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    MAK Center

    You Might Just Call It Love: Mapping the World(s) of Paul Thek and Peter Hujar
    Reviews June 4, 2026
    Emma Fiona Jones

    You Might Just Call It Love: Mapping the World(s) of Paul Thek and Peter Hujar

    What Remains: The Fugitive Gestures of Carmen Neely at Mariane Ibrahim
    Reviews May 28, 2026
    Alexandra M. Thomas

    What Remains: The Fugitive Gestures of Carmen Neely at Mariane Ibrahim

    A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles
    Features May 7, 2026
    Kate Wolf

    A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles

    Belonging to Ourselves: Lynn Hershman Leeson and Sophie Calle
    Reviews April 30, 2026
    Tara Anne Dalbow

    Belonging to Ourselves: Lynn Hershman Leeson and Sophie Calle

    Collision, Erosion: Roksana Pirouzmand at OXY Arts and JOAN
    Reviews April 23, 2026
    Teresa Fleming

    Collision, Erosion: Roksana Pirouzmand at OXY Arts and JOAN

    In Search of True Collectivity: Infrastructure and Intent at the Kochi-Muziri Biennale
    Features, Reviews March 26, 2026
    Pallavi Surana

    In Search of True Collectivity: Infrastructure and Intent at the Kochi-Muziri Biennale

    Tour de Farce: Pat Oleszko at SculptureCenter
    Reviews March 19, 2026
    Madeleine Seidel

    Tour de Farce: Pat Oleszko at SculptureCenter

    Estuaries: An International Indigenous Art Criticism Residency

    Residency May 15–June 4, 2023
    Dr. Maia Nuku

    Dr. Maia Nuku

    Dr. Cathy Mattes

    Dr. Cathy Mattes

    Christina Nafziger

    Christina Nafziger

    Art Time / Life Time: On Tehching Hsieh’s Thirteen Year Plan
    Features March 6, 2026
    Lisa Hsiao Chen

    Art Time / Life Time: On Tehching Hsieh’s Thirteen Year Plan

    “Dancing On My Own” Book Launch and Artist Lecture with Simon Wu
    Talk October 17, 2024 7:00 PM–9:00 PM
    The Center for Art, Research and Alliances
    New York

    “Dancing On My Own” Book Launch and Artist Lecture with Simon Wu

    Moving Through the Rupture: Tehching Hsieh and Linda Montano Revisit Rope Piece
    Features March 4, 2026
    Eliza Swann

    Moving Through the Rupture: Tehching Hsieh and Linda Montano Revisit Rope Piece

    Another Small Disturbance: Shannon Garden-Smith at MKG127
    Reviews February 12, 2026
    Sky Goodden

    Another Small Disturbance: Shannon Garden-Smith at MKG127

    Authentically Vaginal: The Life Force of Vaginal Davis at PS1
    Features, Reviews January 29, 2026
    Lisa Hsiao Chen

    Authentically Vaginal: The Life Force of Vaginal Davis at PS1

    Without Deference: The Political Clarity of Coco Fusco at El Museo del Barrio
    Reviews January 22, 2026
    Luke Urbain

    Without Deference: The Political Clarity of Coco Fusco at El Museo del Barrio

    Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation
    Reviews January 15, 2026
    Sky Goodden

    Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation

    Potential of Other Worlds: Mystery, Lineage, and Los Angeles at AMPHI Gallery
    Reviews January 13, 2026
    Lisa Locascio Nighthawk

    Potential of Other Worlds: Mystery, Lineage, and Los Angeles at AMPHI Gallery

    History as a Chorus: Reimagining Monumentality at SITE Santa Fe
    Reviews January 8, 2026
    Ceci Moss

    History as a Chorus: Reimagining Monumentality at SITE Santa Fe

    Inside the Ruins of American Masculinity: Jared Buckhiester at David Kordansky Gallery
    Reviews December 18, 2025
    Paige Greco

    Inside the Ruins of American Masculinity: Jared Buckhiester at David Kordansky Gallery

    Choosing How to be Seen: Lessons from Louise Nevelson’s Early Work
    Reviews December 15, 2025
    Ruby Sky Stiler

    Choosing How to be Seen: Lessons from Louise Nevelson’s Early Work

    Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion
    Features December 3, 2025
    Summer Kim Lee, TJ Shin

    Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion

    Time Made Strange: Abbas Akhavan at the Belkin Art Gallery
    Reviews November 26, 2025
    Andrew Witt

    Time Made Strange: Abbas Akhavan at the Belkin Art Gallery

    Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements
    Reviews November 20, 2025
    Emma Fiona Jones

    Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements

    Dare to Have Fun: Pixy Liao Plays with Gendered Power at the Art Institute of Chicago
    Reviews November 13, 2025
    Anna Aguiar Kosicki

    Dare to Have Fun: Pixy Liao Plays with Gendered Power at the Art Institute of Chicago

    Call from Inside the House: Christina Forrer at Parker Gallery
    Reviews November 6, 2025
    Lisa Locascio Nighthawk

    Call from Inside the House: Christina Forrer at Parker Gallery

    Learning to Move Differently: Nadia Myre at the National Gallery of Canada
    Reviews October 30, 2025
    Alexandra Nordstrom

    Learning to Move Differently: Nadia Myre at the National Gallery of Canada

    Fellow Members of an Unfolding Constellation: Leilah Babirye at the de Young
    Reviews October 23, 2025
    Caroline Picard

    Fellow Members of an Unfolding Constellation: Leilah Babirye at the de Young

    About

    Extraordinary Living Begins Here: Artists Negotiate Large-Scale Infrastructure
    Features October 16, 2025
    Jade Meili Barget

    Extraordinary Living Begins Here: Artists Negotiate Large-Scale Infrastructure

    Risking Fear: Hamad Butt at Whitechapel Gallery
    Reviews October 9, 2025
    Tatum Howey

    Risking Fear: Hamad Butt at Whitechapel Gallery

    The Technologies of Art and War: Lucy Raven at Vancouver Art Gallery
    Reviews October 2, 2025
    Claudia Ross

    The Technologies of Art and War: Lucy Raven at Vancouver Art Gallery

    What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs
    Features September 25, 2025
    Elisa Wouk Almino

    What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs

    The All-Seeing Eyes of Carol Rama
    Reviews September 17, 2025
    Tara Anne Dalbow

    The All-Seeing Eyes of Carol Rama

    asdf
    Features, Reviews September 4, 2025
    Aaron Katzeman

    Jeffrey Gibson Saves America

    Programming the Diaspora: On How the Moving Image Shapes the Present
    Features August 21, 2025
    Nasrin Himada

    Programming the Diaspora: On How the Moving Image Shapes the Present

    Love Letter Incinerators: Martin Wong’s Prison Paintings
    Features August 14, 2025
    Ramona Ngin

    Love Letter Incinerators: Martin Wong’s Prison Paintings

    Jack Whitten, Human Xerox Machine
    Features, Reviews August 1, 2025
    Elizabeth Wiet

    Jack Whitten, Human Xerox Machine

    “I Always Wanted to Participate”: In Conversation with Vijay Masharani
    Features July 25, 2025
    Mimi Howard

    “I Always Wanted to Participate”: In Conversation with Vijay Masharani

    A Note on Omission: Navigating Institutional Censorship and the Need for Repair
    Features July 17, 2025
    Najrin Islam

