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    The Shop

    New Geographies of the Sacred: Lines That World a River at Nottingham Contemporary
    Reviews May 21, 2026
    Najrin Islam

    New Geographies of the Sacred: Lines That World a River at Nottingham Contemporary

    A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles
    Features May 7, 2026
    Kate Wolf

    A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles

    Momus Convening: To Build and Sustain
    June 26–27, 2026
    PHI
    Montreal

    Momus Convening: To Build and Sustain

    Psychodrama of Interiors: Fabrice Schneider at Établissement d’en Face
    Reviews April 9, 2026
    Bitsy Knox

    Psychodrama of Interiors: Fabrice Schneider at Établissement d’en Face

    Momus Residency: To Build and Sustain

    Residency August 11–15, 2025

    Momus Arts Journalism Residency

    Residency June 10–July 25, 2024

    Estuaries: An International Indigenous Art Criticism Residency

    Residency May 15–June 4, 2023

    Because my metier is black … (after Toni Morrison)

    August 1–March 19, 2022
    Dr. Cathy Mattes

    Dr. Cathy Mattes

    Yaniya Lee

    Yaniya Lee

    Marina Perez

    Marina Perez

    Faheem Faraji Hemboum

    Faheem Faraji Hemboum

    Momus Emerging Critics Residency 2021

    Residency August 9–20, 2021

    Momus Emerging Critics Residency 2019

    Residency August 26–30, 2019
    “Memorial Park” Book Launch: Minh Nguyen in Conversation with Tiana Reid
    Talk October 4, 2025 3:00 PM–5:00 PM
    Art Metropole
    Toronto

    “Memorial Park” Book Launch: Minh Nguyen in Conversation with Tiana Reid

    Authentically Vaginal: The Life Force of Vaginal Davis at PS1
    Features, Reviews January 29, 2026
    Lisa Hsiao Chen

    Authentically Vaginal: The Life Force of Vaginal Davis at PS1

    History as a Chorus: Reimagining Monumentality at SITE Santa Fe
    Reviews January 8, 2026
    Ceci Moss

    History as a Chorus: Reimagining Monumentality at SITE Santa Fe

    Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion
    Features December 3, 2025
    Summer Kim Lee, TJ Shin

    Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion

    What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs
    Features September 25, 2025
    Elisa Wouk Almino

    What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs

    Programming the Diaspora: On How the Moving Image Shapes the Present
    Features August 21, 2025
    Nasrin Himada

    Programming the Diaspora: On How the Moving Image Shapes the Present

    A Note on Omission: Navigating Institutional Censorship and the Need for Repair
    Features July 17, 2025
    Najrin Islam

    A Note on Omission: Navigating Institutional Censorship and the Need for Repair

    A Model for Risk-Taking: Arthur Tress’s Grotesque Allegory of a Presidential Cabinet
    Features July 3, 2025
    Jackson Davidow

    A Model for Risk-Taking: Arthur Tress’s Grotesque Allegory of a Presidential Cabinet

    Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art
    Reviews June 26, 2025
    MacKenzie River Foy

    Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art

    Intimacies Concealed and Performed: Katayoon Yousefbigloo and A Maior at Western Front
    Reviews April 10, 2025
    Claire Geddes Bailey

    Intimacies Concealed and Performed: Katayoon Yousefbigloo and A Maior at Western Front

    A Very Real American Place: The Suburban Unconscious in Mike Kelley
    Reviews March 6, 2025
    Simon Wu

    A Very Real American Place: The Suburban Unconscious in Mike Kelley

    Divya Mehra, Stirring and Whirring Colonialism’s Ghosts
    Reviews October 17, 2024
    Allison Noelle Conner

    Divya Mehra, Stirring and Whirring Colonialism’s Ghosts

    On Not Lasting: Diaries, Loss, and the Art of Eva Hesse
    Features October 12, 2024
    Lauren Stroh

    On Not Lasting: Diaries, Loss, and the Art of Eva Hesse

    Invasion from Mars: On the Charged Personae of Shelly Mars
    Features September 27, 2024
    Gyula Muskovics

