Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto
What was the problem? I didn’t know and nobody told me and what could I do or say, anyway? Yes, I did know…
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Season 4 Episode 4: Léuli Eshrāghi on “tagatavāsā”
In episode 4, Dr. Léuli Eshrāghi discusses “tagatavāsā,” a text centered on Eshrāghi’s grandmother’s art practice that interweaves Indigenous language with the vernacular of…
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Writing About Indigenous Art with Critical Care
With arms crossed, a Métis curator contemplates Kent Monkman’s The Scream (2017) at the Winnipeg Art Gallery. The history painting dramatizes Canada’s seizure of First Nations,…
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Fantastic Emissions: Mika Rottenberg’s Labor of Mystification
“Once in a while it happens that I vomit up a bunny,” confesses the narrator of Julio Cortázar’s “Letter to a Young Lady in…
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Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto
The spiritual iconographies of Paul Petro’s roster are many. Robert Flack’s seven chakras series from the 1990s; Stephen Andrews’s heaven painting, and The Apostles;…
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The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga
Joseph Tisiga is an emerging artist of a particular stripe. He is young (born in 1984), and very successful: he was nominated as a…
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