
    Alex Bowron

    The Contemporary Erotics of Laurie Kang

    Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East
    Features, Reviews February 18, 2015
    Matthew Carver

    Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East

    Ben Schumacher Comes of Age at New York’s Bortolami Gallery
    Reviews February 18, 2015
    Christie Chu

    Ben Schumacher Comes of Age at New York’s Bortolami Gallery

    Bad Dream of the Bauhaus: Juan Ortiz-Apuy’s IKEA Fantasia
    Reviews February 16, 2015
    Saelan Twerdy

    Bad Dream of the Bauhaus: Juan Ortiz-Apuy’s IKEA Fantasia

    The Temptation of Everything in Michael Dudeck’s “Messiah Complex 5.0”
    Reviews February 12, 2015
    Mark Mann

    The Temptation of Everything in Michael Dudeck’s “Messiah Complex 5.0”

    Luc Tuymans Dares Painting to Lose
    Reviews February 9, 2015
    Clint Burnham

    Luc Tuymans Dares Painting to Lose

    What On Kawara’s Analog Wisdom at the Guggenheim Has to Offer a Digital World
    Reviews February 7, 2015
    Ben Davis

    What On Kawara’s Analog Wisdom at the Guggenheim Has to Offer a Digital World

    Ryan McNamara and the Afterlife of Performance
    Features, Reviews February 4, 2015
    Joseph Henry

    Ryan McNamara and the Afterlife of Performance

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn
    Features January 29, 2015
    Sky Goodden

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn

    Villa Toronto’s Failure and Provocation: How Do We Invite the Outside In?
    Features, Reviews January 22, 2015
    Sky Goodden

    Villa Toronto’s Failure and Provocation: How Do We Invite the Outside In?

    Neïl Beloufa Relies on Other People
    Reviews January 19, 2015
    Kristy Trinier

    Neïl Beloufa Relies on Other People

    Interview: Pedro Reyes Reclaims the Politics in Art
    Features January 14, 2015
    Sky Goodden

    Interview: Pedro Reyes Reclaims the Politics in Art

    Querying the New Appropriation Art: Is This Cynicism?
    Reviews January 8, 2015
    Joseph Henry

    Querying the New Appropriation Art: Is This Cynicism?

    In Praise of Good Art Writing
    Features January 6, 2015
    Andrew Berardini

    In Praise of Good Art Writing

    Alien vs. Predator: The Critic in Three Recent Films
    Features January 5, 2015
    David Balzer

    Alien vs. Predator: The Critic in Three Recent Films

    Year in Review: Montreal From the Ground Up
    Features December 31, 2014
    Saelan Twerdy

    Year in Review: Montreal From the Ground Up

    Year in Review: The Women Represented
    Features December 31, 2014
    Joseph Henry

    Year in Review: The Women Represented

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”
    Reviews December 29, 2014
    Saelan Twerdy

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”

    Women and Influence and the Other Things He Got Wrong: A Rebuttal To Brad Phillips
    Features December 17, 2014
    Sky Goodden

    Women and Influence and the Other Things He Got Wrong: A Rebuttal To Brad Phillips

    Ben Davis

    Ben Davis

    Tadej Pogačar’s Persistent Perversion of Institutional Critique
    Reviews December 15, 2014
    Clint Burnham

    Tadej Pogačar’s Persistent Perversion of Institutional Critique

    Earl Miller

    Earl Miller

    A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader
    Features December 11, 2014
    Earl Miller

    A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader

    A Ghostly Form: Scrap Metal Embraces Presence, Absence, and the Space Between
    Reviews December 10, 2014
    Sky Goodden

    A Ghostly Form: Scrap Metal Embraces Presence, Absence, and the Space Between

    Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough
    Reviews December 8, 2014
    Mark Mann

    Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough

    Time, Travel, and Trial in the Work of Jason de Haan
    Features, Reviews December 1, 2014
    Wojciech Olejnik

