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    public art

    Duane Linklater and the Limits of Dia Art Foundation’s Reckoning
    Features June 24, 2026
    David W. Norman

    Duane Linklater and the Limits of Dia Art Foundation’s Reckoning

    Directly to the Adversary: Claude Cahun and Marcel Moore at CAM St. Louis
    Reviews June 11, 2026
    Farrah Karapetian

    Directly to the Adversary: Claude Cahun and Marcel Moore at CAM St. Louis

    Farrah Karapetian

    Farrah Karapetian

    What it Means to Continue: On Gabrielle Goliath, Reparative Work, and Resisting State Violence
    Features May 14, 2026
    M. Neelika Jayawardane

    What it Means to Continue: On Gabrielle Goliath, Reparative Work, and Resisting State Violence

    A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles
    Features May 7, 2026
    Kate Wolf

    A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles

    Belonging to Ourselves: Lynn Hershman Leeson and Sophie Calle
    Reviews April 30, 2026
    Tara Anne Dalbow

    Belonging to Ourselves: Lynn Hershman Leeson and Sophie Calle

    Momus Convening: To Build and Sustain
    June 26–27, 2026
    PHI
    Montreal

    Momus Convening: To Build and Sustain

    Psychodrama of Interiors: Fabrice Schneider at Établissement d’en Face
    Reviews April 9, 2026
    Bitsy Knox

    Psychodrama of Interiors: Fabrice Schneider at Établissement d’en Face

    Staying to the End: Gossip, Banter, and Loss in Peter Hujar’s Friendships
    Features April 2, 2026
    Harley Wong

    Staying to the End: Gossip, Banter, and Loss in Peter Hujar’s Friendships

    Cora Fisher

    Cora Fisher

    To Build and Sustain: Publishing Roundtable
    June 27, 2026 7:00 PM–9:00 PM
    PHI
    Montreal

    To Build and Sustain: Publishing Roundtable

    Write for Momus

    Tour de Farce: Pat Oleszko at SculptureCenter
    Reviews March 19, 2026
    Madeleine Seidel

    Tour de Farce: Pat Oleszko at SculptureCenter

    Lara Khaldi

    Lara Khaldi

    Elvia Wilk

    Elvia Wilk

    Luther Konadu

    Luther Konadu

    Momus Residency: To Build and Sustain

    Residency August 11–15, 2025

    Momus Arts Journalism Residency

    Residency June 10–July 25, 2024
    Julia Halperin

    Julia Halperin

    River Whittle

    River Whittle

    Stefanie Jason

    Stefanie Jason

    Margo Jefferson

    Margo Jefferson

    Dr. Kemi Adeyemi

    Dr. Kemi Adeyemi

    Erica N. Cardwell

    Erica N. Cardwell

    Writing Relations, Making Futurities: Global Indigenous Art Criticism Residency

    Residency February 7-11, 2022 and March 14-18, 2022
    Chayanne Marcano

    Chayanne Marcano

    t.c. lynch

    t.c. lynch

    Angela N. Carroll

    Angela N. Carroll

    Christina Nafziger

    Christina Nafziger

    Neyat Yohannes

    Neyat Yohannes

    Daniella Sanader

    Daniella Sanader

    Mario Lewis

    Mario Lewis

    eunice bélidor

    eunice bélidor

    Angella d’Avignon

    Angella d’Avignon

    Siobhan Burke

    Siobhan Burke

    Natalie Hegert

    Natalie Hegert

    Momus Emerging Critics Residency 2021

    Residency August 9–20, 2021
    Jacob Zhicheng Zhang

    Jacob Zhicheng Zhang

    Leanne Petersen

    Leanne Petersen

    Christiana Myers

    Christiana Myers

    Joia Duskic

    Joia Duskic

    Gwen Burlington

    Gwen Burlington

    Kara Au

    Kara Au

    Momus Emerging Critics Residency 2020

    Residency August 3–28, 2020
    Kate Whiteway

    Kate Whiteway

    Sarah Ratzlaff

    Sarah Ratzlaff

    Enrique Morales

    Enrique Morales

    Rado Minchev

    Rado Minchev

    Lorenza Mezzapelle

    Lorenza Mezzapelle

    Michael Laundry

    Michael Laundry

    Karina Roman Justo

    Karina Roman Justo

    Dallas Fellini

    Dallas Fellini

    Juilee Raje

    Juilee Raje

    “Post/doc” Launch: Intervals
    Talk May 5, 2025 6:30 PM
    Storm Books & Candy
    Brooklyn

    “Post/doc” Launch: Intervals

    Art Time / Life Time: On Tehching Hsieh’s Thirteen Year Plan
    Features March 6, 2026
    Lisa Hsiao Chen

    Art Time / Life Time: On Tehching Hsieh’s Thirteen Year Plan

    “Dancing On My Own” Book Launch and Artist Lecture with Simon Wu
    Talk October 17, 2024 7:00 PM–9:00 PM
    The Center for Art, Research and Alliances
    New York

    “Dancing On My Own” Book Launch and Artist Lecture with Simon Wu

    Moving Through the Rupture: Tehching Hsieh and Linda Montano Revisit Rope Piece
    Features March 4, 2026
    Eliza Swann

    Moving Through the Rupture: Tehching Hsieh and Linda Montano Revisit Rope Piece

    Unsettled Vision: Aaron Morse on the Fantasized West at Philip Martin Gallery
    Reviews February 26, 2026
    Lisa Locascio Nighthawk

    Unsettled Vision: Aaron Morse on the Fantasized West at Philip Martin Gallery

    Another Small Disturbance: Shannon Garden-Smith at MKG127
    Reviews February 12, 2026
    Sky Goodden

    Another Small Disturbance: Shannon Garden-Smith at MKG127

    Authentically Vaginal: The Life Force of Vaginal Davis at PS1
    Features, Reviews January 29, 2026
    Lisa Hsiao Chen

    Authentically Vaginal: The Life Force of Vaginal Davis at PS1

    History as a Chorus: Reimagining Monumentality at SITE Santa Fe
    Reviews January 8, 2026
    Ceci Moss

    History as a Chorus: Reimagining Monumentality at SITE Santa Fe

    Choosing How to be Seen: Lessons from Louise Nevelson’s Early Work
    Reviews December 15, 2025
    Ruby Sky Stiler

    Choosing How to be Seen: Lessons from Louise Nevelson’s Early Work

    Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion
    Features December 3, 2025
    Summer Kim Lee, TJ Shin

    Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion

    Residencies & Fellowships

    Emma Fiona Jones

    Emma Fiona Jones

    Dare to Have Fun: Pixy Liao Plays with Gendered Power at the Art Institute of Chicago
    Reviews November 13, 2025
    Anna Aguiar Kosicki

    Dare to Have Fun: Pixy Liao Plays with Gendered Power at the Art Institute of Chicago

    Learning to Move Differently: Nadia Myre at the National Gallery of Canada
    Reviews October 30, 2025
    Alexandra Nordstrom

    Learning to Move Differently: Nadia Myre at the National Gallery of Canada

    Momus Programs engage in the expanded framework of art publishing.

    Risking Fear: Hamad Butt at Whitechapel Gallery
    Reviews October 9, 2025
    Tatum Howey

    Risking Fear: Hamad Butt at Whitechapel Gallery

    The All-Seeing Eyes of Carol Rama
    Reviews September 17, 2025
    Tara Anne Dalbow

    The All-Seeing Eyes of Carol Rama

    Katie Lawson

    Katie Lawson

    “Staying with the Trouble” at the Helsinki Biennial: Challenges of Environmental Curating
    Reviews September 11, 2025
    Katie Lawson

    “Staying with the Trouble” at the Helsinki Biennial: Challenges of Environmental Curating

    asdf
    Features, Reviews September 4, 2025
    Aaron Katzeman

    Jeffrey Gibson Saves America

    Programming the Diaspora: On How the Moving Image Shapes the Present
    Features August 21, 2025
    Nasrin Himada

    Programming the Diaspora: On How the Moving Image Shapes the Present

    Ramona Ngin

    Ramona Ngin

    Love Letter Incinerators: Martin Wong’s Prison Paintings
    Features August 14, 2025
    Ramona Ngin

    Love Letter Incinerators: Martin Wong’s Prison Paintings

    Jack Whitten, Human Xerox Machine
    Features, Reviews August 1, 2025
    Elizabeth Wiet

    Jack Whitten, Human Xerox Machine

    A Note on Omission: Navigating Institutional Censorship and the Need for Repair
    Features July 17, 2025
    Najrin Islam

    A Note on Omission: Navigating Institutional Censorship and the Need for Repair

    Najrin Islam

    Najrin Islam

    The Close-Up Reveals Nothing: How Deborah-Joyce Holman Complicates Interiority
    Features July 10, 2025
    Gervais Marsh

    The Close-Up Reveals Nothing: How Deborah-Joyce Holman Complicates Interiority

    Gervais Marsh

    Gervais Marsh

    A Model for Risk-Taking: Arthur Tress’s Grotesque Allegory of a Presidential Cabinet
    Features July 3, 2025
    Jackson Davidow

    A Model for Risk-Taking: Arthur Tress’s Grotesque Allegory of a Presidential Cabinet

    Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art
    Reviews June 26, 2025
    MacKenzie River Foy

    Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art

    Paula Mejía

    Paula Mejía

    The Breathing Field of Marlon Kroll
    Reviews May 29, 2025
    Qing Sheng

    The Breathing Field of Marlon Kroll

    The High Stakes of Nancy Holt’s Systems
    Features May 15, 2025
    Cat Kron

    The High Stakes of Nancy Holt’s Systems

    Havensong (after and for heidi andrea restrepo rhodes and Diana SeoHyung)
    Features May 1, 2025
    JJJJJerome Ellis

    Havensong (after and for heidi andrea restrepo rhodes and Diana SeoHyung)

    가는 길: Decision to Leave / On Leaving / Leaving
    Features April 28, 2025
    Diana SeoHyung

    가는 길: Decision to Leave / On Leaving / Leaving

    Pramodha Weerasekera

    Pramodha Weerasekera

    Intimacies Concealed and Performed: Katayoon Yousefbigloo and A Maior at Western Front
    Reviews April 10, 2025
    Claire Geddes Bailey

    Intimacies Concealed and Performed: Katayoon Yousefbigloo and A Maior at Western Front