    A Note on Omission: Navigating Institutional Censorship and the Need for Repair

    The Close-Up Reveals Nothing: How Deborah-Joyce Holman Complicates Interiority
    Features July 10, 2025
    Gervais Marsh

    The Close-Up Reveals Nothing: How Deborah-Joyce Holman Complicates Interiority

    A Model for Risk-Taking: Arthur Tress’s Grotesque Allegory of a Presidential Cabinet
    Features July 3, 2025
    Jackson Davidow

    A Model for Risk-Taking: Arthur Tress’s Grotesque Allegory of a Presidential Cabinet

    Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art
    Reviews June 26, 2025
    MacKenzie River Foy

    Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art

    End of the World: Revisiting a Lost Future at Spiral Jetty
    Features June 19, 2025
    Sarah Hollenberg

    End of the World: Revisiting a Lost Future at Spiral Jetty

    A Punk-Rock Polyglot: The Subversive Riffing of Carole Caroompas
    Reviews June 5, 2025
    Paula Mejía

    A Punk-Rock Polyglot: The Subversive Riffing of Carole Caroompas

    The High Stakes of Nancy Holt’s Systems
    Features May 15, 2025
    Cat Kron

    The High Stakes of Nancy Holt’s Systems

    We Are the Same Thing: The Sutured Selves of María Magdalena Campos-Pons
    Reviews May 8, 2025
    Allison Noelle Conner

    We Are the Same Thing: The Sutured Selves of María Magdalena Campos-Pons

    Havensong (after and for heidi andrea restrepo rhodes and Diana SeoHyung)
    Features May 1, 2025
    JJJJJerome Ellis

    Havensong (after and for heidi andrea restrepo rhodes and Diana SeoHyung)

    가는 길: Decision to Leave / On Leaving / Leaving
    Features April 28, 2025
    Diana SeoHyung

    가는 길: Decision to Leave / On Leaving / Leaving

    Intimacies Concealed and Performed: Katayoon Yousefbigloo and A Maior at Western Front
    Reviews April 10, 2025
    Claire Geddes Bailey

    Intimacies Concealed and Performed: Katayoon Yousefbigloo and A Maior at Western Front

    For Pleasure and Pictures: Robert Andy Coombs, His Critics, and the Language of Ableism
    Features April 4, 2025
    Erin F. O'Leary

    For Pleasure and Pictures: Robert Andy Coombs, His Critics, and the Language of Ableism

    Remembering Kelly Mark
    Features March 25, 2025
    Sky Goodden

    Remembering Kelly Mark

    As Flight or Escape: Ralph Lemon at MoMA PS1
    Reviews March 21, 2025
    Re'al Christian

    As Flight or Escape: Ralph Lemon at MoMA PS1

    The Boy in the Bathroom: Tom Burr’s Torrington Project
    Features March 14, 2025
    Jamie Ross

    The Boy in the Bathroom: Tom Burr’s Torrington Project

    A Very Real American Place: The Suburban Unconscious in Mike Kelley
    Reviews March 6, 2025
    Simon Wu

    A Very Real American Place: The Suburban Unconscious in Mike Kelley

    Lineage and Light: Rose Marie Cromwell’s “A Geological Survey”
    Features February 27, 2025
    Monica Uszerowicz

    Lineage and Light: Rose Marie Cromwell’s “A Geological Survey”

    On Weather and the Archive: Sofía Gallisá Muriente and Tony Cruz Pabón
    Features, Reviews February 21, 2025
    Alexandra Méndez García

    On Weather and the Archive: Sofía Gallisá Muriente and Tony Cruz Pabón

    Ritual Maintenance: Edges and Encounters with Tina Girouard
    Features, Reviews February 13, 2025
    Diana SeoHyung

    Ritual Maintenance: Edges and Encounters with Tina Girouard

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto
    Features February 5, 2025
    Tiana Reid

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto

    When Women Run the World: Gail Thacker’s Queer Feminist Marvel
    Features January 30, 2025
    Jackson Davidow

    When Women Run the World: Gail Thacker’s Queer Feminist Marvel

    “You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished
    Reviews January 23, 2025
    Amelia Wong-Mersereau

    “You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished

    The Wish in Yong Soon Min’s KISSSSS
    Reviews January 17, 2025
    Summer Kim Lee

    The Wish in Yong Soon Min’s KISSSSS

    Prescient About Still-Active Threats, Marisol Is Right on Time
    Reviews January 6, 2025
    Sky Goodden

    Prescient About Still-Active Threats, Marisol Is Right on Time

    Arenas of Freedom
    Reviews December 20, 2024
    Claudia La Rocco

    Arenas of Freedom

    Swelling Time: Sam Tam Ham Probes the Prime Meridian
    Reviews December 12, 2024
    Claire Voon

    Swelling Time: Sam Tam Ham Probes the Prime Meridian

    Kelly Lycan’s Objects in Waiting
    Features November 12, 2024
    Sky Goodden

    Kelly Lycan’s Objects in Waiting

    Dempsey Bob is Waking Up
    Features October 28, 2024
    Napatsi Folger

    Dempsey Bob is Waking Up

    Unplugged Games: Poetry as Resistance in Yanko González Cangas
    Reviews October 4, 2024
    Ignacio Szmulewicz R.

    Unplugged Games: Poetry as Resistance in Yanko González Cangas

    Invasion from Mars: On the Charged Personae of Shelly Mars
    Features September 27, 2024
    Gyula Muskovics

    Invasion from Mars: On the Charged Personae of Shelly Mars

    Sidestepping Violence: The German Pavilion’s Failure to See the Present in the Past
    Reviews September 5, 2024
    Julie Weitz

    Sidestepping Violence: The German Pavilion’s Failure to See the Present in the Past

    Reviewing the Reviews: The 2024 Whitney Biennial
    Features, Reviews August 15, 2024
    Jessica Lynne, Catherine G. Wagley

    Reviewing the Reviews: The 2024 Whitney Biennial

    Paul Chan’s Breathers Turns Away
    Reviews August 8, 2024
    Annette LePique

    Paul Chan’s Breathers Turns Away

    Goodbye to Berlin
    Features, Reviews July 31, 2024
    Sholem Krishtalka

    Goodbye to Berlin

    Pacita Abad Sees the Soul of an Artifact
    Features, Reviews July 5, 2024
    Enzo Escober

    Pacita Abad Sees the Soul of an Artifact

    Paper Abstractions: Virginia Jaramillo’s Social Theory
    Reviews June 28, 2024
    Michael Dango

    Paper Abstractions: Virginia Jaramillo’s Social Theory

    Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative
    Features June 14, 2024
    Julie Weitz

    Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative

    There is the Rising: Shelley Niro’s Reckoning Retrospective
    Reviews June 7, 2024
    Salma Hussain

    There is the Rising: Shelley Niro’s Reckoning Retrospective

    Radical Looking: Newly Seeing Art With My Baby
    Features May 30, 2024
    Maya Mackrandilal

    Radical Looking: Newly Seeing Art With My Baby

    REDCAT’s Rediscovery of the Iconic Feminist Art Program
    Features, Reviews May 24, 2024
    Catherine G. Wagley

