Arts of the Working Class

Momus and celador Present: Lisa Robertson’s Riverwork

June 18, 2026 6:00 PM–8:00 PM

celador

Momus and celador Present: Lisa Robertson’s Riverwork

What it Means to Continue: On Gabrielle Goliath, Reparative Work, and Resisting State Violence

Features May 14, 2026

M. Neelika Jayawardane

What it Means to Continue: On Gabrielle Goliath, Reparative Work, and Resisting State Violence

A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles

Features May 7, 2026

Kate Wolf

A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles

Collision, Erosion: Roksana Pirouzmand at OXY Arts and JOAN

Reviews April 23, 2026

Collision, Erosion: Roksana Pirouzmand at OXY Arts and JOAN

To Build and Sustain: Publishing Roundtable

June 27, 2026 7:00 PM–9:00 PM

PHI
Montreal

To Build and Sustain: Publishing Roundtable

Tour de Farce: Pat Oleszko at SculptureCenter

Reviews March 19, 2026

Madeleine Seidel

Tour de Farce: Pat Oleszko at SculptureCenter

Momus Residency: To Build and Sustain

Residency August 11–15, 2025

Pablo José Ramírez

Pablo José Ramírez

Momus Emerging Critics Residency 2021

Residency August 9–20, 2021

Momus Emerging Critics Residency 2020

Residency August 3–28, 2020

Art Time / Life Time: On Tehching Hsieh’s Thirteen Year Plan

Features March 6, 2026

Lisa Hsiao Chen

Art Time / Life Time: On Tehching Hsieh’s Thirteen Year Plan

What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs

Features September 25, 2025

Elisa Wouk Almino

What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs

Love Letter Incinerators: Martin Wong’s Prison Paintings

Features August 14, 2025

Ramona Ngin

Love Letter Incinerators: Martin Wong’s Prison Paintings

“I Always Wanted to Participate”: In Conversation with Vijay Masharani

Features July 25, 2025

Mimi Howard

“I Always Wanted to Participate”: In Conversation with Vijay Masharani

Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art

Reviews June 26, 2025

MacKenzie River Foy

Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art

End of the World: Revisiting a Lost Future at Spiral Jetty

Features June 19, 2025

Sarah Hollenberg

End of the World: Revisiting a Lost Future at Spiral Jetty

The High Stakes of Nancy Holt’s Systems

Features May 15, 2025

Cat Kron

The High Stakes of Nancy Holt’s Systems

Remembering Kelly Mark

Features March 25, 2025

Sky Goodden

Remembering Kelly Mark

A Very Real American Place: The Suburban Unconscious in Mike Kelley

Reviews March 6, 2025

Simon Wu

A Very Real American Place: The Suburban Unconscious in Mike Kelley

Lineage and Light: Rose Marie Cromwell’s “A Geological Survey”

Features February 27, 2025

Monica Uszerowicz

Lineage and Light: Rose Marie Cromwell’s “A Geological Survey”