    Time, Travel, and Trial in the Work of Jason de Haan

    How to Survive International Art: Notes from the Poverty Jetset
    Features December 1, 2014
    Andrew Berardini

    How to Survive International Art: Notes from the Poverty Jetset

    Looking At Us Looking At You: Looking Down on Isa Genzken
    Reviews November 26, 2014
    Clint Burnham

    Looking At Us Looking At You: Looking Down on Isa Genzken

    The Future of Art Toronto, and How It Plans to Adapt
    Features November 24, 2014
    Sky Goodden

    The Future of Art Toronto, and How It Plans to Adapt

    The Problematized Fun of Cosima von Bonin
    Reviews November 19, 2014
    Clint Burnham

    The Problematized Fun of Cosima von Bonin

    “He Did Not Ring My Head Like a Bell”: Reviewing Geoffrey Farmer
    Reviews November 18, 2014
    Andrew Berardini

    “He Did Not Ring My Head Like a Bell”: Reviewing Geoffrey Farmer

    Kill the Expert: An Interview with Brian Droitcour
    Features November 17, 2014
    Joseph Henry

    Kill the Expert: An Interview with Brian Droitcour

    Future Forecast: The Montreal Biennale 2014
    Reviews November 10, 2014
    Saelan Twerdy

    Future Forecast: The Montreal Biennale 2014

    The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series
    Reviews November 10, 2014
    Clint Burnham

    The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series

    Karen Kraven Nets Meaning in the Threads
    Reviews November 7, 2014
    Benjamin Bruneau

    Karen Kraven Nets Meaning in the Threads

    Blue Republic Finds its Center
    Reviews November 5, 2014
    Sky Goodden

    Blue Republic Finds its Center

    A Theory of Everything: On The State of Theory and Criticism (Part Two)
    Features November 3, 2014
    Saelan Twerdy

    A Theory of Everything: On The State of Theory and Criticism (Part Two)

    The Commons of Aggregation: The Case for Net Art as Public Art
    Features October 27, 2014
    Joseph Henry

    The Commons of Aggregation: The Case for Net Art as Public Art

    Machinations: Stan Douglas Makes His Theatrical Debut
    Reviews October 22, 2014
    David Balzer

    Machinations: Stan Douglas Makes His Theatrical Debut

    Working with the Material at Hand: A Roundtable on Regionalism
    Features October 16, 2014
    Sky Goodden

    Working with the Material at Hand: A Roundtable on Regionalism

    Nice Things: The Pleasure Principle in Jeff Koons and Cory Arcangel
    Features October 15, 2014
    Joseph Henry

    Nice Things: The Pleasure Principle in Jeff Koons and Cory Arcangel

    The Militant Image
    Reviews October 15, 2014
    Clint Burnham

    The Militant Image

    Fossils
    Features October 15, 2014
    Colin Perry

    Fossils

    Pierre Huyghe’s Airless Fantasy at Hauser & Wirth
    Reviews October 15, 2014
    Colin Perry

    Pierre Huyghe’s Airless Fantasy at Hauser & Wirth

    How to Write About Contemporary Art
    Features October 15, 2014
    Andrew Berardini

    How to Write About Contemporary Art

    Interview: Ben Davis on Marxism, Criticism, and Contemporary Art
    Features October 15, 2014
    Sky Goodden

    Interview: Ben Davis on Marxism, Criticism, and Contemporary Art

    Mark Mann

    Mark Mann

    How Curating Took Over the World: David Balzer’s Game-Changing “Curationism”
    Reviews October 15, 2014
    Saelan Twerdy

    How Curating Took Over the World: David Balzer’s Game-Changing “Curationism”

    Rural Exhibitions: Their Gambit and Their Trope
    Features October 12, 2014
    Caoimhe Morgan-Feir

    Rural Exhibitions: Their Gambit and Their Trope

    Frank Mädler’s Fleeting Capture
    Features August 3, 2014
    Sky Goodden

    Frank Mädler’s Fleeting Capture

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