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    criticism

    Directly to the Adversary: Claude Cahun and Marcel Moore at CAM St. Louis
    Reviews June 11, 2026
    Farrah Karapetian

    Directly to the Adversary: Claude Cahun and Marcel Moore at CAM St. Louis

    Momus Convening: To Build and Sustain
    June 26–27, 2026
    PHI
    Montreal

    Momus Convening: To Build and Sustain

    Claudia Ross

    Claudia Ross

    Rose Bouthillier

    Rose Bouthillier

    Write for Momus

    Isabel Lewis

    Isabel Lewis

    Elvia Wilk

    Elvia Wilk

    Momus Residency: To Build and Sustain

    Residency August 11–15, 2025

    Estuaries: An International Indigenous Art Criticism Residency

    Residency May 15–June 4, 2023
    Parul Sehgal

    Parul Sehgal

    Niela Orr

    Niela Orr

    Yaniya Lee

    Yaniya Lee

    Margo Jefferson

    Margo Jefferson

    Writing Relations, Making Futurities: Global Indigenous Art Criticism Residency

    Residency February 7-11, 2022 and March 14-18, 2022
    Alysia Nicole Harris

    Alysia Nicole Harris

    Sabrina Greig

    Sabrina Greig

    Tristen Harwood

    Tristen Harwood

    Daniella Sanader

    Daniella Sanader

    Angella d’Avignon

    Angella d’Avignon

    Dr. Tina Barouti

    Dr. Tina Barouti

    Momus Emerging Critics Residency 2021

    Residency August 9–20, 2021
    Natalie Cortez-Klossner

    Natalie Cortez-Klossner

    Gwen Burlington

    Gwen Burlington

    Sarah Amarica

    Sarah Amarica

    Emmanuel Iduma

    Emmanuel Iduma

    Momus Emerging Critics Residency 2020

    Residency August 3–28, 2020
    Mattia Zylak

    Mattia Zylak

    Dana Snow

    Dana Snow

    Delilah Rosier

    Delilah Rosier

    Sarah Ratzlaff

    Sarah Ratzlaff

    Gunreet Kaur Gill

    Gunreet Kaur Gill

    Dallas Fellini

    Dallas Fellini

    Marilyn Adlington

    Marilyn Adlington

    Momus Emerging Critics Residency 2019

    Residency August 26–30, 2019
    Eugene Yiu Nam Cheung

    Eugene Yiu Nam Cheung

    Nora N. Khan

    Nora N. Khan

    “Memorial Park” Book Launch: Minh Nguyen in Conversation with Tiana Reid
    Talk October 4, 2025 3:00 PM–5:00 PM
    Art Metropole
    Toronto

    “Memorial Park” Book Launch: Minh Nguyen in Conversation with Tiana Reid

    Charting an Inflection Point in Art Criticism & Publishing
    Talk April 12, 2024 6:00 PM
    Plural
    Montreal

    Charting an Inflection Point in Art Criticism & Publishing

    Luke Urbain

    Luke Urbain

    Residencies & Fellowships

    Homepage

    Caroline Picard

    Caroline Picard

    About

    Momus Programs engage in the expanded framework of art publishing.

    “I Always Wanted to Participate”: In Conversation with Vijay Masharani
    Features July 25, 2025
    Mimi Howard

    “I Always Wanted to Participate”: In Conversation with Vijay Masharani

    Mimi Howard

    Mimi Howard

    Najrin Islam

    Najrin Islam

    Re'al Christian

    Re'al Christian

    A Very Real American Place: The Suburban Unconscious in Mike Kelley
    Reviews March 6, 2025
    Simon Wu

    A Very Real American Place: The Suburban Unconscious in Mike Kelley

    Ritual Maintenance: Edges and Encounters with Tina Girouard
    Features, Reviews February 13, 2025
    Diana SeoHyung

    Ritual Maintenance: Edges and Encounters with Tina Girouard

    On Not Lasting: Diaries, Loss, and the Art of Eva Hesse
    Features October 12, 2024
    Lauren Stroh

    On Not Lasting: Diaries, Loss, and the Art of Eva Hesse

    Invasion from Mars: On the Charged Personae of Shelly Mars
    Features September 27, 2024
    Gyula Muskovics

    Invasion from Mars: On the Charged Personae of Shelly Mars

    Jessica Lynne and Catherine G. Wagley

    Jessica Lynne and Catherine G. Wagley

    Reviewing the Reviews: The 2024 Whitney Biennial
    Features, Reviews August 15, 2024
    Jessica Lynne, Catherine G. Wagley