Ritual Maintenance: Edges and Encounters with Tina Girouard

Features, Reviews February 13, 2025

Ritual Maintenance: Edges and Encounters with Tina Girouard

Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto

Features February 5, 2025

Tiana Reid

Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto

Arenas of Freedom

Reviews December 20, 2024

Claudia La Rocco

Arenas of Freedom

Swelling Time: Sam Tam Ham Probes the Prime Meridian

Reviews December 12, 2024

Claire Voon

Swelling Time: Sam Tam Ham Probes the Prime Meridian

Kelly Lycan’s Objects in Waiting

Features November 12, 2024

Sky Goodden

Kelly Lycan’s Objects in Waiting

Divya Mehra, Stirring and Whirring Colonialism’s Ghosts

Reviews October 17, 2024

Allison Noelle Conner

Divya Mehra, Stirring and Whirring Colonialism’s Ghosts

Invasion from Mars: On the Charged Personae of Shelly Mars

Features September 27, 2024

Gyula Muskovics

Invasion from Mars: On the Charged Personae of Shelly Mars

Daddy Says: Ed Ruscha in Other Words

Reviews September 11, 2024

Rachel Elizabeth Jones

Daddy Says: Ed Ruscha in Other Words

Reviewing the Reviews: The 2024 Whitney Biennial

Features, Reviews August 15, 2024

Jessica Lynne, Catherine G. Wagley

Reviewing the Reviews: The 2024 Whitney Biennial

Paper Abstractions: Virginia Jaramillo’s Social Theory

Reviews June 28, 2024

Michael Dango

Paper Abstractions: Virginia Jaramillo’s Social Theory

Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative

Features June 14, 2024

Julie Weitz

Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative

Changing the Ground: Amy Sillman Talks About Painting

Features May 3, 2024

Jason Stopa

Changing the Ground: Amy Sillman Talks About Painting

Falling From the Tower: Levani on the Necessity of Endings

Features March 29, 2024

Gyula Muskovics

Falling From the Tower: Levani on the Necessity of Endings

Can We Tune the Museum? Laurie Spiegel and Other Experiments in Spatializing Sound

Features, Reviews March 21, 2024

Mariana Fernández

Can We Tune the Museum? Laurie Spiegel and Other Experiments in Spatializing Sound

She Was Paying Attention: Remembering Alexis Smith

Features March 9, 2024

Kate Wolf

She Was Paying Attention: Remembering Alexis Smith

Our Visuality: Abortion Care Work and Photography

Features February 23, 2024

Carmen Winant

Our Visuality: Abortion Care Work and Photography

Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape

Features February 2, 2024

Caitlin Jones

Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape

Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude

Features, Reviews November 30, 2023

Jenny Wu

Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude

Forms of Echo: Sónia Vaz Borges & Filipa César Draw from a Sense-Memory Educational Legacy

Features November 23, 2023

Minh Nguyen

Forms of Echo: Sónia Vaz Borges & Filipa César Draw from a Sense-Memory Educational Legacy

Tracking the Sapphic Social Imaginaries: Lesbian Art in Print

Features October 16, 2023

Tracking the Sapphic Social Imaginaries: Lesbian Art in Print

“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color

Features September 8, 2023

Simon Wu

“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color

We’re Alive, Pablo Is Dead

Features, Reviews August 22, 2023

Elisabeth Nicula

We’re Alive, Pablo Is Dead

Dataspace: From the Observed Object to the Participating Subject

Features July 28, 2023

Dataspace: From the Observed Object to the Participating Subject

Evidence of Things Seen*: Capture and Control in India

Features May 22, 2023

Arushi Vats

Evidence of Things Seen*: Capture and Control in India

The New World Looks Like the Old One: DYOR at Kunsthalle Zürich

Reviews March 29, 2023

Philipp Hindahl

The New World Looks Like the Old One: DYOR at Kunsthalle Zürich

Never Risky: Seeking New Life at the Singapore Biennale

Reviews March 22, 2023

Never Risky: Seeking New Life at the Singapore Biennale

The Preserving Machine of Matthias Groebel

Reviews March 9, 2023

Sterre Barentsen

The Preserving Machine of Matthias Groebel

All Positions Possible: Simone Forti Across Time, Through Community

Features January 31, 2023

Catherine G. Wagley

All Positions Possible: Simone Forti Across Time, Through Community

“We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery

Features December 22, 2022

Sky Goodden

“We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery

Reviewing the Reviews: Documenta 15

Features, Reviews December 10, 2022

Rahel Aima and Catherine G. Wagley

Reviewing the Reviews: Documenta 15

On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen

Features October 26, 2022

Catherine G. Wagley

On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen

How Does a Collective End? An Interview with Robert Gabris and Ľuboš Kotlár

Features October 3, 2022

Denisa Tomková

How Does a Collective End? An Interview with Robert Gabris and Ľuboš Kotlár

“Name What is Unnamed”: Geocinema on Diarying the War in Ukraine

Features August 29, 2022

Abhijan Toto

“Name What is Unnamed”: Geocinema on Diarying the War in Ukraine

Against Nations

Features, Reviews July 8, 2022

Jayne Wilkinson

Against Nations

Hypoxia and Hope

Features May 26, 2022

Kamayani Sharma

Hypoxia and Hope

Proving the Rule: The “Exceptionalism” Problem with Art-World Labor

Features April 28, 2022

Dana Kopel

Proving the Rule: The “Exceptionalism” Problem with Art-World Labor

“I Wish We Could Reach for New Language”: An Interview with Sky Goodden

Features April 4, 2022

Calum Sutherland

“I Wish We Could Reach for New Language”: An Interview with Sky Goodden

“It’s All About Desire”: hannah baer and Erica Dawn Lyle Talk Trans Freedom and Joy