    REDCAT’s Rediscovery of the Iconic Feminist Art Program

    Loosening the Stays
    Features May 15, 2024
    Claudia La Rocco

    Loosening the Stays

    A Feeling Between the Lines: The Anxious Influence of Agnes Martin’s “Writings”
    Features, Reviews April 26, 2024
    Terry Nguyen

    A Feeling Between the Lines: The Anxious Influence of Agnes Martin’s “Writings”

    Falling From the Tower: Levani on the Necessity of Endings
    Features March 29, 2024
    Gyula Muskovics

    Falling From the Tower: Levani on the Necessity of Endings

    Can We Tune the Museum? Laurie Spiegel and Other Experiments in Spatializing Sound
    Features, Reviews March 21, 2024
    Mariana Fernández

    Can We Tune the Museum? Laurie Spiegel and Other Experiments in Spatializing Sound

    She Was Paying Attention: Remembering Alexis Smith
    Features March 9, 2024
    Kate Wolf

    She Was Paying Attention: Remembering Alexis Smith

    Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes of Intelligence
    Features February 29, 2024
    Kira Xonorika

    Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes of Intelligence

    Our Visuality: Abortion Care Work and Photography
    Features February 23, 2024
    Carmen Winant

    Our Visuality: Abortion Care Work and Photography

    Abstraction, Legibility, and Desire in the Work of Brenda Draney
    Features, Reviews February 14, 2024
    Lois Taylor Biggs

    Abstraction, Legibility, and Desire in the Work of Brenda Draney

    Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape
    Features February 2, 2024
    Caitlin Jones

    Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape

    Forms of Echo: Sónia Vaz Borges & Filipa César Draw from a Sense-Memory Educational Legacy
    Features November 23, 2023
    Minh Nguyen

    Forms of Echo: Sónia Vaz Borges & Filipa César Draw from a Sense-Memory Educational Legacy

    Fought Through Women’s Bodies: Mona Hatoum’s Early Performances
    Reviews November 9, 2023
    Michael Dango

    Fought Through Women’s Bodies: Mona Hatoum’s Early Performances

    Tracking the Sapphic Social Imaginaries: Lesbian Art in Print
    Features October 16, 2023
    Cassie Packard

    Tracking the Sapphic Social Imaginaries: Lesbian Art in Print

    We’re Alive, Pablo Is Dead
    Features, Reviews August 22, 2023
    Elisabeth Nicula

    We’re Alive, Pablo Is Dead

    June Clark’s Perseverance of Memory
    Features July 11, 2023
    Jessica Lynne

    June Clark’s Perseverance of Memory

    Between Language and Cure: Athena Papadopoulos at MOCA Toronto
    Reviews June 1, 2023
    Tiana Reid

    Between Language and Cure: Athena Papadopoulos at MOCA Toronto

    Working It
    Features, Reviews May 25, 2023
    Kate Wolf

    Working It

    Evidence of Things Seen*: Capture and Control in India
    Features May 22, 2023
    Arushi Vats

    Evidence of Things Seen*: Capture and Control in India

    Bad Reviews
    Features, Reviews May 2, 2023
    Elisabeth Nicula

    Bad Reviews

    Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang
    Features April 28, 2023
    Catalina Ouyang, Summer Kim Lee

    Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang

    Solitary: Collective Authorship and its Discontents
    Features, Reviews April 12, 2023
    Jenny Wu

    Solitary: Collective Authorship and its Discontents

    The New World Looks Like the Old One: DYOR at Kunsthalle Zürich
    Reviews March 29, 2023
    Philipp Hindahl

    The New World Looks Like the Old One: DYOR at Kunsthalle Zürich

    Never Risky: Seeking New Life at the Singapore Biennale
    Reviews March 22, 2023
    Andrew Russeth

    Never Risky: Seeking New Life at the Singapore Biennale

    It’s All About Good Timing: Goodwater at the Plumb
    Features, Reviews February 7, 2023
    Ella Dawn McGeough

    It’s All About Good Timing: Goodwater at the Plumb

    All Positions Possible: Simone Forti Across Time, Through Community
    Features January 31, 2023
    Catherine G. Wagley

    All Positions Possible: Simone Forti Across Time, Through Community

    Mia Sandhu Holds the Gaze Hostage
    Reviews January 24, 2023
    Chelsea Rozansky

    Mia Sandhu Holds the Gaze Hostage

    Portrait of the Artist as a Young Thief
    Features, Reviews January 6, 2023
    Jenny Wu

    Portrait of the Artist as a Young Thief

    “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery
    Features December 22, 2022
    Sky Goodden

    “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery

    Reviewing the Reviews: Documenta 15
    Features, Reviews December 10, 2022
    Rahel Aima and Catherine G. Wagley

    Reviewing the Reviews: Documenta 15

    Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity
    Features, Reviews November 18, 2022
    Shazia Hafiz Ramji

    Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity

    A Distance That I Cannot Seem to Close
    Features November 8, 2022
    Diana SeoHyung

    A Distance That I Cannot Seem to Close

    Preoccupied with Things Left Behind: On Three Nigerian Artists
    Features November 2, 2022
    Ayodeji Rotinwa

    Preoccupied with Things Left Behind: On Three Nigerian Artists

    On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen
    Features October 26, 2022
    Catherine G. Wagley

    On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen

    “Name What is Unnamed”: Geocinema on Diarying the War in Ukraine
    Features August 29, 2022
    Abhijan Toto

    “Name What is Unnamed”: Geocinema on Diarying the War in Ukraine

    Rearrange: Torkwase Dyson and Black Feminist Breathing
    Features August 3, 2022
    Camille Bacon

    Rearrange: Torkwase Dyson and Black Feminist Breathing

    Wayne Salmon’s Portraits of Black Belonging in Kensington Market
    Reviews June 16, 2022
    Neil Price

    Wayne Salmon’s Portraits of Black Belonging in Kensington Market

    Where Do Dreams Live?
    Features, Reviews June 3, 2022
    Siera Hyte

    Where Do Dreams Live?

    Hypoxia and Hope
    Features May 26, 2022
    Kamayani Sharma

    Hypoxia and Hope

    Mimi Ọnụọha: Making Data Matter
    Reviews May 20, 2022
    Constanza Salazar

    Mimi Ọnụọha: Making Data Matter

    Mary Mattingly’s Way to Adapt
    Features May 2, 2022
    Michael McCanne

    Mary Mattingly’s Way to Adapt

    Proving the Rule: The “Exceptionalism” Problem with Art-World Labor
    Features April 28, 2022
    Dana Kopel

    Proving the Rule: The “Exceptionalism” Problem with Art-World Labor

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden
    Features April 4, 2022
    Calum Sutherland

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden

    Plague Medicine: Reading Avocado Ibuprofen in a Pandemic
    Features, Reviews March 17, 2022
    Saelan Twerdy

    Plague Medicine: Reading Avocado Ibuprofen in a Pandemic

    On Whiteness
    Features February 24, 2022
    Simon Wu

    On Whiteness

    Oliver Lee Jackson, the People’s Painter
    Features, Reviews February 17, 2022
    Del O'Brien

    Oliver Lee Jackson, the People’s Painter

    Caribbean Being and Becoming in “Fragments of Epic Memory”
    Reviews February 16, 2022
    Ashley Raghubir

    Caribbean Being and Becoming in “Fragments of Epic Memory”

    Plant People
    Features January 10, 2022
    Danielle Wu

    Plant People

    Losing Ground in Singapore’s State-Curated Digital Age
    Features December 21, 2021
    Eunice Lacaste