    Reviewing the Reviews: The 2024 Whitney Biennial

    Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative
    Features June 14, 2024
    Julie Weitz

    Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative

    Radical Looking: Newly Seeing Art With My Baby
    Features May 30, 2024
    Maya Mackrandilal

    Radical Looking: Newly Seeing Art With My Baby

    REDCAT’s Rediscovery of the Iconic Feminist Art Program
    Features, Reviews May 24, 2024
    Catherine G. Wagley

    REDCAT’s Rediscovery of the Iconic Feminist Art Program

    Loosening the Stays
    Features May 15, 2024
    Claudia La Rocco

    Loosening the Stays

    Terry Nguyen

    Terry Nguyen

    Mariana Fernández

    Mariana Fernández

    Claire Morgan’s “Dead Weight” in Paris
    Reviews November 2, 2023
    Margaret Carrigan

    Claire Morgan’s “Dead Weight” in Paris

    Jessica Lynne

    Jessica Lynne

    Evidence of Things Seen*: Capture and Control in India
    Features May 22, 2023
    Arushi Vats

    Evidence of Things Seen*: Capture and Control in India

    Bad Reviews
    Features, Reviews May 2, 2023
    Elisabeth Nicula

    Bad Reviews

    Darla Migan

    Darla Migan

    Jenny Wu

    Jenny Wu

    Common Boundaries and Refused Exits: Aman Sandhu and Andrew Black
    Reviews December 19, 2022
    Megan Switzer

    Common Boundaries and Refused Exits: Aman Sandhu and Andrew Black

    Reviewing the Reviews: Documenta 15
    Features, Reviews December 10, 2022
    Rahel Aima and Catherine G. Wagley

    Reviewing the Reviews: Documenta 15

    Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity
    Features, Reviews November 18, 2022
    Shazia Hafiz Ramji

    Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity

    On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen
    Features October 26, 2022
    Catherine G. Wagley

    On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen

    A Meditation on Hannah Wilke’s Last Work
    Features July 19, 2022
    Nora Rosenthal

    A Meditation on Hannah Wilke’s Last Work

    Hypoxia and Hope
    Features May 26, 2022
    Kamayani Sharma

    Hypoxia and Hope

    A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics
    Reviews April 12, 2022
    Jocelyn Parr

    A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden
    Features April 4, 2022
    Calum Sutherland

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden

    Plague Medicine: Reading Avocado Ibuprofen in a Pandemic
    Features, Reviews March 17, 2022
    Saelan Twerdy

    Plague Medicine: Reading Avocado Ibuprofen in a Pandemic

    On Whiteness
    Features February 24, 2022
    Simon Wu

    On Whiteness

    Oliver Lee Jackson, the People’s Painter
    Features, Reviews February 17, 2022
    Del O'Brien

    Oliver Lee Jackson, the People’s Painter

    Adrienne Huard

    Adrienne Huard

    Situating Great Ocean Art in Canadian Museums
    Features October 29, 2021
    Dr. Léuli Eshrāghi

    Situating Great Ocean Art in Canadian Museums

    Jayne Wilkinson

    Jayne Wilkinson

    “I Left This for a Reason”: An Interview with Amy Fung
    Features May 17, 2021
    Jarrett Earnest

    “I Left This for a Reason”: An Interview with Amy Fung

    Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater
    Features, Reviews February 11, 2021
    Catherine G. Wagley

    Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater

    “As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge
    Features September 17, 2020
    Andrew Woolbright

    “As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge

    Lifesaving and Abolitionism: Shifting the Frame on Prison Art
    Features August 24, 2020
    Matthew Joseph Irwin

    Lifesaving and Abolitionism: Shifting the Frame on Prison Art

    “A Planetary Expenditure”: Ensayos on Learning Across a Distance
    Features August 6, 2020
    Jarrett Earnest

    “A Planetary Expenditure”: Ensayos on Learning Across a Distance

    Depleting Felix Gonzalez-Torres
    Reviews July 6, 2020
    Rahel Aima

    Depleting Felix Gonzalez-Torres

    Kamayani Sharma

    Kamayani Sharma

    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality
    Features June 11, 2020
    Sky Goodden, Casey Beal

    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil
    Features May 29, 2020
    Saelan Twerdy