    For Pleasure and Pictures: Robert Andy Coombs, His Critics, and the Language of Ableism
    Features April 4, 2025
    Erin F. O'Leary

    For Pleasure and Pictures: Robert Andy Coombs, His Critics, and the Language of Ableism

    The Boy in the Bathroom: Tom Burr’s Torrington Project
    Features March 14, 2025
    Jamie Ross

    The Boy in the Bathroom: Tom Burr’s Torrington Project

    A Very Real American Place: The Suburban Unconscious in Mike Kelley
    Reviews March 6, 2025
    Simon Wu

    A Very Real American Place: The Suburban Unconscious in Mike Kelley

    Lineage and Light: Rose Marie Cromwell’s “A Geological Survey”
    Features February 27, 2025
    Monica Uszerowicz

    Lineage and Light: Rose Marie Cromwell’s “A Geological Survey”

    On Weather and the Archive: Sofía Gallisá Muriente and Tony Cruz Pabón
    Features, Reviews February 21, 2025
    Alexandra Méndez García

    On Weather and the Archive: Sofía Gallisá Muriente and Tony Cruz Pabón

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto
    Features February 5, 2025
    Tiana Reid

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto

    When Women Run the World: Gail Thacker’s Queer Feminist Marvel
    Features January 30, 2025
    Jackson Davidow

    When Women Run the World: Gail Thacker’s Queer Feminist Marvel

    Prescient About Still-Active Threats, Marisol Is Right on Time
    Reviews January 6, 2025
    Sky Goodden

    Prescient About Still-Active Threats, Marisol Is Right on Time

    Swelling Time: Sam Tam Ham Probes the Prime Meridian
    Reviews December 12, 2024
    Claire Voon

    Swelling Time: Sam Tam Ham Probes the Prime Meridian

    Kelly Lycan’s Objects in Waiting
    Features November 12, 2024
    Sky Goodden

    Kelly Lycan’s Objects in Waiting

    Spaces of Doubt: Ursula Biemann at MUAC
    Reviews November 4, 2024
    David Ayala-Alfonso

    Spaces of Doubt: Ursula Biemann at MUAC

    David Ayala-Alfonso

    David Ayala-Alfonso

    On Not Lasting: Diaries, Loss, and the Art of Eva Hesse
    Features October 12, 2024
    Lauren Stroh

    On Not Lasting: Diaries, Loss, and the Art of Eva Hesse

    Ignacio Szmulewicz R.

    Ignacio Szmulewicz R.

    Invasion from Mars: On the Charged Personae of Shelly Mars
    Features September 27, 2024
    Gyula Muskovics

    Invasion from Mars: On the Charged Personae of Shelly Mars

    Rachel Elizabeth Jones

    Rachel Elizabeth Jones

    Sidestepping Violence: The German Pavilion’s Failure to See the Present in the Past
    Reviews September 5, 2024
    Julie Weitz

    Sidestepping Violence: The German Pavilion’s Failure to See the Present in the Past

    Reviewing the Reviews: The 2024 Whitney Biennial
    Features, Reviews August 15, 2024
    Jessica Lynne, Catherine G. Wagley

    Reviewing the Reviews: The 2024 Whitney Biennial

    Paul Chan’s Breathers Turns Away
    Reviews August 8, 2024
    Annette LePique

    Paul Chan’s Breathers Turns Away

    Goodbye to Berlin
    Features, Reviews July 31, 2024
    Sholem Krishtalka

    Goodbye to Berlin

    Jeremy Lybarger

    Jeremy Lybarger

    Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative
    Features June 14, 2024
    Julie Weitz

    Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative

    There is the Rising: Shelley Niro’s Reckoning Retrospective
    Reviews June 7, 2024
    Salma Hussain

    There is the Rising: Shelley Niro’s Reckoning Retrospective

    Radical Looking: Newly Seeing Art With My Baby
    Features May 30, 2024
    Maya Mackrandilal

    Radical Looking: Newly Seeing Art With My Baby

    REDCAT’s Rediscovery of the Iconic Feminist Art Program
    Features, Reviews May 24, 2024
    Catherine G. Wagley

    REDCAT’s Rediscovery of the Iconic Feminist Art Program

    Loosening the Stays
    Features May 15, 2024
    Claudia La Rocco

    Loosening the Stays

    Changing the Ground: Amy Sillman Talks About Painting
    Features May 3, 2024
    Jason Stopa

    Changing the Ground: Amy Sillman Talks About Painting

    A Feeling Between the Lines: The Anxious Influence of Agnes Martin’s “Writings”
    Features, Reviews April 26, 2024
    Terry Nguyen

    A Feeling Between the Lines: The Anxious Influence of Agnes Martin’s “Writings”

    On the Sense of Queer Loneliness: Sacha Yanow’s “Uncle!” at The Kitchen
    Reviews April 17, 2024
    Miciah Hussey

    On the Sense of Queer Loneliness: Sacha Yanow’s “Uncle!” at The Kitchen

    Falling From the Tower: Levani on the Necessity of Endings
    Features March 29, 2024
    Gyula Muskovics

    Falling From the Tower: Levani on the Necessity of Endings

    Gyula Muskovics

    Gyula Muskovics

    Mariana Fernández

    Mariana Fernández

    Can We Tune the Museum? Laurie Spiegel and Other Experiments in Spatializing Sound
    Features, Reviews March 21, 2024
    Mariana Fernández

    Can We Tune the Museum? Laurie Spiegel and Other Experiments in Spatializing Sound

    She Was Paying Attention: Remembering Alexis Smith
    Features March 9, 2024
    Kate Wolf

    She Was Paying Attention: Remembering Alexis Smith

    Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes of Intelligence
    Features February 29, 2024
    Kira Xonorika

    Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes of Intelligence

    Our Visuality: Abortion Care Work and Photography
    Features February 23, 2024
    Carmen Winant

    Our Visuality: Abortion Care Work and Photography

    Caitlin Jones

    Caitlin Jones

    Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape
    Features February 2, 2024
    Caitlin Jones

    Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape

    When Feminisms and Futurisms Collide: Judy Chicago and Puppies Puppies at New Museum
    Reviews January 19, 2024
    Harley Wong

    When Feminisms and Futurisms Collide: Judy Chicago and Puppies Puppies at New Museum

    Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude
    Features, Reviews November 30, 2023
    Jenny Wu

    Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude

    Forms of Echo: Sónia Vaz Borges & Filipa César Draw from a Sense-Memory Educational Legacy
    Features November 23, 2023
    Minh Nguyen

    Forms of Echo: Sónia Vaz Borges & Filipa César Draw from a Sense-Memory Educational Legacy

    Michael Dango

    Michael Dango

    Fought Through Women’s Bodies: Mona Hatoum’s Early Performances
    Reviews November 9, 2023
    Michael Dango

    Fought Through Women’s Bodies: Mona Hatoum’s Early Performances

    Margaret Carrigan

    Margaret Carrigan

    A Goodbye to Former Selves: Uncategorizing Sonja Ahlers
    Reviews October 27, 2023
    Yasmine Whaley-Kalaora

    A Goodbye to Former Selves: Uncategorizing Sonja Ahlers

    Cassie Packard

    Cassie Packard

    Tracking the Sapphic Social Imaginaries: Lesbian Art in Print
    Features October 16, 2023
    Cassie Packard

    Tracking the Sapphic Social Imaginaries: Lesbian Art in Print

    Christina Sharpe’s Perpetual Present
    Reviews September 20, 2023
    Ruth Gebreyesus

    Christina Sharpe’s Perpetual Present

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
    Features September 8, 2023
    Simon Wu

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color

    We’re Alive, Pablo Is Dead
    Features, Reviews August 22, 2023
    Elisabeth Nicula

    We’re Alive, Pablo Is Dead

    Dataspace: From the Observed Object to the Participating Subject
    Features July 28, 2023
    Doreen A. Rios

    Dataspace: From the Observed Object to the Participating Subject

    The Art of Accumulation in an Age of Decluttering
    Features July 18, 2023
    Mimi Wong

    The Art of Accumulation in an Age of Decluttering

    Jessica Lynne

    Jessica Lynne

    June Clark’s Perseverance of Memory
    Features July 11, 2023
    Jessica Lynne

    June Clark’s Perseverance of Memory

    An Alien Echo at the Gwangju Biennale
    Reviews June 8, 2023
    X. Amy Zhang

    An Alien Echo at the Gwangju Biennale

    Tiana Reid

    Tiana Reid

    Between Language and Cure: Athena Papadopoulos at MOCA Toronto
    Reviews June 1, 2023
    Tiana Reid

    Between Language and Cure: Athena Papadopoulos at MOCA Toronto

    Working It
    Features, Reviews May 25, 2023
    Kate Wolf

    Working It

    Kate Wolf

    Kate Wolf

    Evidence of Things Seen*: Capture and Control in India
    Features May 22, 2023
    Arushi Vats

    Evidence of Things Seen*: Capture and Control in India

    Bad Reviews
    Features, Reviews May 2, 2023
    Elisabeth Nicula

    Bad Reviews

    Solitary: Collective Authorship and its Discontents
    Features, Reviews April 12, 2023
    Jenny Wu

    Solitary: Collective Authorship and its Discontents

    Sterre Barentsen

    Sterre Barentsen

    Sterre Barensten

    Sterre Barensten

    The Preserving Machine of Matthias Groebel
    Reviews March 9, 2023
    Sterre Barentsen

    The Preserving Machine of Matthias Groebel

    Alex Borkowski

    Alex Borkowski

    Violence and Vibes Haunt Museum London’s “Spectral”
    Reviews February 23, 2023
    Alex Borkowski

    Violence and Vibes Haunt Museum London’s “Spectral”

    Submerged Mothers: On Thuy-Han Nguyen-Chi’s Tidal Embrace
    Features February 21, 2023
    Jade Meili Barget

    Submerged Mothers: On Thuy-Han Nguyen-Chi’s Tidal Embrace

    “The Non-Places Are the Places”: Manifesta 14’s Uneasy Presence in Kosovo
    Reviews February 12, 2023
    Ryan Ferko

    “The Non-Places Are the Places”: Manifesta 14’s Uneasy Presence in Kosovo

    It’s All About Good Timing: Goodwater at the Plumb
    Features, Reviews February 7, 2023
    Ella Dawn McGeough