    Losing Ground in Singapore’s State-Curated Digital Age

    Across This Fraught Place: Survivance at the 2021 Texas Biennial
    Reviews November 23, 2021
    Laura August

    Across This Fraught Place: Survivance at the 2021 Texas Biennial

    Situating Great Ocean Art in Canadian Museums
    Features October 29, 2021
    Dr. Léuli Eshrāghi

    Situating Great Ocean Art in Canadian Museums

    Stop Guarding the Art
    Features October 14, 2021
    X. Amy Zhang

    Stop Guarding the Art

    More than Not: LACMA’s “Not I” and the Necessity of History
    Reviews October 7, 2021
    Melissa Lo

    More than Not: LACMA’s “Not I” and the Necessity of History

    Correcting for the Bawdy Rage of Paula Rego
    Features September 17, 2021
    Natalie Frank

    Correcting for the Bawdy Rage of Paula Rego

    Cameron Rowland’s Property Relations
    Features August 16, 2021
    Simon Wu

    Cameron Rowland’s Property Relations

    Imperfect Archives: Lilian Leung and Linda Zhang Virtually Capture Eroding Chinatowns
    Features July 12, 2021
    Steph Wong Ken

    Imperfect Archives: Lilian Leung and Linda Zhang Virtually Capture Eroding Chinatowns

    Haubitz+Zoche Frames India’s Iconic Movie Theaters—and Absents Them
    Features, Reviews July 1, 2021
    Deepa Bhasthi

    Haubitz+Zoche Frames India’s Iconic Movie Theaters—and Absents Them

    Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim
    Reviews June 25, 2021
    Max Pearl

    Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim

    Reading Between the Lines: On the Asian Americanness of Badlands Unlimited and Paul Chan
    Features May 26, 2021
    Lisa Yin Zhang

    Reading Between the Lines: On the Asian Americanness of Badlands Unlimited and Paul Chan

    “I Left This for a Reason”: An Interview with Amy Fung
    Features May 17, 2021
    Jarrett Earnest

    “I Left This for a Reason”: An Interview with Amy Fung

    Anna Mayer Reconstitutes Loss in Houston
    Features, Reviews April 20, 2021
    Laura August

    Anna Mayer Reconstitutes Loss in Houston

    Ron Athey’s “Far-Right Flirtations”
    Features, Reviews April 7, 2021
    Simon Wu

    Ron Athey’s “Far-Right Flirtations”

    Letter From Atlanta: St. Roch Blues
    Features March 2, 2021
    Jasmine Amussen

    Letter From Atlanta: St. Roch Blues

    Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater
    Features, Reviews February 11, 2021
    Catherine G. Wagley

    Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater

    We Are Gathered Here to Grieve: Salvaging, Mourning, and “Cargo Cult Formalism” in New York
    Features, Reviews January 13, 2021
    Andrew Woolbright

    We Are Gathered Here to Grieve: Salvaging, Mourning, and “Cargo Cult Formalism” in New York

    “Finding My Voice When Others Would Have Kept it Down”: Introducing Indigenous Artist-Run Center, daphne
    Features December 15, 2020
    Candice Pye

    “Finding My Voice When Others Would Have Kept it Down”: Introducing Indigenous Artist-Run Center, daphne

    The Shadow-Self Universe of Chris Ware
    Reviews December 14, 2020
    Mitch Speed

    The Shadow-Self Universe of Chris Ware

    The Untenability of the Unethical Museum
    Features October 30, 2020
    Catherine G. Wagley

    The Untenability of the Unethical Museum

    The Anxious “I”: Walter Scott’s Autofictional Universe
    Features, Reviews October 22, 2020
    Saelan Twerdy

    The Anxious “I”: Walter Scott’s Autofictional Universe

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”
    Features September 28, 2020
    Ben Davis

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”

    “As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge
    Features September 17, 2020
    Andrew Woolbright

    “As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge

    Between the Gallery and the Street: An Interview with Vanessa Thill
    Features August 18, 2020
    Andreas Petrossiants

    Between the Gallery and the Street: An Interview with Vanessa Thill

    This Valley is Filling with the Blood of Ghosts: On the Work of Scott Daniel Williams
    Features June 19, 2020
    Raven Chacon, Candice Hopkins

    This Valley is Filling with the Blood of Ghosts: On the Work of Scott Daniel Williams

    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality
    Features June 11, 2020
    Sky Goodden, Casey Beal

    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality

    Writing About Indigenous Art with Critical Care
    Features March 25, 2020
    David Garneau

    Writing About Indigenous Art with Critical Care

    The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA
    Features March 13, 2020
    Catherine G. Wagley

    The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA

    With Sharper Tools: Defending the National Endowment for the Arts
    Features March 6, 2020
    Ben Davis

    With Sharper Tools: Defending the National Endowment for the Arts

    Asa Mendelsohn

    Asa Mendelsohn

    The Lake and The Lake: Against Crisis as Narrative
    Reviews March 3, 2020
    Asa Mendelsohn

    The Lake and The Lake: Against Crisis as Narrative

    Anna Oppermann Looks Down
    Reviews February 29, 2020
    Dagmara Genda

    Anna Oppermann Looks Down

    Lives of the Artists: Remembering Vilmos
    Features February 13, 2020
    Ted Goodden

    Lives of the Artists: Remembering Vilmos

    After the Afterparty: Alan Belcher and Friends, in Retrospect
    Reviews January 10, 2020
    Saelan Twerdy

    After the Afterparty: Alan Belcher and Friends, in Retrospect

    Land and Landlessness: A Conversation with Larry Towell
    Features December 19, 2019
    Giancarlo T. Roma

    Land and Landlessness: A Conversation with Larry Towell

    The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick
    Features December 13, 2019
    James Kirkpatrick

    The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick

    Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame
    Reviews November 25, 2019
    Vince Rozario

    Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame

    John Boskovich Steers His Own “Recovery”
    Reviews November 22, 2019
    Gracie Hadland

    John Boskovich Steers His Own “Recovery”

    Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven
    Features October 28, 2019
    Kimberlee Córdova

    Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven

    The Tautological Reeling of Young & Giroux
    Reviews October 18, 2019
    Rhiannon Vogl

    The Tautological Reeling of Young & Giroux

    The Eerie Optimization of “Self-Care” Decor
    Reviews October 10, 2019
    Alison Hugill

    The Eerie Optimization of “Self-Care” Decor

    Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney
    Features September 27, 2019
    Anj Fermor

    Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney

    Learning as Supporting: Alternatives for Futures in Art Education
    Features September 3, 2019
    Catherine G. Wagley

    Learning as Supporting: Alternatives for Futures in Art Education

    Love and Loneliness: Queering Modernisms in Figurative Painting
    Features, Reviews August 1, 2019
    Joseph Henry

    Love and Loneliness: Queering Modernisms in Figurative Painting

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect
    Features July 27, 2019
    Ben Davis

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect

    Remembering Katharine Mulherin
    Features July 18, 2019
    Sky Goodden

    Remembering Katharine Mulherin

    Invisible Labor and Black Burnout
    Features May 3, 2019
    Melissa Smith

    Invisible Labor and Black Burnout

    From Dust to Light: On Photography’s Material Traces
    Reviews April 24, 2019
    Erin Silver