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil

    Jaclyn Bruneau

    Jaclyn Bruneau

    Cyclical Gods: Reliving Pandemic
    Features May 8, 2020
    Xin Wang

    Cyclical Gods: Reliving Pandemic

    The Invention of the Humane: Ken Lum’s Collected Writings
    Features, Reviews April 6, 2020
    Andy Patton

    The Invention of the Humane: Ken Lum’s Collected Writings

    Writing About Indigenous Art with Critical Care
    Features March 25, 2020
    David Garneau

    Writing About Indigenous Art with Critical Care

    With Sharper Tools: Defending the National Endowment for the Arts
    Features March 6, 2020
    Ben Davis

    With Sharper Tools: Defending the National Endowment for the Arts

    The Apocalypse is Selective, Not Total: Geoffrey Pugen’s Disanthropic Moment
    Reviews February 4, 2020
    Tyler Muzzin

    The Apocalypse is Selective, Not Total: Geoffrey Pugen’s Disanthropic Moment

    Detective Stories About Feelings: The Driving Force of Peter Schjeldahl
    Features January 27, 2020
    Jarrett Earnest

    Detective Stories About Feelings: The Driving Force of Peter Schjeldahl

    “There is a Tongue for This”: Aurora as Art Writing
    Features January 22, 2020
    Himali Singh Soin

    “There is a Tongue for This”: Aurora as Art Writing

    Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art
    Features December 17, 2019
    Mitch Speed

    Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art

    Learning as Supporting: Alternatives for Futures in Art Education
    Features September 3, 2019
    Catherine G. Wagley

    Learning as Supporting: Alternatives for Futures in Art Education

    “We Need More Voices”: Introducing the Momus Emerging Critics Residency
    Features July 23, 2019
    Sky Goodden, Amelia Wong-Mersereau

    “We Need More Voices”: Introducing the Momus Emerging Critics Residency

    Where Do We Go From Here? Dubious Wealth and Ethical Funding
    Features July 5, 2019
    Ben Davis

    Where Do We Go From Here? Dubious Wealth and Ethical Funding

    Jessica Rizzo

    Jessica Rizzo

    “This Reductive Brave New World”: Andrea Dworkin’s Painful Relevance
    Features, Reviews May 15, 2019
    Wendy Vogel

    “This Reductive Brave New World”: Andrea Dworkin’s Painful Relevance

    The Seductive Branding of Phoebe Greenberg
    Features February 20, 2019
    Sky Goodden

    The Seductive Branding of Phoebe Greenberg

    “Velvet Buzzsaw” Should Terrify the Artworld
    Reviews January 31, 2019
    Ben Davis

    “Velvet Buzzsaw” Should Terrify the Artworld

    How a Dynasty Defines Taste: The Deep Roots of Middle Eastern Abstraction
    Features, Reviews December 12, 2018
    Maru Pabón

    How a Dynasty Defines Taste: The Deep Roots of Middle Eastern Abstraction

    The Bold Refusal of lauren woods’s “American Monument”
    Features, Reviews December 7, 2018
    Catherine G. Wagley

    The Bold Refusal of lauren woods’s “American Monument”

    Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial
    Reviews November 23, 2018
    Mark Cheetham

    Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial

    A Return to What?
    Features September 7, 2018
    Sky Goodden, Casey Beal

    A Return to What?

    "Art and Technology Criticism"
    Podcast August 29, 2018
    Season 1: Episode 4

    "Art and Technology Criticism"
    Nora N. Khan, Mike Pepi

    "Art Criticism vs. Journalism"
    Podcast August 11, 2018
    Season 1: Episode 3

    "Art Criticism vs. Journalism"
    Catherine G. Wagley, Julia Halperin

    Courting Exhaustion: Manifesta’s Dog Days
    Reviews July 6, 2018
    Kristian Vistrup Madsen

    Courting Exhaustion: Manifesta’s Dog Days

    Elliat Albrecht

    Elliat Albrecht

    Behind the Curtain: Beatriz González’s Political-Decorative Art
    Reviews June 27, 2018
    Juan José Santos

    Behind the Curtain: Beatriz González’s Political-Decorative Art

    “Whitewalling,” Mishearing, and Translating Protest
    Reviews June 8, 2018
    Casey Beal

    “Whitewalling,” Mishearing, and Translating Protest

    What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern
    Features, Reviews May 4, 2018
    Mitch Speed

    What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern

    Think of Harald’s Position: Weighing Szeemann’s Obsessions in L.A.
    Features, Reviews April 30, 2018
    Catherine G. Wagley

    Think of Harald’s Position: Weighing Szeemann’s Obsessions in L.A.