    It’s All About Good Timing: Goodwater at the Plumb

    Chelsea Rozansky

    Chelsea Rozansky

    “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery
    Features December 22, 2022
    Sky Goodden

    “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery

    Common Boundaries and Refused Exits: Aman Sandhu and Andrew Black
    Reviews December 19, 2022
    Megan Switzer

    Common Boundaries and Refused Exits: Aman Sandhu and Andrew Black

    Reviewing the Reviews: Documenta 15
    Features, Reviews December 10, 2022
    Rahel Aima and Catherine G. Wagley

    Reviewing the Reviews: Documenta 15

    Preoccupied with Things Left Behind: On Three Nigerian Artists
    Features November 2, 2022
    Ayodeji Rotinwa

    Preoccupied with Things Left Behind: On Three Nigerian Artists

    On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen
    Features October 26, 2022
    Catherine G. Wagley

    On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen

    Denisa Tomková

    Denisa Tomková

    How Does a Collective End? An Interview with Robert Gabris and Ľuboš Kotlár
    Features October 3, 2022
    Denisa Tomková

    How Does a Collective End? An Interview with Robert Gabris and Ľuboš Kotlár

    “Name What is Unnamed”: Geocinema on Diarying the War in Ukraine
    Features August 29, 2022
    Abhijan Toto

    “Name What is Unnamed”: Geocinema on Diarying the War in Ukraine

    Rearrange: Torkwase Dyson and Black Feminist Breathing
    Features August 3, 2022
    Camille Bacon

    Rearrange: Torkwase Dyson and Black Feminist Breathing

    A Meditation on Hannah Wilke’s Last Work
    Features July 19, 2022
    Nora Rosenthal

    A Meditation on Hannah Wilke’s Last Work

    Against Nations
    Features, Reviews July 8, 2022
    Jayne Wilkinson

    Against Nations

    Neil Price

    Neil Price

    Hypoxia and Hope
    Features May 26, 2022
    Kamayani Sharma

    Hypoxia and Hope

    Mary Mattingly’s Way to Adapt
    Features May 2, 2022
    Michael McCanne

    Mary Mattingly’s Way to Adapt

    Dana Kopel

    Dana Kopel

    Colossal Harbingers: The Monumentalism of Art About Climate Change
    Features April 21, 2022
    Hua Xi

    Colossal Harbingers: The Monumentalism of Art About Climate Change

    A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics
    Reviews April 12, 2022
    Jocelyn Parr

    A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics

    Hua Xi

    Hua Xi

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden
    Features April 4, 2022
    Calum Sutherland

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden

    Plague Medicine: Reading Avocado Ibuprofen in a Pandemic
    Features, Reviews March 17, 2022
    Saelan Twerdy

    Plague Medicine: Reading Avocado Ibuprofen in a Pandemic

    “It’s All About Desire”: hannah baer and Erica Dawn Lyle Talk Trans Freedom and Joy
    Features March 3, 2022
    Erica Dawn Lyle

    “It’s All About Desire”: hannah baer and Erica Dawn Lyle Talk Trans Freedom and Joy

    Amin Alsaden

    Amin Alsaden

    Breathing Resistance: An Interview with Sahar Te
    Features February 23, 2022
    Amin Alsaden

    Breathing Resistance: An Interview with Sahar Te

    The Bodies That Scramble India’s “Constitutions”
    Reviews February 9, 2022
    Tammer El-Sheikh

    The Bodies That Scramble India’s “Constitutions”

    The Anxious Nostalgia of Steven Shearer
    Reviews January 28, 2022
    Meredyth Cole

    The Anxious Nostalgia of Steven Shearer

    Adrienne Huard

    Adrienne Huard

    Losing Ground in Singapore’s State-Curated Digital Age
    Features December 21, 2021
    Eunice Lacaste

    Losing Ground in Singapore’s State-Curated Digital Age

    Jess Chen

    Jess Chen

    Across This Fraught Place: Survivance at the 2021 Texas Biennial
    Reviews November 23, 2021
    Laura August

    Across This Fraught Place: Survivance at the 2021 Texas Biennial

    An Aesthetic of Enough
    Reviews November 4, 2021
    Jayne Wilkinson

    An Aesthetic of Enough

    Dr. Léuli Eshrāghi

    Dr. Léuli Eshrāghi

    Situating Great Ocean Art in Canadian Museums
    Features October 29, 2021
    Dr. Léuli Eshrāghi

    Situating Great Ocean Art in Canadian Museums

    Stop Guarding the Art
    Features October 14, 2021
    X. Amy Zhang

    Stop Guarding the Art

    More than Not: LACMA’s “Not I” and the Necessity of History
    Reviews October 7, 2021
    Melissa Lo

    More than Not: LACMA’s “Not I” and the Necessity of History

    A Love Letter in Louisville: Breonna Taylor at the Speed Museum
    Features September 28, 2021
    Jasmine Amussen

    A Love Letter in Louisville: Breonna Taylor at the Speed Museum

    Jill Mulleady’s Twilight Hour
    Features, Reviews August 4, 2021
    Andrew Witt

    Jill Mulleady’s Twilight Hour

    Steph Wong Ken

    Steph Wong Ken

    Imperfect Archives: Lilian Leung and Linda Zhang Virtually Capture Eroding Chinatowns
    Features July 12, 2021
    Steph Wong Ken

    Imperfect Archives: Lilian Leung and Linda Zhang Virtually Capture Eroding Chinatowns

    Jayne Wilkinson

    Jayne Wilkinson

    Haubitz+Zoche Frames India’s Iconic Movie Theaters—and Absents Them
    Features, Reviews July 1, 2021
    Deepa Bhasthi

    Haubitz+Zoche Frames India’s Iconic Movie Theaters—and Absents Them

    Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim
    Reviews June 25, 2021
    Max Pearl

    Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim

    The Voicemail Interview: Erica Dawn Lyle and Mattilda Bernstein Sycamore on the Phone
    Features June 3, 2021
    Erica Dawn Lyle

    The Voicemail Interview: Erica Dawn Lyle and Mattilda Bernstein Sycamore on the Phone

    Reading Between the Lines: On the Asian Americanness of Badlands Unlimited and Paul Chan
    Features May 26, 2021
    Lisa Yin Zhang

    Reading Between the Lines: On the Asian Americanness of Badlands Unlimited and Paul Chan

    “I Left This for a Reason”: An Interview with Amy Fung
    Features May 17, 2021
    Jarrett Earnest

    “I Left This for a Reason”: An Interview with Amy Fung

    “I Think I’m Really Enjoying Painting”: Margaux Williamson’s New Work
    Features May 12, 2021
    Mark Mann

    “I Think I’m Really Enjoying Painting”: Margaux Williamson’s New Work

    “I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting
    Features April 30, 2021
    Jason Stopa

    “I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting

    Anna Mayer Reconstitutes Loss in Houston
    Features, Reviews April 20, 2021
    Laura August

    Anna Mayer Reconstitutes Loss in Houston

    See You on the Other Side: Matthew Wong’s Vistas of the Mind
    Features April 1, 2021
    Lauren DiGiulio

    See You on the Other Side: Matthew Wong’s Vistas of the Mind

    Letter From Atlanta: St. Roch Blues
    Features March 2, 2021
    Jasmine Amussen

    Letter From Atlanta: St. Roch Blues

    The Aesthetic Dimension of Erasure: Voluspa Jarpa on Twenty Years of Recovering Trauma
    Features January 27, 2021
    Juan José Santos

    The Aesthetic Dimension of Erasure: Voluspa Jarpa on Twenty Years of Recovering Trauma

    “Finding My Voice When Others Would Have Kept it Down”: Introducing Indigenous Artist-Run Center, daphne
    Features December 15, 2020
    Candice Pye

    “Finding My Voice When Others Would Have Kept it Down”: Introducing Indigenous Artist-Run Center, daphne

    Bean Gilsdorf

    Bean Gilsdorf

    The Untenability of the Unethical Museum
    Features October 30, 2020
    Catherine G. Wagley

    The Untenability of the Unethical Museum

    The Anxious “I”: Walter Scott’s Autofictional Universe
    Features, Reviews October 22, 2020
    Saelan Twerdy

    The Anxious “I”: Walter Scott’s Autofictional Universe

    Dora García Has Many Names: The Artist on Three Works Across a Pandemic
    Features October 8, 2020
    Juan José Santos

    Dora García Has Many Names: The Artist on Three Works Across a Pandemic

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”
    Features September 28, 2020
    Ben Davis

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”

    In the Studio with Didier William: “I Came Back to the Body”
    Features September 18, 2020
    Jason Stopa

    In the Studio with Didier William: “I Came Back to the Body”

    “As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge
    Features September 17, 2020
    Andrew Woolbright

    “As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge

    Lifesaving and Abolitionism: Shifting the Frame on Prison Art
    Features August 24, 2020
    Matthew Joseph Irwin

    Lifesaving and Abolitionism: Shifting the Frame on Prison Art

    Between the Gallery and the Street: An Interview with Vanessa Thill
    Features August 18, 2020
    Andreas Petrossiants

    Between the Gallery and the Street: An Interview with Vanessa Thill

    “A Planetary Expenditure”: Ensayos on Learning Across a Distance
    Features August 6, 2020
    Jarrett Earnest

    “A Planetary Expenditure”: Ensayos on Learning Across a Distance

    Depleting Felix Gonzalez-Torres
    Reviews July 6, 2020
    Rahel Aima

    Depleting Felix Gonzalez-Torres

    Blood and Paper: Zarina and the Currencies of Violence in India
    Reviews June 30, 2020
    Kamayani Sharma

    Blood and Paper: Zarina and the Currencies of Violence in India

    This Valley is Filling with the Blood of Ghosts: On the Work of Scott Daniel Williams
    Features June 19, 2020
    Raven Chacon, Candice Hopkins

    This Valley is Filling with the Blood of Ghosts: On the Work of Scott Daniel Williams

    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality
    Features June 11, 2020
    Sky Goodden, Casey Beal

    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil
    Features May 29, 2020
    Saelan Twerdy

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil

    Listening to Jeanne Randolph
    Features May 23, 2020
    Sky Goodden

    Listening to Jeanne Randolph

    Artists in Isolation: Day’s End
    Features May 13, 2020
    Andy Patton

    Artists in Isolation: Day’s End

    Cyclical Gods: Reliving Pandemic
    Features May 8, 2020
    Xin Wang

    Cyclical Gods: Reliving Pandemic

    Artists in Isolation: Instagram, Leave Us to Our Darkness
    Features April 24, 2020
    Mark Mann

