“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Yoshio Taniguchi’s 2004 expansion of the Museum of Modern Art integrated the glass buildings on either side of the museum so that when you…
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Oliver Lee Jackson, the People’s Painter
“The Painter” moves expansively but in fits across the second side of Dogon A.D., a pendulous free jazz masterpiece self-released by Julius Hemphill in…
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Gallerist Virginia Dwan, the Reluctant Legend
“Any ideas of art history or significance were forgotten,” wrote gallerist Virginia Dwan in 1990, remembering the first time she saw one of Yves…
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