Features March 3, 2022

Erica Dawn Lyle

“It’s All About Desire”: hannah baer and Erica Dawn Lyle Talk Trans Freedom and Joy

On Whiteness

Features February 24, 2022

Simon Wu

On Whiteness

Breathing Resistance: An Interview with Sahar Te

Features February 23, 2022

Amin Alsaden

Breathing Resistance: An Interview with Sahar Te

Caribbean Being and Becoming in “Fragments of Epic Memory”

Reviews February 16, 2022

Ashley Raghubir

Caribbean Being and Becoming in “Fragments of Epic Memory”

The Bodies That Scramble India’s “Constitutions”

Reviews February 9, 2022

Tammer El-Sheikh

The Bodies That Scramble India’s “Constitutions”

An Aesthetic of Enough

Reviews November 4, 2021

Jayne Wilkinson

An Aesthetic of Enough

Situating Great Ocean Art in Canadian Museums

Features October 29, 2021

Dr. Léuli Eshrāghi

Situating Great Ocean Art in Canadian Museums

Stop Guarding the Art

Features October 14, 2021

X. Amy Zhang

Stop Guarding the Art

Correcting for the Bawdy Rage of Paula Rego

Features September 17, 2021

Natalie Frank

Correcting for the Bawdy Rage of Paula Rego

“I Think I’m Really Enjoying Painting”: Margaux Williamson’s New Work

Features May 12, 2021

Mark Mann

“I Think I’m Really Enjoying Painting”: Margaux Williamson’s New Work

“I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting

Features April 30, 2021

Jason Stopa

“I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting

With No Type of Story: Touring the Untied Mind of Pippa Garner

Features, Reviews March 12, 2021

With No Type of Story: Touring the Untied Mind of Pippa Garner

Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater

Features, Reviews February 11, 2021

Catherine G. Wagley

Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater

Stringing the Net: An Interview with Small Arts Patron Annie Koyama

Features December 8, 2020

Sky Goodden

Stringing the Net: An Interview with Small Arts Patron Annie Koyama

In the Studio with Didier William: “I Came Back to the Body”

Features September 18, 2020

Jason Stopa

In the Studio with Didier William: “I Came Back to the Body”

“As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge

Features September 17, 2020

Andrew Woolbright

“As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge

Last Night a DJ Saved My Life: On Artists and Survival

Features July 13, 2020

Andrew Berardini

Last Night a DJ Saved My Life: On Artists and Survival

Depleting Felix Gonzalez-Torres

Reviews July 6, 2020

Rahel Aima

Depleting Felix Gonzalez-Torres

The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil

Features May 29, 2020

Saelan Twerdy

The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil

The Invention of the Humane: Ken Lum’s Collected Writings

Features, Reviews April 6, 2020

Andy Patton

The Invention of the Humane: Ken Lum’s Collected Writings

Writing About Indigenous Art with Critical Care

Features March 25, 2020

David Garneau

Writing About Indigenous Art with Critical Care

The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA

Features March 13, 2020

Catherine G. Wagley

The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA

Lives of the Artists: Remembering Vilmos

Features February 13, 2020

Ted Goodden

Lives of the Artists: Remembering Vilmos

After the Afterparty: Alan Belcher and Friends, in Retrospect

Reviews January 10, 2020

Saelan Twerdy

After the Afterparty: Alan Belcher and Friends, in Retrospect

In the Waiting Room: The Sticky, Slippery Duration of “Sick Time”

Reviews December 21, 2019

Tao Fei

In the Waiting Room: The Sticky, Slippery Duration of “Sick Time”