    From Dust to Light: On Photography’s Material Traces

    “But Can a Spirit Burn?”: Alternatives for Art Under Capital
    Features April 1, 2019
    Catherine G. Wagley

    “But Can a Spirit Burn?”: Alternatives for Art Under Capital

    The Substance of Grief: Nelson Henricks Deepens the Black Page
    Reviews March 20, 2019
    Casey Beal

    The Substance of Grief: Nelson Henricks Deepens the Black Page

    The Architecture of Exclusion: Storytelling Hannah Hoffman’s New Home Through Paul Williams and Tony Cokes
    Reviews March 15, 2019
    Catherine G. Wagley

    The Architecture of Exclusion: Storytelling Hannah Hoffman’s New Home Through Paul Williams and Tony Cokes

    Searching for Lemon Boy
    Features March 4, 2019
    Paul Michael Brown

    Searching for Lemon Boy

    The Seductive Branding of Phoebe Greenberg
    Features February 20, 2019
    Sky Goodden

    The Seductive Branding of Phoebe Greenberg

    Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine
    Reviews February 1, 2019
    Kanad Chakrabarti

    Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine

    The Bold Refusal of lauren woods’s “American Monument”
    Features, Reviews December 7, 2018
    Catherine G. Wagley

    The Bold Refusal of lauren woods’s “American Monument”

    Homage to Oneself: Julian Schnabel Interprets the Musée d’Orsay
    Reviews November 20, 2018
    Philip Monk

    Homage to Oneself: Julian Schnabel Interprets the Musée d’Orsay

    Archeology and Ambivalence at Austria’s Steirischer Herbst Festival
    Reviews November 2, 2018
    Kristian Vistrup Madsen

    Archeology and Ambivalence at Austria’s Steirischer Herbst Festival

    Unsettling Borders: The “Greater West” Recolonized
    Reviews October 24, 2018
    Riva Symko

    Unsettling Borders: The “Greater West” Recolonized

    A Study in American Denial: David Wojnarowicz’s Return to the Piers
    Reviews September 28, 2018
    Erica Dawn Lyle

    A Study in American Denial: David Wojnarowicz’s Return to the Piers

    What to Do About Klaus: How Arts Communities Assert Their Agency
    Features August 10, 2018
    Catherine G. Wagley

    What to Do About Klaus: How Arts Communities Assert Their Agency

    A Long, Dull Shadow: Georg Baselitz’s Legacy of Misogyny
    Reviews August 2, 2018
    Maura Callahan

    A Long, Dull Shadow: Georg Baselitz’s Legacy of Misogyny

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads
    Features, Reviews July 27, 2018
    Saelan Twerdy

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads

    Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus
    Reviews July 25, 2018
    Mitch Speed

    Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus

    Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns
    Reviews July 17, 2018
    Max L. Feldman

    Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns

    Courting Exhaustion: Manifesta’s Dog Days
    Reviews July 6, 2018
    Kristian Vistrup Madsen

    Courting Exhaustion: Manifesta’s Dog Days

    Behind the Curtain: Beatriz González’s Political-Decorative Art
    Reviews June 27, 2018
    Juan José Santos

    Behind the Curtain: Beatriz González’s Political-Decorative Art

    Cruising for Sex in the Garden of Eden: Architecture and Desire in Venice
    Reviews June 23, 2018
    Alison Hugill

    Cruising for Sex in the Garden of Eden: Architecture and Desire in Venice

    Me For You: The Modest Directives of Ho Tam and Rainer Ganahl
    Reviews June 19, 2018
    Mark Mann

    Me For You: The Modest Directives of Ho Tam and Rainer Ganahl

    An Open Door, By the Lake: Nadia Belerique Advances Her Symbolism
    Reviews June 2, 2018
    Sky Goodden

    An Open Door, By the Lake: Nadia Belerique Advances Her Symbolism

    How to Make Art History
    Features May 18, 2018
    Andrew Berardini

    How to Make Art History

    What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern
    Features, Reviews May 4, 2018
    Mitch Speed

    What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern

    Think of Harald’s Position: Weighing Szeemann’s Obsessions in L.A.
    Features, Reviews April 30, 2018
    Catherine G. Wagley

    Think of Harald’s Position: Weighing Szeemann’s Obsessions in L.A.

    An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde
    Features March 26, 2018
    Ben Davis

    An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde

    The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive
    Features, Reviews March 23, 2018
    Mark Mann

    The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive

    Worst-Case Scenarios: Contemporary Art’s #Metoo Handwringing
    Features March 21, 2018
    Aruna D'Souza

    Worst-Case Scenarios: Contemporary Art’s #Metoo Handwringing

    America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)
    Features March 13, 2018
    America Meredith, Lori Blondeau, Adrian Stimson

    America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)

    The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself”
    Reviews March 3, 2018
    Marcus Civin

    The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself”

    Faulty Infrastructure: New Orleans’s Triennial Can’t Commit
    Reviews February 19, 2018
    Eva Díaz

    Faulty Infrastructure: New Orleans’s Triennial Can’t Commit

    Maria Hupfield Returns to the Beginning
    Reviews February 13, 2018
    Mark Mann

    Maria Hupfield Returns to the Beginning

    “Speaking from a Wound”: Jesse Darling on Faith, Crisis, and Refusal
    Features January 9, 2018
    Saelan Twerdy

    “Speaking from a Wound”: Jesse Darling on Faith, Crisis, and Refusal

    Does the Sublime Know Change? Updating Landscape for the Anthropocene
    Reviews December 6, 2017
    Riva Symko

    Does the Sublime Know Change? Updating Landscape for the Anthropocene

    Against Tidy Memory: Anti-Fascist Memorials and the Horror of Kitsch
    Features November 28, 2017
    Kristian Vistrup Madsen

    Against Tidy Memory: Anti-Fascist Memorials and the Horror of Kitsch

    Privilege as Political Tool: Tania Bruguera on the Usefulness of Art
    Features November 21, 2017
    Merray Michael Mina

    Privilege as Political Tool: Tania Bruguera on the Usefulness of Art

    Palpable Urgency and Understated Ecology: Latvia’s “Survival Kit 9”
    Reviews November 17, 2017
    Mitch Speed

    Palpable Urgency and Understated Ecology: Latvia’s “Survival Kit 9”

    “Pacific Standard Time” Writes Overlooked Chicano Artists Back Into Art History
    Reviews November 7, 2017
    Catherine G. Wagley

    “Pacific Standard Time” Writes Overlooked Chicano Artists Back Into Art History

    How (Not) To Retrospect: Beverly Buchanan in Brooklyn and Georgia
    Reviews November 3, 2017
    Jordan Amirkhani

    How (Not) To Retrospect: Beverly Buchanan in Brooklyn and Georgia

    Seeking a More Intimate Fair with /edition’s Paul Butler
    Features October 18, 2017
    Sky Goodden

    Seeking a More Intimate Fair with /edition’s Paul Butler

    Remnant Intuition: Contemporary Turns on the Grace of Still Life
    Reviews October 13, 2017
    E.C. Woodley

    Remnant Intuition: Contemporary Turns on the Grace of Still Life

    For Common and Decent Things: Resisting Co-opted “Collaboration”
    Features September 22, 2017
    Owen Duffy

    For Common and Decent Things: Resisting Co-opted “Collaboration”