    Invasion from Mars: On the Charged Personae of Shelly Mars

    Paper Abstractions: Virginia Jaramillo’s Social Theory
    Reviews June 28, 2024
    Michael Dango

    Paper Abstractions: Virginia Jaramillo’s Social Theory

    Radical Looking: Newly Seeing Art With My Baby
    Features May 30, 2024
    Maya Mackrandilal

    Radical Looking: Newly Seeing Art With My Baby

    REDCAT’s Rediscovery of the Iconic Feminist Art Program
    Features, Reviews May 24, 2024
    Catherine G. Wagley

    REDCAT’s Rediscovery of the Iconic Feminist Art Program

    Changing the Ground: Amy Sillman Talks About Painting
    Features May 3, 2024
    Jason Stopa

    Changing the Ground: Amy Sillman Talks About Painting

    Falling From the Tower: Levani on the Necessity of Endings
    Features March 29, 2024
    Gyula Muskovics

    Falling From the Tower: Levani on the Necessity of Endings

    She Was Paying Attention: Remembering Alexis Smith
    Features March 9, 2024
    Kate Wolf

    She Was Paying Attention: Remembering Alexis Smith

    Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes of Intelligence
    Features February 29, 2024
    Kira Xonorika

    Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes of Intelligence

    Abstraction, Legibility, and Desire in the Work of Brenda Draney
    Features, Reviews February 14, 2024
    Lois Taylor Biggs

    Abstraction, Legibility, and Desire in the Work of Brenda Draney

    They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith
    Reviews December 12, 2023
    Eliza Swann

    They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith

    Tracking the Sapphic Social Imaginaries: Lesbian Art in Print
    Features October 16, 2023
    Cassie Packard

    Tracking the Sapphic Social Imaginaries: Lesbian Art in Print

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
    Features September 8, 2023
    Simon Wu

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color

    We’re Alive, Pablo Is Dead
    Features, Reviews August 22, 2023
    Elisabeth Nicula

    We’re Alive, Pablo Is Dead

    Dataspace: From the Observed Object to the Participating Subject
    Features July 28, 2023
    Doreen A. Rios

    Dataspace: From the Observed Object to the Participating Subject

    The Art of Accumulation in an Age of Decluttering
    Features July 18, 2023
    Mimi Wong

    The Art of Accumulation in an Age of Decluttering

    June Clark’s Perseverance of Memory
    Features July 11, 2023
    Jessica Lynne

    June Clark’s Perseverance of Memory

    Bad Reviews
    Features, Reviews May 2, 2023
    Elisabeth Nicula

    Bad Reviews

    Solitary: Collective Authorship and its Discontents
    Features, Reviews April 12, 2023
    Jenny Wu

    Solitary: Collective Authorship and its Discontents

    Never Risky: Seeking New Life at the Singapore Biennale
    Reviews March 22, 2023
    Andrew Russeth

    Never Risky: Seeking New Life at the Singapore Biennale

    All Positions Possible: Simone Forti Across Time, Through Community
    Features January 31, 2023
    Catherine G. Wagley

    All Positions Possible: Simone Forti Across Time, Through Community

    Portrait of the Artist as a Young Thief
    Features, Reviews January 6, 2023
    Jenny Wu

    Portrait of the Artist as a Young Thief

    The Remains of the Day: Nadia Belerique in Glasgow
    Reviews November 21, 2022
    Calum Sutherland

    The Remains of the Day: Nadia Belerique in Glasgow

    Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity
    Features, Reviews November 18, 2022
    Shazia Hafiz Ramji

    Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity

    A Meditation on Hannah Wilke’s Last Work
    Features July 19, 2022
    Nora Rosenthal

    A Meditation on Hannah Wilke’s Last Work

    Wayne Salmon’s Portraits of Black Belonging in Kensington Market
    Reviews June 16, 2022
    Neil Price

    Wayne Salmon’s Portraits of Black Belonging in Kensington Market

    Proving the Rule: The “Exceptionalism” Problem with Art-World Labor
    Features April 28, 2022
    Dana Kopel