    Artists in Isolation: Instagram, Leave Us to Our Darkness

    The Invention of the Humane: Ken Lum’s Collected Writings
    Features, Reviews April 6, 2020
    Andy Patton

    The Invention of the Humane: Ken Lum’s Collected Writings

    David Garneau

    David Garneau

    Writing About Indigenous Art with Critical Care
    Features March 25, 2020
    David Garneau

    Writing About Indigenous Art with Critical Care

    The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA
    Features March 13, 2020
    Catherine G. Wagley

    The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA

    With Sharper Tools: Defending the National Endowment for the Arts
    Features March 6, 2020
    Ben Davis

    With Sharper Tools: Defending the National Endowment for the Arts

    Ted Goodden

    Ted Goodden

    Lives of the Artists: Remembering Vilmos
    Features February 13, 2020
    Ted Goodden

    Lives of the Artists: Remembering Vilmos

    Tyler Muzzin

    Tyler Muzzin

    Detective Stories About Feelings: The Driving Force of Peter Schjeldahl
    Features January 27, 2020
    Jarrett Earnest

    Detective Stories About Feelings: The Driving Force of Peter Schjeldahl

    Jarrett Earnest

    Jarrett Earnest

    Ken Lum

    Ken Lum

    An Arch and a Gulf: When Public Art Falls Short of Social Reality
    Features January 24, 2020
    Ken Lum

    An Arch and a Gulf: When Public Art Falls Short of Social Reality

    Open Secrets: Gossip and the Reframing of a Canadian Painting Dynasty
    Features, Reviews January 17, 2020
    David Balzer

    Open Secrets: Gossip and the Reframing of a Canadian Painting Dynasty

    The Art We Deserve: Luc Tuymans’s Exhausted Image
    Reviews January 8, 2020
    Andy Patton

    The Art We Deserve: Luc Tuymans’s Exhausted Image

    In the Waiting Room: The Sticky, Slippery Duration of “Sick Time”
    Reviews December 21, 2019
    Tao Fei

    In the Waiting Room: The Sticky, Slippery Duration of “Sick Time”

    Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art
    Features December 17, 2019
    Mitch Speed

    Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art

    The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick
    Features December 13, 2019
    James Kirkpatrick

    The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
    Features December 2, 2019
    Mark Mann

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art

    Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame
    Reviews November 25, 2019
    Vince Rozario

    Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame

    John Boskovich Steers His Own “Recovery”
    Reviews November 22, 2019
    Gracie Hadland

    John Boskovich Steers His Own “Recovery”

    Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven
    Features October 28, 2019
    Kimberlee Córdova

    Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven

    Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney
    Features September 27, 2019
    Anj Fermor

    Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney

    The Thread of the Weave: Meaning from Material at Oakville Galleries
    Reviews September 17, 2019
    Vince Rozario

    The Thread of the Weave: Meaning from Material at Oakville Galleries

    Art and Labor: Writers Bloc
    Features September 16, 2019
    Jasmine Amussen

    Art and Labor: Writers Bloc

    Learning as Supporting: Alternatives for Futures in Art Education
    Features September 3, 2019
    Catherine G. Wagley

    Learning as Supporting: Alternatives for Futures in Art Education

    Love and Loneliness: Queering Modernisms in Figurative Painting
    Features, Reviews August 1, 2019
    Joseph Henry

    Love and Loneliness: Queering Modernisms in Figurative Painting

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect
    Features July 27, 2019
    Ben Davis

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect

    Wire and String: Olga Balema’s Sinewy Abjection
    Reviews July 26, 2019
    Mitch Speed

    Wire and String: Olga Balema’s Sinewy Abjection

    “We Need More Voices”: Introducing the Momus Emerging Critics Residency
    Features July 23, 2019
    Sky Goodden, Amelia Wong-Mersereau

    “We Need More Voices”: Introducing the Momus Emerging Critics Residency

    Firing Blanks: Hito Steyerl and the Voiding of Research Art
    Reviews July 16, 2019
    Rahel Aima

    Firing Blanks: Hito Steyerl and the Voiding of Research Art

    Where Do We Go From Here? Dubious Wealth and Ethical Funding
    Features July 5, 2019
    Ben Davis

    Where Do We Go From Here? Dubious Wealth and Ethical Funding

    Can a Lobby Be Subversive? Jenny Holzer’s Comcast Capitulation
    Features, Reviews June 19, 2019
    Jessica Rizzo

    Can a Lobby Be Subversive? Jenny Holzer’s Comcast Capitulation

    From a Cabin in the Woods: Dieter Roelstraete’s “HUTOPIA” and the Shelters of Thought
    Reviews May 31, 2019
    Lori Waxman

    From a Cabin in the Woods: Dieter Roelstraete’s “HUTOPIA” and the Shelters of Thought

    “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke
    Features May 30, 2019
    Anique Jordan, Michèle Pearson Clarke

    “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke

    “This Reductive Brave New World”: Andrea Dworkin’s Painful Relevance
    Features, Reviews May 15, 2019
    Wendy Vogel

    “This Reductive Brave New World”: Andrea Dworkin’s Painful Relevance

    One Hundred Years of Ambivalence: The Many Legacies of the Bauhaus
    Features, Reviews May 8, 2019
    Kristian Vistrup Madsen

    One Hundred Years of Ambivalence: The Many Legacies of the Bauhaus

    Invisible Labor and Black Burnout
    Features May 3, 2019
    Melissa Smith

    Invisible Labor and Black Burnout

    The Erotics of Liberty: Dorothy Iannone’s Cultivated Bohemia
    Features, Reviews May 1, 2019
    Mitch Speed

    The Erotics of Liberty: Dorothy Iannone’s Cultivated Bohemia

    Erin Silver

    Erin Silver

    Matthew Joseph Irwin

    Matthew Joseph Irwin

    The Legacy of Mary Sully: Early Indigenous Feminism, and the “American Indian Abstract”
    Reviews April 19, 2019
    Matthew Joseph Irwin

    The Legacy of Mary Sully: Early Indigenous Feminism, and the “American Indian Abstract”

    “But Can a Spirit Burn?”: Alternatives for Art Under Capital
    Features April 1, 2019
    Catherine G. Wagley

    “But Can a Spirit Burn?”: Alternatives for Art Under Capital

    Deeper Wounds: Nep Sidhu and Aestheticizing Trauma
    Reviews March 28, 2019
    Vince Rozario

    Deeper Wounds: Nep Sidhu and Aestheticizing Trauma

    “So Many Glaring Absences That Were Very Loud to Me”: An Interview with Titus Kaphar
    Features March 27, 2019
    Terence Trouillot

    “So Many Glaring Absences That Were Very Loud to Me”: An Interview with Titus Kaphar

    The Architecture of Exclusion: Storytelling Hannah Hoffman’s New Home Through Paul Williams and Tony Cokes
    Reviews March 15, 2019
    Catherine G. Wagley

    The Architecture of Exclusion: Storytelling Hannah Hoffman’s New Home Through Paul Williams and Tony Cokes

    More Culture than Capital: Modesty and Ambition at the Atlanta Biennial
    Reviews March 15, 2019
    Maura Callahan

    More Culture than Capital: Modesty and Ambition at the Atlanta Biennial

    Searching for Lemon Boy
    Features March 4, 2019
    Paul Michael Brown

    Searching for Lemon Boy

    The Seductive Branding of Phoebe Greenberg
    Features February 20, 2019
    Sky Goodden

    The Seductive Branding of Phoebe Greenberg

    Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine
    Reviews February 1, 2019
    Kanad Chakrabarti

    Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine

    “Velvet Buzzsaw” Should Terrify the Artworld
    Reviews January 31, 2019
    Ben Davis

    “Velvet Buzzsaw” Should Terrify the Artworld

    The Picture of Terror: Contemporary Art and the Islamic State
    Features January 25, 2019
    Owen Duffy

    The Picture of Terror: Contemporary Art and the Islamic State

    Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”
    Features, Reviews January 21, 2019
    Sky Goodden

    Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”

    Signal and Noise: Sara Eliassen and the Visual Roots of Fascism
    Reviews January 11, 2019
    Wendy Vogel

    Signal and Noise: Sara Eliassen and the Visual Roots of Fascism

    The 57th Carnegie International Wanders in Search of “Museum Joy”
    Reviews January 10, 2019
    Earl Miller

    The 57th Carnegie International Wanders in Search of “Museum Joy”

    Conspiracy, Discounted Histories, and Nostalgia at the Met Breuer
    Reviews December 17, 2018
    Tausif Noor

    Conspiracy, Discounted Histories, and Nostalgia at the Met Breuer

    How a Dynasty Defines Taste: The Deep Roots of Middle Eastern Abstraction
    Features, Reviews December 12, 2018
    Maru Pabón

    How a Dynasty Defines Taste: The Deep Roots of Middle Eastern Abstraction

    The Bold Refusal of lauren woods’s “American Monument”
    Features, Reviews December 7, 2018
    Catherine G. Wagley

    The Bold Refusal of lauren woods’s “American Monument”

    Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial
    Reviews November 23, 2018
    Mark Cheetham

    Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial

    The Curtain’s Part: Confronting Abstraction’s Complacency in Unquiet Times
    Reviews November 7, 2018
    Caitlin Chaisson

    The Curtain’s Part: Confronting Abstraction’s Complacency in Unquiet Times

    Archeology and Ambivalence at Austria’s Steirischer Herbst Festival
    Reviews November 2, 2018
    Kristian Vistrup Madsen

    Archeology and Ambivalence at Austria’s Steirischer Herbst Festival

    An Exhibit in an Email: Vimeo Links, PR, and Posturing by Proxy
    Features, Reviews October 17, 2018
    Rahel Aima

    An Exhibit in an Email: Vimeo Links, PR, and Posturing by Proxy

    Now More Than Ever: Sarah Lucas’s Provocations, Renewed
    Reviews October 10, 2018
    Johanna Fateman

    Now More Than Ever: Sarah Lucas’s Provocations, Renewed

    A Study in American Denial: David Wojnarowicz’s Return to the Piers
    Reviews September 28, 2018
    Erica Dawn Lyle

    A Study in American Denial: David Wojnarowicz’s Return to the Piers

    Carolee Schneemann’s Ethics of Eros
    Features, Reviews September 20, 2018
    Jonelle Mannion

    Carolee Schneemann’s Ethics of Eros

    Confronting Gender Imbalance at the Rencontres d’Arles
    Features September 13, 2018
    Naomi Rea

    Confronting Gender Imbalance at the Rencontres d’Arles

    A Return to What?
    Features September 7, 2018
    Sky Goodden, Casey Beal

    A Return to What?