    Spoiled Roots: Mark Bradford and the Erasure of Community
    Features September 20, 2017
    Catherine G. Wagley

    Spoiled Roots: Mark Bradford and the Erasure of Community

    Free to Care Less: On the Cynicism of “Starting a Conversation”
    Features August 11, 2017
    Casey Beal

    Free to Care Less: On the Cynicism of “Starting a Conversation”

    Place, Space, or Backdrop: The Dilemma of Desert X, the “Coachella Biennial”
    Features, Reviews August 9, 2017
    Monica Westin

    Place, Space, or Backdrop: The Dilemma of Desert X, the “Coachella Biennial”

    Mourning Jimmie Durham
    Features July 20, 2017
    Aruna D'Souza

    Mourning Jimmie Durham

    That’s the Way to Do It!: The Fairy Tale Life of Ydessa Hendeles
    Features, Reviews July 18, 2017
    Philip Monk

    That’s the Way to Do It!: The Fairy Tale Life of Ydessa Hendeles

    The Center Holds: Bruce High Quality Foundation’s Accidental Gulf Nativism
    Reviews June 7, 2017
    Rahel Aima

    The Center Holds: Bruce High Quality Foundation’s Accidental Gulf Nativism

    “Science Truth” and Fearless Feminism in Lynn Hershman Leeson’s “Civic Radar”
    Reviews May 12, 2017
    Wendy Vogel

    “Science Truth” and Fearless Feminism in Lynn Hershman Leeson’s “Civic Radar”

    Modernist Frederick Kiesler is “Rediscovered” Between Abstraction and Compromise
    Reviews May 2, 2017
    Kristian Vistrup Madsen

    Modernist Frederick Kiesler is “Rediscovered” Between Abstraction and Compromise

    The Inevitable Cannibalization of Institutional Critique: Surveying Michael Asher and Christopher D’Arcangelo in L.A.
    Reviews April 20, 2017
    Hyunjee Nicole Kim

    The Inevitable Cannibalization of Institutional Critique: Surveying Michael Asher and Christopher D’Arcangelo in L.A.

    Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate
    Features March 17, 2017
    Richard Wentworth

    Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate

    Forcing the Fortuitous: Tacita Dean Searches for Luck
    Reviews March 10, 2017
    Juan José Santos

    Forcing the Fortuitous: Tacita Dean Searches for Luck

    What Is an Art Fair Doing Asking “What Is To Be Done?”
    Features March 8, 2017
    Sky Goodden

    What Is an Art Fair Doing Asking “What Is To Be Done?”

    How Do We Decolonize Desire? Evelyn Taocheng Wang Massages Difficult Truths at Château Shatto
    Reviews February 22, 2017
    Hyunjee Nicole Kim

    How Do We Decolonize Desire? Evelyn Taocheng Wang Massages Difficult Truths at Château Shatto

    Where the Party Is: Mark Leckey’s Vernacular, Autobiographical Tour Through Pop
    Reviews February 14, 2017
    Sam Korman

    Where the Party Is: Mark Leckey’s Vernacular, Autobiographical Tour Through Pop

    Cassils and the Complicated Rhetoric of the Hero
    Features February 9, 2017
    Emily Vey Duke

    Cassils and the Complicated Rhetoric of the Hero

    Jill Magid’s Post-Truth Diamond Proposal
    Features January 24, 2017
    Kimberlee Córdova

    Jill Magid’s Post-Truth Diamond Proposal

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados
    Features January 12, 2017
    Fabien Maltais-Bayda

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados

    The Portent in Exhibiting Robert Mapplethorpe: What Can He Mean to Us Now?
    Reviews January 11, 2017
    Sky Goodden

    The Portent in Exhibiting Robert Mapplethorpe: What Can He Mean to Us Now?

    Grieving in L.A.
    Features, Reviews December 22, 2016
    Sky Goodden

    Grieving in L.A.

    The Material Undoings of Kelly Lycan
    Features, Reviews December 21, 2016
    Joni Low

    The Material Undoings of Kelly Lycan

    Acting Out: The Visibility of Blackness in the Work of Martine Syms
    Reviews November 30, 2016
    Zoë Chan

    Acting Out: The Visibility of Blackness in the Work of Martine Syms

    Weird Science: William Kentridge Deepens Time at Whitechapel
    Reviews November 17, 2016
    Tausif Noor

    Weird Science: William Kentridge Deepens Time at Whitechapel

    A House Divided: Theaster Gates’s Confused Beat at the AGO
    Reviews November 4, 2016
    Ulysses Castellanos

    A House Divided: Theaster Gates’s Confused Beat at the AGO

    The Past Imperfect of Jutta Koether
    Reviews October 18, 2016
    Mitch Speed

    The Past Imperfect of Jutta Koether

    An Elegy for Annie Pootoogook (1969–2016)
    Features September 30, 2016
    Candice Hopkins

    An Elegy for Annie Pootoogook (1969–2016)

    The Ellipses of Eva Hesse: Reading Her Collected Diaries
    Features September 29, 2016
    Mitch Speed

    The Ellipses of Eva Hesse: Reading Her Collected Diaries

    Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum
    Reviews September 20, 2016
    Ben Davis

    Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum

    Mark Ruwedel’s Desert History, as Fugitive Present
    Reviews September 15, 2016
    Sky Goodden

    Mark Ruwedel’s Desert History, as Fugitive Present

    Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto
    Features August 9, 2016
    Sky Goodden

    Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent
    Features August 4, 2016
    Saelan Twerdy

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent

    Battle Hymn of the Republic: The Measure of Kehinde Wiley in the American South
    Reviews July 13, 2016
    Tausif Noor

    Battle Hymn of the Republic: The Measure of Kehinde Wiley in the American South

    “Out There in the Many Miles of Bad Lands”: Georgia O’Keeffe in Her Own Words
    Features July 13, 2016
    Georgia O'Keeffe

    “Out There in the Many Miles of Bad Lands”: Georgia O’Keeffe in Her Own Words

    After Brexit, Art Must Break Out of Its Bubble
    Features June 30, 2016
    Ben Davis

    After Brexit, Art Must Break Out of Its Bubble

    Emerging Artist Neil Beloufa Turns Smug at MoMA
    Reviews June 28, 2016
    Mitch Speed

    Emerging Artist Neil Beloufa Turns Smug at MoMA

    The Unspecific (But Straining) Politics of Joan Jonas
    Reviews June 3, 2016
    Mitch Speed

    The Unspecific (But Straining) Politics of Joan Jonas

    Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy
    Reviews June 1, 2016
    Ben Davis

    Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy

    “Please Hold Your Questions”: A Culture of Asking Questions as Criticism and Authority
    Features May 30, 2016
    Renan Laru-An

    “Please Hold Your Questions”: A Culture of Asking Questions as Criticism and Authority

    The “Fuck Em” Sex and Class Reversals of Alicia Gibson
    Reviews May 12, 2016
    Mitch Speed

    The “Fuck Em” Sex and Class Reversals of Alicia Gibson

    The Pantomimed Fellowship of Nicole Eisenman’s “Al-ugh-ories”
    Reviews May 6, 2016
    Ben Davis

    The Pantomimed Fellowship of Nicole Eisenman’s “Al-ugh-ories”

    Embracing the Sāo Paulo Biennial’s Acute Uncertainty
    Features May 4, 2016
    Juan José Santos