    An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde
    Features March 26, 2018
    Ben Davis

    An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde

    The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive
    Features, Reviews March 23, 2018
    Mark Mann

    The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive

    No Measure of Health: Ilona Sagar Scans the Politics of Wellbeing
    Reviews February 28, 2018
    Kathryn Lloyd

    No Measure of Health: Ilona Sagar Scans the Politics of Wellbeing

    Dubious Icons: Godheads, Messiahs, and the Artist as Celebrity
    Features, Reviews February 9, 2018
    Mitch Speed

    Dubious Icons: Godheads, Messiahs, and the Artist as Celebrity

    From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”
    Features, Reviews January 23, 2018
    Ulysses Castellanos

    From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”

    “Seen Anything Good?” The Burden of Biennial Excess
    Features January 12, 2018
    Hettie Judah

    “Seen Anything Good?” The Burden of Biennial Excess

    Merray Michael Mina

    Merray Michael Mina

    Seeking a More Intimate Fair with /edition’s Paul Butler
    Features October 18, 2017
    Sky Goodden

    Seeking a More Intimate Fair with /edition’s Paul Butler

    Spoiled Roots: Mark Bradford and the Erasure of Community
    Features September 20, 2017
    Catherine G. Wagley

    Spoiled Roots: Mark Bradford and the Erasure of Community

    The Five Disappearances of Tammi Campbell
    Reviews September 6, 2017
    Mark Mann

    The Five Disappearances of Tammi Campbell

    Momus Best-Of Volume 3: 2016-17
    Features August 21, 2017
    Sky Goodden

    Momus Best-Of Volume 3: 2016-17

    The Intimate Dangers of Reading Georgia O’Keeffe Through a Blouse
    Features, Reviews July 13, 2017
    Melissa Wyse

    The Intimate Dangers of Reading Georgia O’Keeffe Through a Blouse

    Courting Crisis: Condescension, Disaster Tourism, and “Learning from Athens”
    Reviews July 5, 2017
    Alison Hugill

    Courting Crisis: Condescension, Disaster Tourism, and “Learning from Athens”

    The Abject Intimacies of Chris Curreri
    Reviews June 8, 2017
    Sky Goodden

    The Abject Intimacies of Chris Curreri

    “Science Truth” and Fearless Feminism in Lynn Hershman Leeson’s “Civic Radar”
    Reviews May 12, 2017
    Wendy Vogel

    “Science Truth” and Fearless Feminism in Lynn Hershman Leeson’s “Civic Radar”

    “She Comes in Colors”: A Portrait of Sarah Cain, Painter
    Features May 10, 2017
    Andrew Berardini

    “She Comes in Colors”: A Portrait of Sarah Cain, Painter

    The Enduring Popularity of Fictional Critic “Madame Realism”
    Features April 14, 2017
    Mitch Speed

    The Enduring Popularity of Fictional Critic “Madame Realism”

    Hannah Black Transcends the Dana Schutz Controversy with a Slow-Burn MoMA PS1 Performance
    Reviews April 12, 2017
    Terence Trouillot

    Hannah Black Transcends the Dana Schutz Controversy with a Slow-Burn MoMA PS1 Performance

    What Kind of Criticism Do We Need Now? Coming to Terms with Teju Cole’s “Known and Strange Things”
    Reviews April 7, 2017
    Casey Beal

    What Kind of Criticism Do We Need Now? Coming to Terms with Teju Cole’s “Known and Strange Things”

    With the Logic of Vegas, the Seduction of Art: Hadar Kleiman’s Cheap Desirability in San Francisco
    Reviews February 17, 2017
    Monica Westin

    With the Logic of Vegas, the Seduction of Art: Hadar Kleiman’s Cheap Desirability in San Francisco

    Drones, by Design: Mahwish Chishty and the Politics of Representation
    Reviews February 3, 2017
    Tausif Noor

    Drones, by Design: Mahwish Chishty and the Politics of Representation

    The Many Faces of Brian O’Doherty
    Features January 31, 2017
    Mitch Speed

    The Many Faces of Brian O’Doherty

    Jill Magid’s Post-Truth Diamond Proposal
    Features January 24, 2017
    Kimberlee Córdova

    Jill Magid’s Post-Truth Diamond Proposal

    New Books: Gauguin and Proust Meet at the Border of Painting and Literature
    Features January 17, 2017
    Jonathon Sturgeon