    O Narciso: The Streets Look Back at Hudinilson Jr.
    Reviews September 5, 2018
    Philip Monk

    O Narciso: The Streets Look Back at Hudinilson Jr.

    Josh Thorpe

    Josh Thorpe

    A Pile of Dirt
    Features August 28, 2018
    Josh Thorpe

    A Pile of Dirt

    What to Do About Klaus: How Arts Communities Assert Their Agency
    Features August 10, 2018
    Catherine G. Wagley

    What to Do About Klaus: How Arts Communities Assert Their Agency

    A Long, Dull Shadow: Georg Baselitz’s Legacy of Misogyny
    Reviews August 2, 2018
    Maura Callahan

    A Long, Dull Shadow: Georg Baselitz’s Legacy of Misogyny

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads
    Features, Reviews July 27, 2018
    Saelan Twerdy

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads

    Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus
    Reviews July 25, 2018
    Mitch Speed

    Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus

    Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns
    Reviews July 17, 2018
    Max L. Feldman

    Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns

    Traumatizing the Museum: An Interview with Joshua Schwebel
    Features July 13, 2018
    Jon Davies, Joshua Schwebel

    Traumatizing the Museum: An Interview with Joshua Schwebel

    Courting Exhaustion: Manifesta’s Dog Days
    Reviews July 6, 2018
    Kristian Vistrup Madsen

    Courting Exhaustion: Manifesta’s Dog Days

    Behind the Curtain: Beatriz González’s Political-Decorative Art
    Reviews June 27, 2018
    Juan José Santos

    Behind the Curtain: Beatriz González’s Political-Decorative Art

    Cruising for Sex in the Garden of Eden: Architecture and Desire in Venice
    Reviews June 23, 2018
    Alison Hugill

    Cruising for Sex in the Garden of Eden: Architecture and Desire in Venice

    Me For You: The Modest Directives of Ho Tam and Rainer Ganahl
    Reviews June 19, 2018
    Mark Mann

    Me For You: The Modest Directives of Ho Tam and Rainer Ganahl

    “Whitewalling,” Mishearing, and Translating Protest
    Reviews June 8, 2018
    Casey Beal

    “Whitewalling,” Mishearing, and Translating Protest

    Phillip Barcio

    Phillip Barcio

    The Politics of Contemporary Abstraction: A Conversation with Clare Rojas and Jeffrey Gibson
    Features May 31, 2018
    Phillip Barcio

    The Politics of Contemporary Abstraction: A Conversation with Clare Rojas and Jeffrey Gibson

    Are We Being Preached To? Adrian Piper’s Prompts at the MoMA
    Reviews May 24, 2018
    Tausif Noor

    Are We Being Preached To? Adrian Piper’s Prompts at the MoMA

    Nick Mauss’s Continental Divide
    Reviews May 11, 2018
    Charlie Markbreiter

    Nick Mauss’s Continental Divide

    Thea Ballard

    Thea Ballard

    Christina Catherine Martinez

    Christina Catherine Martinez

    Embarrassed Celebrity: Laurie Simmons’s Feature Debut
    Reviews April 18, 2018
    Christina Catherine Martinez

    Embarrassed Celebrity: Laurie Simmons’s Feature Debut

    An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde
    Features March 26, 2018
    Ben Davis

    An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde

    The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive
    Features, Reviews March 23, 2018
    Mark Mann

    The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive

    Worst-Case Scenarios: Contemporary Art’s #Metoo Handwringing
    Features March 21, 2018
    Aruna D'Souza

    Worst-Case Scenarios: Contemporary Art’s #Metoo Handwringing

    Naming “Where is Here”: Ed Zelenak at Christopher Cutts
    Reviews March 15, 2018
    Sky Goodden

    Naming “Where is Here”: Ed Zelenak at Christopher Cutts

    America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)
    Features March 13, 2018
    America Meredith, Lori Blondeau, Adrian Stimson

    America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)

    “More Than Those Who Despised Her”: Unforgetting on the Prairies
    Features March 9, 2018
    Mitch Speed

    “More Than Those Who Despised Her”: Unforgetting on the Prairies

    Marcus Civin

    Marcus Civin

    Kathryn Lloyd

    Kathryn Lloyd

    No Measure of Health: Ilona Sagar Scans the Politics of Wellbeing
    Reviews February 28, 2018
    Kathryn Lloyd

    No Measure of Health: Ilona Sagar Scans the Politics of Wellbeing

    Faulty Infrastructure: New Orleans’s Triennial Can’t Commit
    Reviews February 19, 2018
    Eva Díaz

    Faulty Infrastructure: New Orleans’s Triennial Can’t Commit

    “Afrogallonism” Takes Dubai: South-South Solidarity and the Urge to Exoticize
    Reviews February 7, 2018
    Rahel Aima

    “Afrogallonism” Takes Dubai: South-South Solidarity and the Urge to Exoticize

    The Listening Gaze: Raymond Gervais (1946-2018)
    Features January 31, 2018
    Raymond Gervais

    The Listening Gaze: Raymond Gervais (1946-2018)

    From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”
    Features, Reviews January 23, 2018
    Ulysses Castellanos

    From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”

    Freeing Latin American Art from Eurocentric Curating
    Reviews January 16, 2018
    Juan José Santos

    Freeing Latin American Art from Eurocentric Curating

    “Speaking from a Wound”: Jesse Darling on Faith, Crisis, and Refusal
    Features January 9, 2018
    Saelan Twerdy

    “Speaking from a Wound”: Jesse Darling on Faith, Crisis, and Refusal

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen
    Reviews December 21, 2017
    Casey Beal

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen

    Does the Sublime Know Change? Updating Landscape for the Anthropocene
    Reviews December 6, 2017
    Riva Symko

    Does the Sublime Know Change? Updating Landscape for the Anthropocene

    Darkling Futures and Desert Hangover at the New SITE Sante Fe
    Features, Reviews December 1, 2017
    Andrew Berardini

    Darkling Futures and Desert Hangover at the New SITE Sante Fe

    Against Tidy Memory: Anti-Fascist Memorials and the Horror of Kitsch
    Features November 28, 2017
    Kristian Vistrup Madsen

    Against Tidy Memory: Anti-Fascist Memorials and the Horror of Kitsch

    Merray Michael Mina

    Merray Michael Mina

    Privilege as Political Tool: Tania Bruguera on the Usefulness of Art
    Features November 21, 2017
    Merray Michael Mina

    Privilege as Political Tool: Tania Bruguera on the Usefulness of Art

    How (Not) To Retrospect: Beverly Buchanan in Brooklyn and Georgia
    Reviews November 3, 2017
    Jordan Amirkhani

    How (Not) To Retrospect: Beverly Buchanan in Brooklyn and Georgia

    Seeking a More Intimate Fair with /edition’s Paul Butler
    Features October 18, 2017
    Sky Goodden

    Seeking a More Intimate Fair with /edition’s Paul Butler

    White Like Me: Encountering Divya Mehra’s “You have to tell Them, i’m not a Racist”
    Reviews October 12, 2017
    Mark Mann

    White Like Me: Encountering Divya Mehra’s “You have to tell Them, i’m not a Racist”

    The Strangeness of the Everyday: Skulptur Projekte Münster’s Deep Grey
    Reviews October 6, 2017
    Juan José Santos

    The Strangeness of the Everyday: Skulptur Projekte Münster’s Deep Grey

    Fake News, Bad Art
    Features, Reviews September 27, 2017
    Tausif Noor

    Fake News, Bad Art

    For Common and Decent Things: Resisting Co-opted “Collaboration”
    Features September 22, 2017
    Owen Duffy

    For Common and Decent Things: Resisting Co-opted “Collaboration”

    Spoiled Roots: Mark Bradford and the Erasure of Community
    Features September 20, 2017
    Catherine G. Wagley

    Spoiled Roots: Mark Bradford and the Erasure of Community

    The Personal and Political Wrestle it Out in Kara Walker’s Rebellious New Show
    Reviews September 15, 2017
    Aruna D'Souza

    The Personal and Political Wrestle it Out in Kara Walker’s Rebellious New Show

    Performance Art Blows Open the Prairies, in “Stages”
    Reviews September 14, 2017
    Mitch Speed

    Performance Art Blows Open the Prairies, in “Stages”

    Momus Best-Of Volume 3: 2016-17
    Features August 21, 2017
    Sky Goodden

    Momus Best-Of Volume 3: 2016-17

    Free to Care Less: On the Cynicism of “Starting a Conversation”
    Features August 11, 2017
    Casey Beal

    Free to Care Less: On the Cynicism of “Starting a Conversation”

    Post-Confessional: The Aging Intimacies of Sophie Calle
    Features, Reviews August 2, 2017
    Sarah Burke

    Post-Confessional: The Aging Intimacies of Sophie Calle

    How to Act Ethically in Art
    Features July 28, 2017
    Andrew Berardini

    How to Act Ethically in Art

    Art at the Border: Cutting for Signs in Pace Gallery’s “Border Cantos”
    Reviews July 26, 2017
    Rob Goyanes

    Art at the Border: Cutting for Signs in Pace Gallery’s “Border Cantos”

    Mourning Jimmie Durham
    Features July 20, 2017
    Aruna D'Souza

    Mourning Jimmie Durham

    That’s the Way to Do It!: The Fairy Tale Life of Ydessa Hendeles
    Features, Reviews July 18, 2017
    Philip Monk

    That’s the Way to Do It!: The Fairy Tale Life of Ydessa Hendeles

    The Intimate Dangers of Reading Georgia O’Keeffe Through a Blouse
    Features, Reviews July 13, 2017
    Melissa Wyse