    Proving the Rule: The “Exceptionalism” Problem with Art-World Labor

    On Whiteness
    Features February 24, 2022
    Simon Wu

    On Whiteness

    The Bodies That Scramble India’s “Constitutions”
    Reviews February 9, 2022
    Tammer El-Sheikh

    The Bodies That Scramble India’s “Constitutions”

    Seeking Specificity in Postcommodity
    Reviews January 21, 2022
    Adrienne Huard

    Seeking Specificity in Postcommodity

    Plant People
    Features January 10, 2022
    Danielle Wu

    Plant People

    Situating Great Ocean Art in Canadian Museums
    Features October 29, 2021
    Dr. Léuli Eshrāghi

    Situating Great Ocean Art in Canadian Museums

    More than Not: LACMA’s “Not I” and the Necessity of History
    Reviews October 7, 2021
    Melissa Lo

    More than Not: LACMA’s “Not I” and the Necessity of History

    Cameron Rowland’s Property Relations
    Features August 16, 2021
    Simon Wu

    Cameron Rowland’s Property Relations

    Imperfect Archives: Lilian Leung and Linda Zhang Virtually Capture Eroding Chinatowns
    Features July 12, 2021
    Steph Wong Ken

    Imperfect Archives: Lilian Leung and Linda Zhang Virtually Capture Eroding Chinatowns

    Haubitz+Zoche Frames India’s Iconic Movie Theaters—and Absents Them
    Features, Reviews July 1, 2021
    Deepa Bhasthi

    Haubitz+Zoche Frames India’s Iconic Movie Theaters—and Absents Them

    “I Left This for a Reason”: An Interview with Amy Fung
    Features May 17, 2021
    Jarrett Earnest

    “I Left This for a Reason”: An Interview with Amy Fung

    See You on the Other Side: Matthew Wong’s Vistas of the Mind
    Features April 1, 2021
    Lauren DiGiulio

    See You on the Other Side: Matthew Wong’s Vistas of the Mind

    Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater
    Features, Reviews February 11, 2021
    Catherine G. Wagley

    Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater

    We Are Gathered Here to Grieve: Salvaging, Mourning, and “Cargo Cult Formalism” in New York
    Features, Reviews January 13, 2021
    Andrew Woolbright

    We Are Gathered Here to Grieve: Salvaging, Mourning, and “Cargo Cult Formalism” in New York

    “Finding My Voice When Others Would Have Kept it Down”: Introducing Indigenous Artist-Run Center, daphne
    Features December 15, 2020
    Candice Pye

    “Finding My Voice When Others Would Have Kept it Down”: Introducing Indigenous Artist-Run Center, daphne

    Ambera Wellmann’s Big Swing
    Reviews October 9, 2020
    Kristian Vistrup Madsen

    Ambera Wellmann’s Big Swing

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”
    Features September 28, 2020
    Ben Davis

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”

    Between the Gallery and the Street: An Interview with Vanessa Thill
    Features August 18, 2020
    Andreas Petrossiants

    Between the Gallery and the Street: An Interview with Vanessa Thill

    Depleting Felix Gonzalez-Torres
    Reviews July 6, 2020
    Rahel Aima

    Depleting Felix Gonzalez-Torres

    Artists in Isolation: There Have Always Been Signs
    Features April 27, 2020
    Tao Fei

    Artists in Isolation: There Have Always Been Signs

    The Invention of the Humane: Ken Lum’s Collected Writings
    Features, Reviews April 6, 2020
    Andy Patton

    The Invention of the Humane: Ken Lum’s Collected Writings

    The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA
    Features March 13, 2020
    Catherine G. Wagley

    The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA

    With Sharper Tools: Defending the National Endowment for the Arts
    Features March 6, 2020
    Ben Davis

    With Sharper Tools: Defending the National Endowment for the Arts

    Lives of the Artists: Remembering Vilmos
    Features February 13, 2020
    Ted Goodden

