
As Flight or Escape: Ralph Lemon at MoMA PS1
Ralph Lemon has described choreography as “a daily event appropriate to uncontrolled circumstances.” If the traditional role of the choreographer is to determine the…
Ralph Lemon has described choreography as “a daily event appropriate to uncontrolled circumstances.” If the traditional role of the choreographer is to determine the…
Season 8 of Momus: The Podcast launches with Ajay Kurian, an artist, critic, and co-founder of New Crits, a platform for artist mentorship. Kurian…
It was with a frisson of anticipatory delight that I crossed the threshold of Tom Burr’s warehouse in Connecticut, two hours northeast of New…
The suburb of Westland, Michigan, where Mike Kelley grew up, may be one of the only cities in the US renamed after a mall….
In what ways is a mother like a tree? A mother—a caregiver, really, because lineages are built not merely by blood and biology but…
For five months I lived with open windows in a suburb of San Juan, air ventilating through my apartment on days of both intense…
Maintenance I: Role Change, 1970 I give myself a haircut using the video system as a mirror. It is completely private, no one in…
What was the problem? I didn’t know and nobody told me and what could I do or say, anyway? Yes, I did know…
In late June 2024, a couple of weeks before Joe Biden withdrew his bid for reelection and Kamala Harris launched her campaign for president,…
In 1969, the young Abenaki singer and activist Alanis Obomsawin, newly hired as a consultant at the National Film Board of Canada (NFB), took…
Momus: The Podcast’s Season 07 finale features Tiana Reid, a Toronto-based critic and assistant professor of English at York University. Reid is a former…
“It is worth wondering, perhaps, what the wishes are in kissing,” Adam Phillips writes. In his readings of Freud, Phillips suggests that a kiss…
Near the end of the definitive, long-overdue survey of the artist Marisol at the Buffalo AKG Art Museum, after a parade of totemic sculptural…
“Time is more than a container; time participates.” —Susan Rethorst, A Choreographic Mind I often enter retrospectives with a certain girding of the…
Esteemed critic and writer Claudia La Rocco speaks to Lauren Wetmore about being a “dance partisan” and how “language can nail things down in…
Like most other instruments of empire used to chart our world, the international prime meridian is an invisible, regnant force. A product of colonial…