    The Intimate Dangers of Reading Georgia O’Keeffe Through a Blouse

    Melissa Wyse

    Melissa Wyse

    Courting Crisis: Condescension, Disaster Tourism, and “Learning from Athens”
    Reviews July 5, 2017
    Alison Hugill

    Courting Crisis: Condescension, Disaster Tourism, and “Learning from Athens”

    Wu Tsang, Eileen Myles, and Me: Reading Zoe Leonard’s “I Want a President”
    Features, Reviews June 22, 2017
    Mitch Speed

    Wu Tsang, Eileen Myles, and Me: Reading Zoe Leonard’s “I Want a President”

    “All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project
    Reviews June 14, 2017
    Joseph Henry

    “All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project

    Rahel Aima

    Rahel Aima

    What Happened to the Anthropocene? Searching the 57th Venice Biennale for Signs of Destruction
    Reviews May 17, 2017
    John Holten

    What Happened to the Anthropocene? Searching the 57th Venice Biennale for Signs of Destruction

    Wendy Vogel

    Wendy Vogel

    Gallerist Virginia Dwan, the Reluctant Legend
    Features, Reviews May 5, 2017
    Catherine G. Wagley

    Gallerist Virginia Dwan, the Reluctant Legend

    Kristian Vistrup Madsen

    Kristian Vistrup Madsen

    Modernist Frederick Kiesler is “Rediscovered” Between Abstraction and Compromise
    Reviews May 2, 2017
    Kristian Vistrup Madsen

    Modernist Frederick Kiesler is “Rediscovered” Between Abstraction and Compromise

    “The Only Things That are Unchangeable are Tombstones”: Vito Acconci (1940-2017)
    Features April 28, 2017
    Ben Davis

    “The Only Things That are Unchangeable are Tombstones”: Vito Acconci (1940-2017)

    The Tonal Ambivalence of Feminist Land Art Retreat
    Features April 26, 2017
    Alison Hugill

    The Tonal Ambivalence of Feminist Land Art Retreat

    The Enduring Popularity of Fictional Critic “Madame Realism”
    Features April 14, 2017
    Mitch Speed

    The Enduring Popularity of Fictional Critic “Madame Realism”

    How To Write a Review
    Features March 28, 2017
    Andrew Berardini

    How To Write a Review

    Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate
    Features March 17, 2017
    Richard Wentworth

    Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate

    The Double-Bind in Raqs Media Collective’s Institutional Critique
    Features March 15, 2017
    Tausif Noor

    The Double-Bind in Raqs Media Collective’s Institutional Critique

    Forcing the Fortuitous: Tacita Dean Searches for Luck
    Reviews March 10, 2017
    Juan José Santos

    Forcing the Fortuitous: Tacita Dean Searches for Luck

    What Is an Art Fair Doing Asking “What Is To Be Done?”
    Features March 8, 2017
    Sky Goodden

    What Is an Art Fair Doing Asking “What Is To Be Done?”

    Where the Party Is: Mark Leckey’s Vernacular, Autobiographical Tour Through Pop
    Reviews February 14, 2017
    Sam Korman

    Where the Party Is: Mark Leckey’s Vernacular, Autobiographical Tour Through Pop

    Interrupting Business as Usual: A Close Reading of MoMA’s Muslim Ban Intervention
    Features February 13, 2017
    Ben Davis

    Interrupting Business as Usual: A Close Reading of MoMA’s Muslim Ban Intervention

    Cassils and the Complicated Rhetoric of the Hero
    Features February 9, 2017
    Emily Vey Duke

    Cassils and the Complicated Rhetoric of the Hero

    Drones, by Design: Mahwish Chishty and the Politics of Representation
    Reviews February 3, 2017
    Tausif Noor

    Drones, by Design: Mahwish Chishty and the Politics of Representation

    The Many Faces of Brian O’Doherty
    Features January 31, 2017
    Mitch Speed

    The Many Faces of Brian O’Doherty

    “Liberation and Consumption”: Surveying Korean Art in the ’90s
    Reviews January 26, 2017
    Alison Hugill

    “Liberation and Consumption”: Surveying Korean Art in the ’90s

    Jill Magid’s Post-Truth Diamond Proposal
    Features January 24, 2017
    Kimberlee Córdova

    Jill Magid’s Post-Truth Diamond Proposal

    Jonathon Sturgeon

    Jonathon Sturgeon

    New Books: Gauguin and Proust Meet at the Border of Painting and Literature
    Features January 17, 2017
    Jonathon Sturgeon

    New Books: Gauguin and Proust Meet at the Border of Painting and Literature

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados
    Features January 12, 2017
    Fabien Maltais-Bayda

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados

    Grieving in L.A.
    Features, Reviews December 22, 2016
    Sky Goodden

    Grieving in L.A.

    The Material Undoings of Kelly Lycan
    Features, Reviews December 21, 2016
    Joni Low

    The Material Undoings of Kelly Lycan

    Joni Low

    Joni Low

    An Allegory for an Absconded Modernity: Claudio Correa Signals Chile’s Speculative Present
    Features, Reviews December 15, 2016
    Juan José Santos

    An Allegory for an Absconded Modernity: Claudio Correa Signals Chile’s Speculative Present

    Isa Genzken Plays with the Artworld’s Insides in “I Love Michael Asher”
    Reviews December 8, 2016
    Catherine G. Wagley

    Isa Genzken Plays with the Artworld’s Insides in “I Love Michael Asher”

    Acting Out: The Visibility of Blackness in the Work of Martine Syms
    Reviews November 30, 2016
    Zoë Chan

    Acting Out: The Visibility of Blackness in the Work of Martine Syms

    What’s Become of the “Curator”?
    Features November 25, 2016
    Hettie Judah

    What’s Become of the “Curator”?

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial
    Features, Reviews November 22, 2016
    Saelan Twerdy

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial

    A Culture War is Coming
    Features November 10, 2016
    Christian Viveros-Fauné

    A Culture War is Coming

    The 11th Gwangju Biennale’s Overreach: “What Does Art Do?”
    Reviews November 1, 2016
    Ben Eastham

    The 11th Gwangju Biennale’s Overreach: “What Does Art Do?”

    While the World Burns: The 32nd São Paulo Biennial’s Political Disregard
    Reviews October 13, 2016
    Juan José Santos

    While the World Burns: The 32nd São Paulo Biennial’s Political Disregard

    Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum
    Reviews September 20, 2016
    Ben Davis

    Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum

    “Embarrassment is a Challenge”: The Queasy Vulnerability of Maria Lassnig
    Features September 6, 2016
    Gilda Williams

    “Embarrassment is a Challenge”: The Queasy Vulnerability of Maria Lassnig

    Momus Best-Of: Vol. 2 2015-16
    Features August 25, 2016
    Sky Goodden

    Momus Best-Of: Vol. 2 2015-16

    Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto
    Features August 9, 2016
    Sky Goodden

    Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent
    Features August 4, 2016
    Saelan Twerdy

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent

    Lauren Wetmore

    Lauren Wetmore

    Manifesta 11: What Artists and Curators Do for Money
    Features, Reviews July 28, 2016
    Lauren Wetmore

    Manifesta 11: What Artists and Curators Do for Money

    Battle Hymn of the Republic: The Measure of Kehinde Wiley in the American South
    Reviews July 13, 2016
    Tausif Noor

    Battle Hymn of the Republic: The Measure of Kehinde Wiley in the American South

    After Brexit, Art Must Break Out of Its Bubble
    Features June 30, 2016
    Ben Davis

    After Brexit, Art Must Break Out of Its Bubble

    Emerging Artist Neil Beloufa Turns Smug at MoMA
    Reviews June 28, 2016
    Mitch Speed

    Emerging Artist Neil Beloufa Turns Smug at MoMA

    Sholem Krishtalka

    Sholem Krishtalka

    The Fair They Built: The Disappeared Workers of Art Basel, in Painting
    Features June 27, 2016
    Sholem Krishtalka

    The Fair They Built: The Disappeared Workers of Art Basel, in Painting

    Ali Smith

    Ali Smith

    Art and Architecture’s DIY Practices and “Folk Politics”: Radical or Picking Up the Social Tab?
    Features June 9, 2016
    Alison Hugill

    Art and Architecture’s DIY Practices and “Folk Politics”: Radical or Picking Up the Social Tab?

    Stephanie Bailey

    Stephanie Bailey

    “Please Hold Your Questions”: A Culture of Asking Questions as Criticism and Authority
    Features May 30, 2016
    Renan Laru-An

    “Please Hold Your Questions”: A Culture of Asking Questions as Criticism and Authority

    In the Skin of a Gallery: Sylvie Bélanger’s Challenge to Photography
    Reviews May 25, 2016
    Alex Bowron

    In the Skin of a Gallery: Sylvie Bélanger’s Challenge to Photography

    Troubling Self-Care in a Selfie World: The Photographs of Karen Asher
    Reviews May 17, 2016
    Dagmara Genda

    Troubling Self-Care in a Selfie World: The Photographs of Karen Asher

    How to Become a Curator
    Features May 16, 2016
    Andrew Berardini

    How to Become a Curator

    Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding
    Reviews May 11, 2016
    Zoë Chan

    Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding

    The Archive is a Set of Relations, Not a Record of History: Thomas Ruff at David Zwirner
    Reviews April 30, 2016
    Will Fenstermaker

    The Archive is a Set of Relations, Not a Record of History: Thomas Ruff at David Zwirner

    The Depressing Power of Art in Raphaëlle de Groot’s “Summit Meetings”
    Reviews April 26, 2016
    Sky Goodden, Mark Mann

    The Depressing Power of Art in Raphaëlle de Groot’s “Summit Meetings”

    Regionalism Vs. Provincialism: Agitating Against Critical Neglect in Artworld Peripheries
    Features April 18, 2016
    Amy Zion, Cora Fisher

    Regionalism Vs. Provincialism: Agitating Against Critical Neglect in Artworld Peripheries

    The Ages of Mat Brown
    Features April 12, 2016
    Ulysses Castellanos

    The Ages of Mat Brown

    “You Can’t Win It”: Jon McCurley on the Art of Facebook
    Features April 7, 2016
    Sky Goodden

    “You Can’t Win It”: Jon McCurley on the Art of Facebook

    The Humanist Impulse of Yousuf Karsh
    Reviews April 1, 2016
    Ulysses Castellanos