    Lives of the Artists: Remembering Vilmos

    Open Secrets: Gossip and the Reframing of a Canadian Painting Dynasty
    Features, Reviews January 17, 2020
    David Balzer

    Open Secrets: Gossip and the Reframing of a Canadian Painting Dynasty

    The Art We Deserve: Luc Tuymans’s Exhausted Image
    Reviews January 8, 2020
    Andy Patton

    The Art We Deserve: Luc Tuymans’s Exhausted Image

    In the Waiting Room: The Sticky, Slippery Duration of “Sick Time”
    Reviews December 21, 2019
    Tao Fei

    In the Waiting Room: The Sticky, Slippery Duration of “Sick Time”

    The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick
    Features December 13, 2019
    James Kirkpatrick

    The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
    Features December 2, 2019
    Mark Mann

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art

    Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame
    Reviews November 25, 2019
    Vince Rozario

    Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame

    A Provisional Biennial Amid Istanbul’s Endless Restoration
    Reviews November 14, 2019
    David Balzer

    A Provisional Biennial Amid Istanbul’s Endless Restoration

    The Future Wandering of Tau Lewis
    Features October 18, 2019
    Sky Goodden

    The Future Wandering of Tau Lewis

    The Orgasmic Capacity of Color: Judy Chicago’s Los Angeles
    Reviews October 2, 2019
    Andrew Berardini

    The Orgasmic Capacity of Color: Judy Chicago’s Los Angeles

    Learning as Supporting: Alternatives for Futures in Art Education
    Features September 3, 2019
    Catherine G. Wagley

    Learning as Supporting: Alternatives for Futures in Art Education

    “We Need More Voices”: Introducing the Momus Emerging Critics Residency
    Features July 23, 2019
    Sky Goodden, Amelia Wong-Mersereau

    “We Need More Voices”: Introducing the Momus Emerging Critics Residency

    Remembering Katharine Mulherin
    Features July 18, 2019
    Sky Goodden

    Remembering Katharine Mulherin

    Where Do We Go From Here? Dubious Wealth and Ethical Funding
    Features July 5, 2019
    Ben Davis

    Where Do We Go From Here? Dubious Wealth and Ethical Funding

    The Totemic Quotidian in Roula Partheniou
    Reviews June 22, 2019
    Ulysses Castellanos

    The Totemic Quotidian in Roula Partheniou

    “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke
    Features May 30, 2019
    Anique Jordan, Michèle Pearson Clarke

    “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke

    From Dust to Light: On Photography’s Material Traces
    Reviews April 24, 2019
    Erin Silver

    From Dust to Light: On Photography’s Material Traces

    Deeper Wounds: Nep Sidhu and Aestheticizing Trauma
    Reviews March 28, 2019
    Vince Rozario

    Deeper Wounds: Nep Sidhu and Aestheticizing Trauma

    Can Words “Bounce”? A Complicated Resilience on Vancouver Island
    Reviews February 22, 2019
    Casey Beal

    Can Words “Bounce”? A Complicated Resilience on Vancouver Island

    Christina Cuthbertson

    Christina Cuthbertson

    Marilyn Minter’s Co-opted Desire
    Features, Reviews December 4, 2018
    Elliat Albrecht

    Marilyn Minter’s Co-opted Desire

    Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial
    Reviews November 23, 2018
    Mark Cheetham

    Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial

    Now More Than Ever: Sarah Lucas’s Provocations, Renewed
    Reviews October 10, 2018
    Johanna Fateman

    Now More Than Ever: Sarah Lucas’s Provocations, Renewed

    Carolee Schneemann’s Ethics of Eros
    Features, Reviews September 20, 2018
    Jonelle Mannion

    Carolee Schneemann’s Ethics of Eros

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads
    Features, Reviews July 27, 2018
    Saelan Twerdy

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads

    Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns
    Reviews July 17, 2018
    Max L. Feldman

    Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns

    An Open Door, By the Lake: Nadia Belerique Advances Her Symbolism
    Reviews June 2, 2018
    Sky Goodden

    An Open Door, By the Lake: Nadia Belerique Advances Her Symbolism

    Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time
    Reviews June 1, 2018
    Saelan Twerdy

    Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time

    How to Make Art History
    Features May 18, 2018
    Andrew Berardini

    How to Make Art History

    What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern
    Features, Reviews May 4, 2018
    Mitch Speed

    What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern

    Think of Harald’s Position: Weighing Szeemann’s Obsessions in L.A.
    Features, Reviews April 30, 2018
    Catherine G. Wagley

    Think of Harald’s Position: Weighing Szeemann’s Obsessions in L.A.