    New Books: Gauguin and Proust Meet at the Border of Painting and Literature

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial
    Features, Reviews November 22, 2016
    Saelan Twerdy

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial

    Momus Best-Of: Vol. 2 2015-16
    Features August 25, 2016
    Sky Goodden

    Momus Best-Of: Vol. 2 2015-16

    Battle Hymn of the Republic: The Measure of Kehinde Wiley in the American South
    Reviews July 13, 2016
    Tausif Noor

    Battle Hymn of the Republic: The Measure of Kehinde Wiley in the American South

    Colin Edgington

    Colin Edgington

    Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy
    Reviews June 1, 2016
    Ben Davis

    Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy

    Renan Laru-An

    Renan Laru-An

    “Please Hold Your Questions”: A Culture of Asking Questions as Criticism and Authority
    Features May 30, 2016
    Renan Laru-An

    “Please Hold Your Questions”: A Culture of Asking Questions as Criticism and Authority

    Troubling Self-Care in a Selfie World: The Photographs of Karen Asher
    Reviews May 17, 2016
    Dagmara Genda

    Troubling Self-Care in a Selfie World: The Photographs of Karen Asher

    Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding
    Reviews May 11, 2016
    Zoë Chan

    Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding

    Regionalism Vs. Provincialism: Agitating Against Critical Neglect in Artworld Peripheries
    Features April 18, 2016
    Amy Zion, Cora Fisher

    Regionalism Vs. Provincialism: Agitating Against Critical Neglect in Artworld Peripheries

    “As a Relief from Language”: Hilton Als, as Artist
    Reviews April 13, 2016
    Mitch Speed

    “As a Relief from Language”: Hilton Als, as Artist

    Flickering Insight from the Whitechapel’s “Electronic Superhighway”
    Reviews March 20, 2016
    Ben Eastham

    Flickering Insight from the Whitechapel’s “Electronic Superhighway”

    “I Think We’re Changing Into a Tribal Nation”: A Conversation with Dave Hickey on “25 Women”
    Features February 16, 2016
    Sky Goodden

    “I Think We’re Changing Into a Tribal Nation”: A Conversation with Dave Hickey on “25 Women”

    The Sadean Woman: Tricia Middleton and the Violence of Art
    Reviews February 9, 2016
    Saelan Twerdy

    The Sadean Woman: Tricia Middleton and the Violence of Art

    “How to Lie About Canadian Art”: A Case Study in Art Criticism
    Features February 2, 2016
    Dick Averns

    “How to Lie About Canadian Art”: A Case Study in Art Criticism

    Any Plans After the Exhibition?
    Features January 4, 2016
    Orit Gat

    Any Plans After the Exhibition?

    The Most Important Art Essays of the Year
    Features December 22, 2015
    Ben Davis

    The Most Important Art Essays of the Year

    Friends Among Us: Reflections on the Value and Risk of Nepotism in Art
    Features December 8, 2015
    Catherine G. Wagley

    Friends Among Us: Reflections on the Value and Risk of Nepotism in Art

    The Function of Gossip as Criticism in Mexico’s Artworld
    Features December 1, 2015
    Kimberlee Córdova

    The Function of Gossip as Criticism in Mexico’s Artworld

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review
    Features November 10, 2015
    Sky Goodden, Benjamin Genocchio, James McAnally, Sarrita Hunn

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review

    Our Mutual Desire for Critical Change: Momus and Feature Art Fair
    Features October 21, 2015
    Sky Goodden

    Our Mutual Desire for Critical Change: Momus and Feature Art Fair

    Casey Beal

    Casey Beal

    Contemporary Art Writing in Mexico: The Intractable and Necessary Issue of Corruption
    Features September 23, 2015
    Kimberlee Córdova

    Contemporary Art Writing in Mexico: The Intractable and Necessary Issue of Corruption

    Momus “Best Of”: Vol. 1
    Features August 24, 2015
    Sky Goodden

    Momus “Best Of”: Vol. 1

    On Jurassic World’s Blockbusting Fear of Art
    Features July 27, 2015
    RM Vaughan

    On Jurassic World’s Blockbusting Fear of Art

    Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto
    Features July 13, 2015
    Sky Goodden

    Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto

    Post-Crisis: What’s Next for Art Criticism in a Digital Age
    Features June 26, 2015
    Sky Goodden

    Post-Crisis: What’s Next for Art Criticism in a Digital Age

    A Rebuttal, Not a Conversation: Discussing Ombaasin’s AGO Intervention, “Land Rights Now”
    Features June 23, 2015
    Sky Goodden

    A Rebuttal, Not a Conversation: Discussing Ombaasin’s AGO Intervention, “Land Rights Now”

    What Is an Art Critic Doing at an Art Fair?
    Features June 15, 2015
    Orit Gat

    What Is an Art Critic Doing at an Art Fair?