Land and Landlessness: A Conversation with Larry Towell

Features December 19, 2019

Giancarlo T. Roma

Land and Landlessness: A Conversation with Larry Towell

Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art

Features December 17, 2019

Mitch Speed

Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art

It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art

Features December 2, 2019

Mark Mann

It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art

Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven

Features October 28, 2019

Kimberlee Córdova

Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven

Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney

Features September 27, 2019

Anj Fermor

Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney

Art and Labor: Writers Bloc

Features September 16, 2019

Jasmine Amussen

Art and Labor: Writers Bloc

Learning as Supporting: Alternatives for Futures in Art Education

Features September 3, 2019

Catherine G. Wagley

Learning as Supporting: Alternatives for Futures in Art Education

How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect

Features July 27, 2019

Ben Davis

How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect

“We Need More Voices”: Introducing the Momus Emerging Critics Residency

Features July 23, 2019

Sky Goodden, Amelia Wong-Mersereau

“We Need More Voices”: Introducing the Momus Emerging Critics Residency

Free Your Mind, or Else: “Acid Communism” and Contemporary Art’s Futurism

Features, Reviews June 12, 2019

Saelan Twerdy

Free Your Mind, or Else: “Acid Communism” and Contemporary Art’s Futurism

Invisible Labor and Black Burnout

Features May 3, 2019

Melissa Smith

Invisible Labor and Black Burnout

“But Can a Spirit Burn?”: Alternatives for Art Under Capital

Features April 1, 2019

Catherine G. Wagley

“But Can a Spirit Burn?”: Alternatives for Art Under Capital

“So Many Glaring Absences That Were Very Loud to Me”: An Interview with Titus Kaphar

Features March 27, 2019

Terence Trouillot

“So Many Glaring Absences That Were Very Loud to Me”: An Interview with Titus Kaphar

Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”

Features, Reviews January 21, 2019

Sky Goodden

Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”

Marilyn Minter’s Co-opted Desire

Features, Reviews December 4, 2018

Elliat Albrecht

Marilyn Minter’s Co-opted Desire

“In the Round of Her Need”: An Interview with Ambera Wellmann

Features November 13, 2018

Sky Goodden

“In the Round of Her Need”: An Interview with Ambera Wellmann

Archeology and Ambivalence at Austria’s Steirischer Herbst Festival

Reviews November 2, 2018

Kristian Vistrup Madsen

Archeology and Ambivalence at Austria’s Steirischer Herbst Festival

A Study in American Denial: David Wojnarowicz’s Return to the Piers

Reviews September 28, 2018

Erica Dawn Lyle

A Study in American Denial: David Wojnarowicz’s Return to the Piers

What to Do About Klaus: How Arts Communities Assert Their Agency

Features August 10, 2018

Catherine G. Wagley

What to Do About Klaus: How Arts Communities Assert Their Agency

Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads

Features, Reviews July 27, 2018

Saelan Twerdy

Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads

Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time

Reviews June 1, 2018

Saelan Twerdy

Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time

Nick Mauss’s Continental Divide

Reviews May 11, 2018

Charlie Markbreiter

Nick Mauss’s Continental Divide

Painting “From Here”: Susanna Heller at Olga Korper

Reviews March 15, 2018

Sky Goodden

Painting “From Here”: Susanna Heller at Olga Korper

America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)

Features March 13, 2018

America Meredith, Lori Blondeau, Adrian Stimson

America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)

No Measure of Health: Ilona Sagar Scans the Politics of Wellbeing

Reviews February 28, 2018

Kathryn Lloyd

No Measure of Health: Ilona Sagar Scans the Politics of Wellbeing

From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”

Features, Reviews January 23, 2018

Ulysses Castellanos

From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”