    The Humanist Impulse of Yousuf Karsh

    Rosemary Heather

    Rosemary Heather

    In Search of Himself: Sky Glabush’s Mimetic Practice Drifts Into the Neo-Modernist Trend
    Reviews March 14, 2016
    Sky Goodden

    In Search of Himself: Sky Glabush’s Mimetic Practice Drifts Into the Neo-Modernist Trend

    Hold Still: A History of Performing for the Camera from Nadar to the Selfie
    Features March 9, 2016
    Liz Jobey

    Hold Still: A History of Performing for the Camera from Nadar to the Selfie

    Does the Right Hand Cover for the Left?: The Case of the Remai Modern and Its Errant Board
    Features March 4, 2016
    Mitch Speed

    Does the Right Hand Cover for the Left?: The Case of the Remai Modern and Its Errant Board

    The State of the Artworld, Explained
    Features March 2, 2016
    Ben Davis

    The State of the Artworld, Explained

    To Cloak or Reveal: Ryan Gander on the Question That Dogs Him
    Features February 29, 2016
    Sky Goodden

    To Cloak or Reveal: Ryan Gander on the Question That Dogs Him

    The Art of Protest
    Features February 22, 2016
    Nina Power

    The Art of Protest

    “I Think We’re Changing Into a Tribal Nation”: A Conversation with Dave Hickey on “25 Women”
    Features February 16, 2016
    Sky Goodden

    “I Think We’re Changing Into a Tribal Nation”: A Conversation with Dave Hickey on “25 Women”

    Back to the Future: The Social-Activist Architecture of Moshe Safdie
    Features February 3, 2016
    Carol Strickland

    Back to the Future: The Social-Activist Architecture of Moshe Safdie

    “How to Lie About Canadian Art”: A Case Study in Art Criticism
    Features February 2, 2016
    Dick Averns

    “How to Lie About Canadian Art”: A Case Study in Art Criticism

    Only at Home in a Paradox: M.C. Escher Gets His Artworld Due
    Reviews January 26, 2016
    Becca Rothfeld

    Only at Home in a Paradox: M.C. Escher Gets His Artworld Due

    Towards the Quiet, or with Larger Amplifiers: An Interview with Berlin Performance Artist Aleks Slota
    Features January 15, 2016
    RM Vaughan

    Towards the Quiet, or with Larger Amplifiers: An Interview with Berlin Performance Artist Aleks Slota

    Do You Have to Be Rich to Make It as an Artist?
    Features January 14, 2016
    Ben Davis

    Do You Have to Be Rich to Make It as an Artist?

    From Exile to Acclaim, the Unlikely Story of Mu Xin, and China’s Reformation
    Features January 11, 2016
    Carol Strickland

    From Exile to Acclaim, the Unlikely Story of Mu Xin, and China’s Reformation

    No Land in Sight: A Timely Response to the Migrant Crisis from Denmark’s SUPERFLEX
    Reviews January 7, 2016
    Earl Miller

    No Land in Sight: A Timely Response to the Migrant Crisis from Denmark’s SUPERFLEX

    Any Plans After the Exhibition?
    Features January 4, 2016
    Orit Gat

    Any Plans After the Exhibition?

    The Most Important Art Essays of the Year
    Features December 22, 2015
    Ben Davis

    The Most Important Art Essays of the Year

    Why Can’t We Talk About Class and Art in Canada?
    Features December 18, 2015
    RM Vaughan

    Why Can’t We Talk About Class and Art in Canada?

    The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga
    Features December 14, 2015
    Sky Goodden

    The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga

    The Inequality of Contemporary Art
    Features December 5, 2015
    Christian Viveros-Fauné

    The Inequality of Contemporary Art

    How to Art Fair
    Features December 3, 2015
    Andrew Berardini

    How to Art Fair

    The Function of Gossip as Criticism in Mexico’s Artworld
    Features December 1, 2015
    Kimberlee Córdova

    The Function of Gossip as Criticism in Mexico’s Artworld

    “It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure
    Features November 26, 2015
    Sky Goodden

    “It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure

    The Lips of a Wound: Reflections on Doris Salcedo
    Reviews November 23, 2015
    Liz Park

    The Lips of a Wound: Reflections on Doris Salcedo

    A Prismatic Picture of Colombian Street Culture in Jorge Lozano’s Experimental Films
    Features November 17, 2015
    Ulysses Castellanos

    A Prismatic Picture of Colombian Street Culture in Jorge Lozano’s Experimental Films

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review
    Features November 10, 2015
    Sky Goodden, Benjamin Genocchio, James McAnally, Sarrita Hunn

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review

    How to Read an Art Magazine
    Features November 2, 2015
    Andrew Berardini

    How to Read an Art Magazine

    Public Art Has to Be Art First and Public Second: A Conversation with Stuart Reid on Union Station
    Features October 27, 2015
    Sky Goodden

    Public Art Has to Be Art First and Public Second: A Conversation with Stuart Reid on Union Station

    Helen Molesworth Upends the Permanent Hang at MOCA LA
    Reviews October 26, 2015
    Catherine G. Wagley

    Helen Molesworth Upends the Permanent Hang at MOCA LA

    Our Mutual Desire for Critical Change: Momus and Feature Art Fair
    Features October 21, 2015
    Sky Goodden

    Our Mutual Desire for Critical Change: Momus and Feature Art Fair

    How To Follow Your Own Success: Kristiina Lahde at MKG127
    Reviews October 14, 2015
    Alison Snowball

    How To Follow Your Own Success: Kristiina Lahde at MKG127

    Robert Rauschenberg and Rachel Harrison Mirror Media and More Across Time
    Features October 7, 2015
    Sky Goodden

    Robert Rauschenberg and Rachel Harrison Mirror Media and More Across Time

    All That Is Solid …: Alex McLeod Taps the Cult of the Canadian Sublime and Explodes the Digital
    Reviews October 7, 2015
    Otino Corsano

    All That Is Solid …: Alex McLeod Taps the Cult of the Canadian Sublime and Explodes the Digital

    A New Level of Anxiety in Derek Liddington
    Reviews October 5, 2015
    Dagmara Genda

    A New Level of Anxiety in Derek Liddington

    Slowing Down Perception: “are you experienced?” Tries to Affect the White Cube
    Reviews October 1, 2015
    Adam Barbu

    Slowing Down Perception: “are you experienced?” Tries to Affect the White Cube

    What is the Museum of the Future?
    Features September 29, 2015
    Chris Dercon

    What is the Museum of the Future?

    The Incurable Distance of Gustave Caillebotte
    Reviews September 28, 2015
    Becca Rothfeld

    The Incurable Distance of Gustave Caillebotte

    Contemporary Art Writing in Mexico: The Intractable and Necessary Issue of Corruption
    Features September 23, 2015
    Kimberlee Córdova

    Contemporary Art Writing in Mexico: The Intractable and Necessary Issue of Corruption

    The First Modern Art Dealer and the Movement He Incited
    Features September 21, 2015
    Carol Strickland

    The First Modern Art Dealer and the Movement He Incited

    The Subtle Evolution and Marked Aging of Michael Smith’s “Mike”
    Reviews September 14, 2015
    Michael Vass

    The Subtle Evolution and Marked Aging of Michael Smith’s “Mike”

    Shedding New Light on the Night: Obscurity and Clarity in the American Nocturne
    Features September 11, 2015
    Carol Strickland

    Shedding New Light on the Night: Obscurity and Clarity in the American Nocturne

    From This Deep and Powerful Sculpture Emerged This Mask: Reading Haegue Yang Through Victor Hugo
    Reviews September 8, 2015
    Gauthier Lesturgie

    From This Deep and Powerful Sculpture Emerged This Mask: Reading Haegue Yang Through Victor Hugo

    First Nations Art and the Matter of Its Politics
    Features September 8, 2015
    Clint Burnham

    First Nations Art and the Matter of Its Politics

    Momus “Best Of”: Vol. 1
    Features August 24, 2015
    Sky Goodden

    Momus “Best Of”: Vol. 1

    Lee Plested

    Lee Plested

    Grey Skies Over Melancholy Bay: Creative Antagonism and Cultural Preservation on the West Coast
    Reviews August 19, 2015
    Lee Plested

    Grey Skies Over Melancholy Bay: Creative Antagonism and Cultural Preservation on the West Coast

    What Gets Revealed When Iris Häussler Finally Owns Her Name
    Reviews August 15, 2015
    Sky Goodden

    What Gets Revealed When Iris Häussler Finally Owns Her Name

    On the Subtle Joy of Agnes Martin
    Features August 6, 2015
    Karen Schiff

    On the Subtle Joy of Agnes Martin

    On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art
    Features July 24, 2015
    Earl Miller

    On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art

    #Longform and #Longreads Journalism: Its Reality and Potential
    Features July 22, 2015
    Orit Gat

    #Longform and #Longreads Journalism: Its Reality and Potential

    How To See a Sunset
    Features July 15, 2015
    Andrew Berardini

    How To See a Sunset

    Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto
    Features July 13, 2015
    Sky Goodden

    Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
    Reviews July 9, 2015
    Saelan Twerdy

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web

    Simon Denny’s Trade Show Overkill at MoMA PS1
    Reviews July 8, 2015
    Rebecca Travis

    Simon Denny’s Trade Show Overkill at MoMA PS1

    Post-Crisis: What’s Next for Art Criticism in a Digital Age
    Features June 26, 2015
    Sky Goodden

    Post-Crisis: What’s Next for Art Criticism in a Digital Age

    The Exit Interview: Matthew Teitelbaum
    Features June 26, 2015
    Jennifer Matotek

    The Exit Interview: Matthew Teitelbaum

    Jennifer Matotek

    Jennifer Matotek

    Dagmara Genda

    Dagmara Genda

    Sheila Heti Interviews John Currin on the Fun, Beautiful Things
    Features June 24, 2015
    Sheila Heti

    Sheila Heti Interviews John Currin on the Fun, Beautiful Things

    A Rebuttal, Not a Conversation: Discussing Ombaasin’s AGO Intervention, “Land Rights Now”
    Features June 23, 2015
    Sky Goodden

    A Rebuttal, Not a Conversation: Discussing Ombaasin’s AGO Intervention, “Land Rights Now”

    Interview: Tacita Dean
    Features June 17, 2015
    Sky Goodden

    Interview: Tacita Dean

    What Is an Art Critic Doing at an Art Fair?
    Features June 15, 2015
    Orit Gat

    What Is an Art Critic Doing at an Art Fair?