    The Suffering Body of 1993: Whatever Happened to the “Abject”
    Features April 27, 2015
    Joseph Henry

    The Suffering Body of 1993: Whatever Happened to the “Abject”

    Hito Steyerl’s Nexus of Money, Violence, and Art
    Reviews April 12, 2015
    Paddy Johnson

    Hito Steyerl’s Nexus of Money, Violence, and Art

    Seeing Red: Understanding Kazuo Shiraga’s Sudden Fame
    Features April 8, 2015
    Carol Strickland

    Seeing Red: Understanding Kazuo Shiraga’s Sudden Fame

    Will Fenstermaker

    Will Fenstermaker

    The Deadening Gaze of Tal R
    Reviews March 3, 2015
    Mitch Speed

    The Deadening Gaze of Tal R

    Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East
    Features, Reviews February 18, 2015
    Matthew Carver

    Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn
    Features January 29, 2015
    Sky Goodden

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn

    In Praise of Good Art Writing
    Features January 6, 2015
    Andrew Berardini

    In Praise of Good Art Writing

    Alien vs. Predator: The Critic in Three Recent Films
    Features January 5, 2015
    David Balzer

    Alien vs. Predator: The Critic in Three Recent Films

    Year in Review: Montreal From the Ground Up
    Features December 31, 2014
    Saelan Twerdy

    Year in Review: Montreal From the Ground Up

    Year in Review: The Women Represented
    Features December 31, 2014
    Joseph Henry

    Year in Review: The Women Represented

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”
    Reviews December 29, 2014
    Saelan Twerdy

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”

    Women and Influence and the Other Things He Got Wrong: A Rebuttal To Brad Phillips
    Features December 17, 2014
    Sky Goodden

    Women and Influence and the Other Things He Got Wrong: A Rebuttal To Brad Phillips

    A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader
    Features December 11, 2014
    Earl Miller

    A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader

    Criticism Project Altered Twice: A Dual Response to Xavier Le Roy’s Retrospective
    Features, Reviews December 11, 2014
    Joseph Henry, Fabien Maltais-Bayda

    Criticism Project Altered Twice: A Dual Response to Xavier Le Roy’s Retrospective

    JJ Charlesworth

    JJ Charlesworth

    The Future of Art Toronto, and How It Plans to Adapt
    Features November 24, 2014
    Sky Goodden

    The Future of Art Toronto, and How It Plans to Adapt

    Kill the Expert: An Interview with Brian Droitcour
    Features November 17, 2014
    Joseph Henry

    Kill the Expert: An Interview with Brian Droitcour

    A Theory of Everything: On The State of Theory and Criticism (Part Two)
    Features November 3, 2014
    Saelan Twerdy

    A Theory of Everything: On The State of Theory and Criticism (Part Two)

    A Theory of Everything: On the State of Theory and Criticism (Part One)
    Features October 30, 2014
    Saelan Twerdy

    A Theory of Everything: On the State of Theory and Criticism (Part One)

    The Commons of Aggregation: The Case for Net Art as Public Art
    Features October 27, 2014
    Joseph Henry

    The Commons of Aggregation: The Case for Net Art as Public Art

    Working with the Material at Hand: A Roundtable on Regionalism
    Features October 16, 2014
    Sky Goodden

    Working with the Material at Hand: A Roundtable on Regionalism

    David Balzer

    David Balzer

    Interview: Ben Davis on Marxism, Criticism, and Contemporary Art
    Features October 15, 2014
    Sky Goodden

    Interview: Ben Davis on Marxism, Criticism, and Contemporary Art

    Caoimhe Morgan-Feir

    Caoimhe Morgan-Feir

    The Miserable Quips of Brad Phillips
    Reviews October 14, 2014
    Mark Mann

    The Miserable Quips of Brad Phillips

    Rural Exhibitions: Their Gambit and Their Trope
    Features October 12, 2014
    Caoimhe Morgan-Feir

    Rural Exhibitions: Their Gambit and Their Trope

    Sky Goodden

    Sky Goodden

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