    Embracing the Sāo Paulo Biennial’s Acute Uncertainty

    Regionalism Vs. Provincialism: Agitating Against Critical Neglect in Artworld Peripheries
    Features April 18, 2016
    Amy Zion, Cora Fisher

    Regionalism Vs. Provincialism: Agitating Against Critical Neglect in Artworld Peripheries

    The Ages of Mat Brown
    Features April 12, 2016
    Ulysses Castellanos

    The Ages of Mat Brown

    “I Wanted to Find a Way to Respond”: Artist Ben Quilty on Working with Refugees
    Features April 4, 2016
    Ben Davis

    “I Wanted to Find a Way to Respond”: Artist Ben Quilty on Working with Refugees

    Misogyny and the Myth of the ’90s at Mexico City’s Kurimanzutto
    Reviews March 30, 2016
    Kimberlee Córdova

    Misogyny and the Myth of the ’90s at Mexico City’s Kurimanzutto

    Interview: Allison Hrabluik on the Unscripted Magic of “The Splits”
    Features March 29, 2016
    Rosemary Heather

    Interview: Allison Hrabluik on the Unscripted Magic of “The Splits”

    What Should Art “Do”? The Eccentrics’ Vital Nonsense in a Time of Crisis
    Reviews March 16, 2016
    Owen Duffy

    What Should Art “Do”? The Eccentrics’ Vital Nonsense in a Time of Crisis

    The State of the Artworld, Explained
    Features March 2, 2016
    Ben Davis

    The State of the Artworld, Explained

    The Sadean Woman: Tricia Middleton and the Violence of Art
    Reviews February 9, 2016
    Saelan Twerdy

    The Sadean Woman: Tricia Middleton and the Violence of Art

    Back to the Future: The Social-Activist Architecture of Moshe Safdie
    Features February 3, 2016
    Carol Strickland

    Back to the Future: The Social-Activist Architecture of Moshe Safdie

    Only at Home in a Paradox: M.C. Escher Gets His Artworld Due
    Reviews January 26, 2016
    Becca Rothfeld

    Only at Home in a Paradox: M.C. Escher Gets His Artworld Due

    Redefining the Sex in the Sale at Birch Contemporary
    Reviews January 21, 2016
    Ulysses Castellanos

    Redefining the Sex in the Sale at Birch Contemporary

    Do You Have to Be Rich to Make It as an Artist?
    Features January 14, 2016
    Ben Davis

    Do You Have to Be Rich to Make It as an Artist?

    From Exile to Acclaim, the Unlikely Story of Mu Xin, and China’s Reformation
    Features January 11, 2016
    Carol Strickland

    From Exile to Acclaim, the Unlikely Story of Mu Xin, and China’s Reformation

    Any Plans After the Exhibition?
    Features January 4, 2016
    Orit Gat

    Any Plans After the Exhibition?

    The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga
    Features December 14, 2015
    Sky Goodden

    The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga

    Friends Among Us: Reflections on the Value and Risk of Nepotism in Art
    Features December 8, 2015
    Catherine G. Wagley

    Friends Among Us: Reflections on the Value and Risk of Nepotism in Art

    The Inequality of Contemporary Art
    Features December 5, 2015
    Christian Viveros-Fauné

    The Inequality of Contemporary Art

    The Function of Gossip as Criticism in Mexico’s Artworld
    Features December 1, 2015
    Kimberlee Córdova

    The Function of Gossip as Criticism in Mexico’s Artworld

    A Prismatic Picture of Colombian Street Culture in Jorge Lozano’s Experimental Films
    Features November 17, 2015
    Ulysses Castellanos

    A Prismatic Picture of Colombian Street Culture in Jorge Lozano’s Experimental Films

    These Are Not Ideas; These Are Things: A Conversation with Liz Magor
    Features November 13, 2015
    Sky Goodden

    These Are Not Ideas; These Are Things: A Conversation with Liz Magor

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review
    Features November 10, 2015
    Sky Goodden, Benjamin Genocchio, James McAnally, Sarrita Hunn

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review

    Helen Molesworth Upends the Permanent Hang at MOCA LA
    Reviews October 26, 2015
    Catherine G. Wagley

    Helen Molesworth Upends the Permanent Hang at MOCA LA

    The Spinning “YOLO” Sympathies of Sandra Meigs
    Reviews October 20, 2015
    Kelly Jazvac

    The Spinning “YOLO” Sympathies of Sandra Meigs

    How To Follow Your Own Success: Kristiina Lahde at MKG127
    Reviews October 14, 2015
    Alison Snowball

    How To Follow Your Own Success: Kristiina Lahde at MKG127

    A Portrait of The Artist as a Young Professional: Joseph Hartman’s Artist Studios
    Reviews October 13, 2015
    Ulysses Castellanos

    A Portrait of The Artist as a Young Professional: Joseph Hartman’s Artist Studios

    Robert Rauschenberg and Rachel Harrison Mirror Media and More Across Time
    Features October 7, 2015
    Sky Goodden

    Robert Rauschenberg and Rachel Harrison Mirror Media and More Across Time

    A New Level of Anxiety in Derek Liddington
    Reviews October 5, 2015
    Dagmara Genda

    A New Level of Anxiety in Derek Liddington

    Chris Dercon

    Chris Dercon

    What is the Museum of the Future?
    Features September 29, 2015
    Chris Dercon

    What is the Museum of the Future?

    Interview: Lois Andison Talks Back to Male Modernists
    Features September 24, 2015
    Sky Goodden

    Interview: Lois Andison Talks Back to Male Modernists

    A Spitting Fit of Teenage Rage: On the Increasing Impotence of Political Art
    Features September 16, 2015
    RM Vaughan

    A Spitting Fit of Teenage Rage: On the Increasing Impotence of Political Art

    The Subtle Evolution and Marked Aging of Michael Smith’s “Mike”
    Reviews September 14, 2015
    Michael Vass

    The Subtle Evolution and Marked Aging of Michael Smith’s “Mike”

    First Nations Art and the Matter of Its Politics
    Features September 8, 2015
    Clint Burnham

    First Nations Art and the Matter of Its Politics

    Inside My Head: An Interview with Glenn Ligon
    Features August 14, 2015
    Glenn Ligon, Simon Grant

    Inside My Head: An Interview with Glenn Ligon

    Bodies Beholden: The Changed Corporeality of David Salle’s New Paintings
    Reviews August 12, 2015
    Becca Rothfeld

    Bodies Beholden: The Changed Corporeality of David Salle’s New Paintings

    Are Sex Differences Getting in the Way?: The Limits of Gender-Based Curating
    Features August 4, 2015
    Natasha Chaykowski

    Are Sex Differences Getting in the Way?: The Limits of Gender-Based Curating

    Space is the Plane: Chris Curreri Explodes His Medium at the Gardiner Museum
    Reviews July 1, 2015
    Ulysses Castellanos

    Space is the Plane: Chris Curreri Explodes His Medium at the Gardiner Museum

    Post-Crisis: What’s Next for Art Criticism in a Digital Age
    Features June 26, 2015
    Sky Goodden

    Post-Crisis: What’s Next for Art Criticism in a Digital Age

    The Exit Interview: Matthew Teitelbaum
    Features June 26, 2015
    Jennifer Matotek