    Orit Gat

    Orit Gat

    Wayne Baerwaldt on ACAD’s Dissolution of His Director/Curator Position: “It’s an Issue of Public Trust”
    Features June 8, 2015
    Sky Goodden

    Wayne Baerwaldt on ACAD’s Dissolution of His Director/Curator Position: “It’s an Issue of Public Trust”

    Can Art Museums Afford to Be Free?
    Features June 1, 2015
    Sarah Cascone

    Can Art Museums Afford to Be Free?

    Labor Lost: Okwui Enwezor’s Artworld Biennale
    Reviews May 27, 2015
    David Balzer

    Labor Lost: Okwui Enwezor’s Artworld Biennale

    A Future Never Sought: Okwui Enwezor’s 56th Venice Biennale
    Reviews May 26, 2015
    Sky Goodden

    A Future Never Sought: Okwui Enwezor’s 56th Venice Biennale

    Danny Olda

    Danny Olda

    Kaegan Sparks

    Kaegan Sparks

    To Cut and To Swipe: Understanding Hito Steyerl Through “HOW NOT TO BE SEEN”
    Features May 12, 2015
    Kaegan Sparks

    To Cut and To Swipe: Understanding Hito Steyerl Through “HOW NOT TO BE SEEN”

    The Whitney’s Triumphant New Museum is Worrying For Art
    Features May 1, 2015
    Ben Davis

    The Whitney’s Triumphant New Museum is Worrying For Art

    The Suffering Body of 1993: Whatever Happened to the “Abject”
    Features April 27, 2015
    Joseph Henry

    The Suffering Body of 1993: Whatever Happened to the “Abject”

    Valérie Blass Is Both Accessible and Locked-Up in “My Life”
    Reviews April 19, 2015
    Wojciech Olejnik

    Valérie Blass Is Both Accessible and Locked-Up in “My Life”

    Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography
    Features April 16, 2015
    Sky Goodden

    Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography

    Interview: Curator Christopher Eamon Troubles the Shifting Form (and Relevance) of Photography
    Features April 9, 2015
    Sky Goodden

    Interview: Curator Christopher Eamon Troubles the Shifting Form (and Relevance) of Photography

    The Alchemist: A Studio Visit with Sadie Weis
    Features April 7, 2015
    RM Vaughan

    The Alchemist: A Studio Visit with Sadie Weis

    Will Fenstermaker

    Will Fenstermaker

    Tools for Redress: A Century of Political Art Between “Zero Tolerance” and “The Left Front”
    Features April 1, 2015
    Will Fenstermaker

    Tools for Redress: A Century of Political Art Between “Zero Tolerance” and “The Left Front”

    “I Don’t Give a Shit About Authenticity”: Sholem Krishtalka Performs His Reveal in “A Berlin Diary”
    Features March 30, 2015
    RM Vaughan

    “I Don’t Give a Shit About Authenticity”: Sholem Krishtalka Performs His Reveal in “A Berlin Diary”

    Cliff Eyland

    Cliff Eyland

    Chloe Wyma

    Chloe Wyma

    Is the iPhone a Blessing or a Curse for Art?
    Features March 20, 2015
    Ben Davis

    Is the iPhone a Blessing or a Curse for Art?

    RM Vaughan

    RM Vaughan

    The Anxiety of Influence: Jack Bush at the National Gallery
    Reviews March 16, 2015
    David Balzer

    The Anxiety of Influence: Jack Bush at the National Gallery

    “What Instruments Have We?”: A Conversation with Emily Roysdon
    Features March 10, 2015
    Joseph Henry

    “What Instruments Have We?”: A Conversation with Emily Roysdon

    Mitch Speed

    Mitch Speed

    Alex Bowron

    Alex Bowron

    The Contemporary Erotics of Laurie Kang
    Reviews February 24, 2015
    Alex Bowron

    The Contemporary Erotics of Laurie Kang

    Matthew Carver

    Matthew Carver

    How to Start an Art School
    Features February 10, 2015
    Andrew Berardini

    How to Start an Art School

    Luc Tuymans Dares Painting to Lose
    Reviews February 9, 2015
    Clint Burnham

    Luc Tuymans Dares Painting to Lose

    Ryan McNamara and the Afterlife of Performance
    Features, Reviews February 4, 2015
    Joseph Henry

    Ryan McNamara and the Afterlife of Performance

    When Does Performing Failure Make Its Own Failure?
    Features, Reviews February 2, 2015
    RM Vaughan

    When Does Performing Failure Make Its Own Failure?

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn
    Features January 29, 2015
    Sky Goodden

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn

    Villa Toronto’s Failure and Provocation: How Do We Invite the Outside In?
    Features, Reviews January 22, 2015
    Sky Goodden

    Villa Toronto’s Failure and Provocation: How Do We Invite the Outside In?

    Can Abstract Art Still Be Radical?
    Reviews January 20, 2015
    JJ Charlesworth

    Can Abstract Art Still Be Radical?

    Kristy Trinier

    Kristy Trinier

    Neïl Beloufa Relies on Other People
    Reviews January 19, 2015
    Kristy Trinier

    Neïl Beloufa Relies on Other People

    Interview: Pedro Reyes Reclaims the Politics in Art
    Features January 14, 2015
    Sky Goodden

    Interview: Pedro Reyes Reclaims the Politics in Art

    In Praise of Good Art Writing
    Features January 6, 2015
    Andrew Berardini

    In Praise of Good Art Writing

    Alien vs. Predator: The Critic in Three Recent Films
    Features January 5, 2015
    David Balzer

    Alien vs. Predator: The Critic in Three Recent Films

    Year in Review: Montreal From the Ground Up
    Features December 31, 2014
    Saelan Twerdy

    Year in Review: Montreal From the Ground Up

    Year in Review: The Women Represented
    Features December 31, 2014
    Joseph Henry

    Year in Review: The Women Represented

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”
    Reviews December 29, 2014
    Saelan Twerdy

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”

    Paddy Johnson

    Paddy Johnson

    Translation & Transcription: A Conversation with Shelagh Keeley
    Features December 23, 2014
    Ben Portis

    Translation & Transcription: A Conversation with Shelagh Keeley

    Blake Gopnik

    Blake Gopnik

    Tadej Pogačar’s Persistent Perversion of Institutional Critique
    Reviews December 15, 2014
    Clint Burnham

    Tadej Pogačar’s Persistent Perversion of Institutional Critique

    Earl Miller

    Earl Miller

    A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader
    Features December 11, 2014
    Earl Miller

    A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader

    Fabien Maltais-Bayda

    Fabien Maltais-Bayda

    A Ghostly Form: Scrap Metal Embraces Presence, Absence, and the Space Between
    Reviews December 10, 2014
    Sky Goodden

    A Ghostly Form: Scrap Metal Embraces Presence, Absence, and the Space Between

    Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough
    Reviews December 8, 2014
    Mark Mann

    Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough

    Russian Collective Chto Delat Heads Straight at the Violence of the Contemporary
    Reviews December 4, 2014
    Clint Burnham

    Russian Collective Chto Delat Heads Straight at the Violence of the Contemporary

    Turner Prize: Confused Critics Demand Relevance
    Features December 3, 2014
    JJ Charlesworth

    Turner Prize: Confused Critics Demand Relevance

    The Future of Art Toronto, and How It Plans to Adapt
    Features November 24, 2014
    Sky Goodden

    The Future of Art Toronto, and How It Plans to Adapt

    The Problematized Fun of Cosima von Bonin
    Reviews November 19, 2014
    Clint Burnham

    The Problematized Fun of Cosima von Bonin

    Kill the Expert: An Interview with Brian Droitcour
    Features November 17, 2014
    Joseph Henry

    Kill the Expert: An Interview with Brian Droitcour

    Independent Projects Extends on the “Curated Fair,” with Mixed Results
    Features, Reviews November 13, 2014
    Maya Harakawa

    Independent Projects Extends on the “Curated Fair,” with Mixed Results

    Future Forecast: The Montreal Biennale 2014
    Reviews November 10, 2014
    Saelan Twerdy

    Future Forecast: The Montreal Biennale 2014

    The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series
    Reviews November 10, 2014
    Clint Burnham

    The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series

    Blue Republic Finds its Center
    Reviews November 5, 2014
    Sky Goodden

    Blue Republic Finds its Center

    A Theory of Everything: On The State of Theory and Criticism (Part Two)
    Features November 3, 2014
    Saelan Twerdy

    A Theory of Everything: On The State of Theory and Criticism (Part Two)

    A Theory of Everything: On the State of Theory and Criticism (Part One)
    Features October 30, 2014
    Saelan Twerdy

    A Theory of Everything: On the State of Theory and Criticism (Part One)

    The Commons of Aggregation: The Case for Net Art as Public Art
    Features October 27, 2014
    Joseph Henry

    The Commons of Aggregation: The Case for Net Art as Public Art

    Working with the Material at Hand: A Roundtable on Regionalism
    Features October 16, 2014
    Sky Goodden

    Working with the Material at Hand: A Roundtable on Regionalism

    Nice Things: The Pleasure Principle in Jeff Koons and Cory Arcangel
    Features October 15, 2014
    Joseph Henry

    Nice Things: The Pleasure Principle in Jeff Koons and Cory Arcangel

    Fossils
    Features October 15, 2014
    Colin Perry

    Fossils

    How to Write About Contemporary Art
    Features October 15, 2014
    Andrew Berardini

    How to Write About Contemporary Art

    Clint Burnham

    Clint Burnham

    Colin Perry

    Colin Perry

    Andrew Berardini

    Andrew Berardini

    Caoimhe Morgan-Feir

    Caoimhe Morgan-Feir

    How Curating Took Over the World: David Balzer’s Game-Changing “Curationism”
    Reviews October 15, 2014
    Saelan Twerdy

    How Curating Took Over the World: David Balzer’s Game-Changing “Curationism”

    Rural Exhibitions: Their Gambit and Their Trope
    Features October 12, 2014
    Caoimhe Morgan-Feir

    Rural Exhibitions: Their Gambit and Their Trope

    Sky Goodden

    Sky Goodden

    Frank Mädler’s Fleeting Capture
    Features August 3, 2014
    Sky Goodden

    Frank Mädler’s Fleeting Capture

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