Freeing Latin American Art from Eurocentric Curating

Reviews January 16, 2018

Juan José Santos

Freeing Latin American Art from Eurocentric Curating

“Speaking from a Wound”: Jesse Darling on Faith, Crisis, and Refusal

Features January 9, 2018

Saelan Twerdy

“Speaking from a Wound”: Jesse Darling on Faith, Crisis, and Refusal

Against Tidy Memory: Anti-Fascist Memorials and the Horror of Kitsch

Features November 28, 2017

Kristian Vistrup Madsen

Against Tidy Memory: Anti-Fascist Memorials and the Horror of Kitsch

Privilege as Political Tool: Tania Bruguera on the Usefulness of Art

Features November 21, 2017

Merray Michael Mina

Privilege as Political Tool: Tania Bruguera on the Usefulness of Art

How (Not) To Retrospect: Beverly Buchanan in Brooklyn and Georgia

Reviews November 3, 2017

Jordan Amirkhani

How (Not) To Retrospect: Beverly Buchanan in Brooklyn and Georgia

Risking Pop-Solipsism, Moyra Davey Gets Earnest in Berlin

Reviews October 23, 2017

Mitch Speed

Risking Pop-Solipsism, Moyra Davey Gets Earnest in Berlin

For Common and Decent Things: Resisting Co-opted “Collaboration”

Features September 22, 2017

Owen Duffy

For Common and Decent Things: Resisting Co-opted “Collaboration”

Spoiled Roots: Mark Bradford and the Erasure of Community

Features September 20, 2017

Catherine G. Wagley

Spoiled Roots: Mark Bradford and the Erasure of Community

A Shattered Mirror: Geoffrey Farmer’s Disobedient Object in Venice

Reviews August 16, 2017

Andrew Witt

A Shattered Mirror: Geoffrey Farmer’s Disobedient Object in Venice

Post-Confessional: The Aging Intimacies of Sophie Calle

Features, Reviews August 2, 2017

Sarah Burke

Post-Confessional: The Aging Intimacies of Sophie Calle

White Space, Black Spectacle at MASS MoCA

Features June 29, 2017

Aruna D'Souza

White Space, Black Spectacle at MASS MoCA

A Parasitic ‘joie de vivre’ in “Viva Arte Viva”

Features, Reviews May 30, 2017

Mitch Speed

A Parasitic ‘joie de vivre’ in “Viva Arte Viva”

What Happened to the Anthropocene? Searching the 57th Venice Biennale for Signs of Destruction

Reviews May 17, 2017

John Holten

What Happened to the Anthropocene? Searching the 57th Venice Biennale for Signs of Destruction

The Tonal Ambivalence of Feminist Land Art Retreat

Features April 26, 2017

Alison Hugill

The Tonal Ambivalence of Feminist Land Art Retreat

The Inevitable Cannibalization of Institutional Critique: Surveying Michael Asher and Christopher D’Arcangelo in L.A.

Reviews April 20, 2017

Hyunjee Nicole Kim

The Inevitable Cannibalization of Institutional Critique: Surveying Michael Asher and Christopher D’Arcangelo in L.A.

Stay on It: Maintaining Julius Eastman’s Radical Desire

Reviews March 24, 2017

Mitch Speed

Stay on It: Maintaining Julius Eastman’s Radical Desire

Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados

Features January 12, 2017

Fabien Maltais-Bayda

Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados

The Material Undoings of Kelly Lycan

Features, Reviews December 21, 2016

Joni Low

The Material Undoings of Kelly Lycan

An Allegory for an Absconded Modernity: Claudio Correa Signals Chile’s Speculative Present

Features, Reviews December 15, 2016

Juan José Santos

An Allegory for an Absconded Modernity: Claudio Correa Signals Chile’s Speculative Present

Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial

Features, Reviews November 22, 2016

Saelan Twerdy

Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial

The Ellipses of Eva Hesse: Reading Her Collected Diaries

Features September 29, 2016

Mitch Speed

The Ellipses of Eva Hesse: Reading Her Collected Diaries

Wifredo Lam: The Albissola Years

Features September 22, 2016

Eskil Lam

Wifredo Lam: The Albissola Years

Ajay Kurian’s Futures Long Since Passed

Features September 8, 2016

Owen Duffy

Ajay Kurian’s Futures Long Since Passed

Dumb Material and Animate Belief: Sadie Benning Plays (with) God

Reviews August 10, 2016

Mitch Speed

Dumb Material and Animate Belief: Sadie Benning Plays (with) God

Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto

Features August 9, 2016

Sky Goodden

Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto

“Out There in the Many Miles of Bad Lands”: Georgia O’Keeffe in Her Own Words

Features July 13, 2016

Georgia O'Keeffe

“Out There in the Many Miles of Bad Lands”: Georgia O’Keeffe in Her Own Words

The Politics of Color in Kristine Moran

Reviews July 5, 2016

Sky Goodden

The Politics of Color in Kristine Moran

After Brexit, Art Must Break Out of Its Bubble

Features June 30, 2016

Ben Davis

After Brexit, Art Must Break Out of Its Bubble

Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy

Reviews June 1, 2016

Ben Davis

Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy

The Ages of Mat Brown

Features April 12, 2016

Ulysses Castellanos

The Ages of Mat Brown

“You Can’t Win It”: Jon McCurley on the Art of Facebook

Features April 7, 2016

Sky Goodden

“You Can’t Win It”: Jon McCurley on the Art of Facebook

“I Wanted to Find a Way to Respond”: Artist Ben Quilty on Working with Refugees

Features April 4, 2016

Ben Davis

“I Wanted to Find a Way to Respond”: Artist Ben Quilty on Working with Refugees

The State of the Artworld, Explained

Features March 2, 2016

Ben Davis

The State of the Artworld, Explained

Only at Home in a Paradox: M.C. Escher Gets His Artworld Due

Reviews January 26, 2016

Only at Home in a Paradox: M.C. Escher Gets His Artworld Due

Do You Have to Be Rich to Make It as an Artist?

Features January 14, 2016

Ben Davis

Do You Have to Be Rich to Make It as an Artist?

The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga

Features December 14, 2015

Sky Goodden

The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga

Interview: Kalup Linzy In Between Acting and Performing

Features October 9, 2015

Danny Olda

Interview: Kalup Linzy In Between Acting and Performing

Beware the “Creative Economy”

Features September 15, 2015

Ben Davis

Beware the “Creative Economy”

Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto

Features July 13, 2015

Sky Goodden

Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto

Sheila Heti Interviews John Currin on the Fun, Beautiful Things

Features June 24, 2015

Sheila Heti

Sheila Heti Interviews John Currin on the Fun, Beautiful Things

Can Art Museums Afford to Be Free?

Features June 1, 2015

Sarah Cascone

Can Art Museums Afford to Be Free?

The Suffering Body of 1993: Whatever Happened to the “Abject”

Features April 27, 2015

Joseph Henry

The Suffering Body of 1993: Whatever Happened to the “Abject”

Interview: The Difficulty in Distilling Suzy Lake

Features March 23, 2015

Sky Goodden

Interview: The Difficulty in Distilling Suzy Lake

The Deadening Gaze of Tal R

Reviews March 3, 2015

Mitch Speed

The Deadening Gaze of Tal R

How to Start an Art School

Features February 10, 2015

Andrew Berardini

How to Start an Art School

Luc Tuymans Dares Painting to Lose

Reviews February 9, 2015

Clint Burnham

Luc Tuymans Dares Painting to Lose

The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn

Features January 29, 2015

Sky Goodden

The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn

Querying the New Appropriation Art: Is This Cynicism?

Reviews January 8, 2015

Joseph Henry

Querying the New Appropriation Art: Is This Cynicism?

A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader

Features December 11, 2014

Earl Miller

A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader

Kill the Expert: An Interview with Brian Droitcour

Features November 17, 2014

Joseph Henry

Kill the Expert: An Interview with Brian Droitcour

A Theory of Everything: On The State of Theory and Criticism (Part Two)

Features November 3, 2014

Saelan Twerdy

A Theory of Everything: On The State of Theory and Criticism (Part Two)

Working with the Material at Hand: A Roundtable on Regionalism

Features October 16, 2014

Sky Goodden

Working with the Material at Hand: A Roundtable on Regionalism

Fossils

Features October 15, 2014

Colin Perry

Fossils

How to Write About Contemporary Art

Features October 15, 2014

Andrew Berardini

How to Write About Contemporary Art

Interview: Ben Davis on Marxism, Criticism, and Contemporary Art

Features October 15, 2014

Sky Goodden

Interview: Ben Davis on Marxism, Criticism, and Contemporary Art

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