    The Exit Interview: Matthew Teitelbaum

    Dagmara Genda

    Dagmara Genda

    A Rebuttal, Not a Conversation: Discussing Ombaasin’s AGO Intervention, “Land Rights Now”
    Features June 23, 2015
    Sky Goodden

    A Rebuttal, Not a Conversation: Discussing Ombaasin’s AGO Intervention, “Land Rights Now”

    Interview: Tacita Dean
    Features June 17, 2015
    Sky Goodden

    Interview: Tacita Dean

    Rui Amaral

    Rui Amaral

    Trenton Doyle Hancock Moves to Mythos at Sarasota’s Ringling Museum
    Reviews May 20, 2015
    Danny Olda

    Trenton Doyle Hancock Moves to Mythos at Sarasota’s Ringling Museum

    A Pixelating Voice: Reading Sophia Al-Maria’s “Sisters” at the New Museum Triennial
    Reviews May 20, 2015
    Kyle Proehl

    A Pixelating Voice: Reading Sophia Al-Maria’s “Sisters” at the New Museum Triennial

    After Bjork Fiasco, MoMA’s Yoko Ono Show Makes a Case for Art and Celebrity
    Features May 13, 2015
    Ben Davis

    After Bjork Fiasco, MoMA’s Yoko Ono Show Makes a Case for Art and Celebrity

    To Cut and To Swipe: Understanding Hito Steyerl Through “HOW NOT TO BE SEEN”
    Features May 12, 2015
    Kaegan Sparks

    To Cut and To Swipe: Understanding Hito Steyerl Through “HOW NOT TO BE SEEN”

    The Suffering Body of 1993: Whatever Happened to the “Abject”
    Features April 27, 2015
    Joseph Henry

    The Suffering Body of 1993: Whatever Happened to the “Abject”

    Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography
    Features April 16, 2015
    Sky Goodden

    Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography

    Hito Steyerl’s Nexus of Money, Violence, and Art
    Reviews April 12, 2015
    Paddy Johnson

    Hito Steyerl’s Nexus of Money, Violence, and Art

    Interview: Curator Christopher Eamon Troubles the Shifting Form (and Relevance) of Photography
    Features April 9, 2015
    Sky Goodden

    Interview: Curator Christopher Eamon Troubles the Shifting Form (and Relevance) of Photography

    Seeing Red: Understanding Kazuo Shiraga’s Sudden Fame
    Features April 8, 2015
    Carol Strickland

    Seeing Red: Understanding Kazuo Shiraga’s Sudden Fame

    Tools for Redress: A Century of Political Art Between “Zero Tolerance” and “The Left Front”
    Features April 1, 2015
    Will Fenstermaker

    Tools for Redress: A Century of Political Art Between “Zero Tolerance” and “The Left Front”

    Interview: The Difficulty in Distilling Suzy Lake
    Features March 23, 2015
    Sky Goodden

    Interview: The Difficulty in Distilling Suzy Lake

    Is the iPhone a Blessing or a Curse for Art?
    Features March 20, 2015
    Ben Davis

    Is the iPhone a Blessing or a Curse for Art?

    Aiming to Please: Division Gallery Surveys Post-Internet Entertainment
    Reviews March 17, 2015
    Saelan Twerdy

    Aiming to Please: Division Gallery Surveys Post-Internet Entertainment

    The Deadening Gaze of Tal R
    Reviews March 3, 2015
    Mitch Speed

    The Deadening Gaze of Tal R

    The Contemporary Erotics of Laurie Kang
    Reviews February 24, 2015
    Alex Bowron

    The Contemporary Erotics of Laurie Kang

    Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East
    Features, Reviews February 18, 2015
    Matthew Carver

    Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East

    Bad Dream of the Bauhaus: Juan Ortiz-Apuy’s IKEA Fantasia
    Reviews February 16, 2015
    Saelan Twerdy

    Bad Dream of the Bauhaus: Juan Ortiz-Apuy’s IKEA Fantasia

    The Temptation of Everything in Michael Dudeck’s “Messiah Complex 5.0”
    Reviews February 12, 2015
    Mark Mann

    The Temptation of Everything in Michael Dudeck’s “Messiah Complex 5.0”

    How to Start an Art School
    Features February 10, 2015
    Andrew Berardini

    How to Start an Art School

    Ryan McNamara and the Afterlife of Performance
    Features, Reviews February 4, 2015
    Joseph Henry

    Ryan McNamara and the Afterlife of Performance

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn
    Features January 29, 2015
    Sky Goodden

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn

    Neïl Beloufa Relies on Other People
    Reviews January 19, 2015
    Kristy Trinier

    Neïl Beloufa Relies on Other People

    Year in Review: Montreal From the Ground Up
    Features December 31, 2014
    Saelan Twerdy

    Year in Review: Montreal From the Ground Up

    Year in Review: The Women Represented
    Features December 31, 2014
    Joseph Henry

    Year in Review: The Women Represented

    Women and Influence and the Other Things He Got Wrong: A Rebuttal To Brad Phillips
    Features December 17, 2014
    Sky Goodden

    Women and Influence and the Other Things He Got Wrong: A Rebuttal To Brad Phillips

    Tadej Pogačar’s Persistent Perversion of Institutional Critique
    Reviews December 15, 2014
    Clint Burnham

    Tadej Pogačar’s Persistent Perversion of Institutional Critique

    A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader
    Features December 11, 2014
    Earl Miller

    A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader

    A Ghostly Form: Scrap Metal Embraces Presence, Absence, and the Space Between
    Reviews December 10, 2014
    Sky Goodden

    A Ghostly Form: Scrap Metal Embraces Presence, Absence, and the Space Between

    Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough
    Reviews December 8, 2014
    Mark Mann

    Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough

    How to Survive International Art: Notes from the Poverty Jetset
    Features December 1, 2014
    Andrew Berardini

    How to Survive International Art: Notes from the Poverty Jetset

    The Future of Art Toronto, and How It Plans to Adapt
    Features November 24, 2014
    Sky Goodden

    The Future of Art Toronto, and How It Plans to Adapt

    The Problematized Fun of Cosima von Bonin
    Reviews November 19, 2014
    Clint Burnham

    The Problematized Fun of Cosima von Bonin

    “He Did Not Ring My Head Like a Bell”: Reviewing Geoffrey Farmer
    Reviews November 18, 2014
    Andrew Berardini

    “He Did Not Ring My Head Like a Bell”: Reviewing Geoffrey Farmer

    Kill the Expert: An Interview with Brian Droitcour
    Features November 17, 2014
    Joseph Henry

    Kill the Expert: An Interview with Brian Droitcour

    The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series
    Reviews November 10, 2014
    Clint Burnham

    The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series

    Blue Republic Finds its Center
    Reviews November 5, 2014
    Sky Goodden

    Blue Republic Finds its Center

    A Theory of Everything: On The State of Theory and Criticism (Part Two)
    Features November 3, 2014
    Saelan Twerdy

    A Theory of Everything: On The State of Theory and Criticism (Part Two)

    The Militant Image
    Reviews October 15, 2014
    Clint Burnham

    The Militant Image

    Fossils
    Features October 15, 2014
    Colin Perry

    Fossils

    Interview: Ben Davis on Marxism, Criticism, and Contemporary Art
    Features October 15, 2014
    Sky Goodden

    Interview: Ben Davis on Marxism, Criticism, and Contemporary Art

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