    How to Stop Working Better
    Features April 9, 2018
    Andrew Berardini

    How to Stop Working Better

    Too, Too Solid Flesh: An Interview-Collage with Judith Supine
    Features March 30, 2018
    Melanie Janisse-Barlow

    Too, Too Solid Flesh: An Interview-Collage with Judith Supine

    “More Than Those Who Despised Her”: Unforgetting on the Prairies
    Features March 9, 2018
    Mitch Speed

    “More Than Those Who Despised Her”: Unforgetting on the Prairies

    The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself”
    Reviews March 3, 2018
    Marcus Civin

    The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself”

    Raymond Gervais

    Raymond Gervais

    Darkling Futures and Desert Hangover at the New SITE Sante Fe
    Features, Reviews December 1, 2017
    Andrew Berardini

    Darkling Futures and Desert Hangover at the New SITE Sante Fe

    Spoiled Roots: Mark Bradford and the Erasure of Community
    Features September 20, 2017
    Catherine G. Wagley

    Spoiled Roots: Mark Bradford and the Erasure of Community

    Performance Art Blows Open the Prairies, in “Stages”
    Reviews September 14, 2017
    Mitch Speed

    Performance Art Blows Open the Prairies, in “Stages”

    Nonsense! She Said: Marvin Gaye Chetwynd Pantomimes Politics in Paris
    Reviews June 27, 2017
    Philip Monk

    Nonsense! She Said: Marvin Gaye Chetwynd Pantomimes Politics in Paris

    Sound/Off: Uneasy Listening at documenta 14 in Kassel
    Reviews June 21, 2017
    Tausif Noor

    Sound/Off: Uneasy Listening at documenta 14 in Kassel

    “All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project
    Reviews June 14, 2017
    Joseph Henry

    “All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project

    What Happened to the Anthropocene? Searching the 57th Venice Biennale for Signs of Destruction
    Reviews May 17, 2017
    John Holten

    What Happened to the Anthropocene? Searching the 57th Venice Biennale for Signs of Destruction

    How To Write a Review
    Features March 28, 2017
    Andrew Berardini

    How To Write a Review

    Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate
    Features March 17, 2017
    Richard Wentworth

    Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate

    What Is an Art Fair Doing Asking “What Is To Be Done?”
    Features March 8, 2017
    Sky Goodden

    What Is an Art Fair Doing Asking “What Is To Be Done?”

    As Both Dancer and Texter: Julien Prévieux Choreographs Our Changing Bodies
    Reviews March 3, 2017
    Fabien Maltais-Bayda

    As Both Dancer and Texter: Julien Prévieux Choreographs Our Changing Bodies

    With the Logic of Vegas, the Seduction of Art: Hadar Kleiman’s Cheap Desirability in San Francisco
    Reviews February 17, 2017
    Monica Westin

    With the Logic of Vegas, the Seduction of Art: Hadar Kleiman’s Cheap Desirability in San Francisco

    “Liberation and Consumption”: Surveying Korean Art in the ’90s
    Reviews January 26, 2017
    Alison Hugill

    “Liberation and Consumption”: Surveying Korean Art in the ’90s

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados
    Features January 12, 2017
    Fabien Maltais-Bayda

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados

    Isa Genzken Plays with the Artworld’s Insides in “I Love Michael Asher”
    Reviews December 8, 2016
    Catherine G. Wagley

    Isa Genzken Plays with the Artworld’s Insides in “I Love Michael Asher”

    How to Hang a Picture
    Features December 6, 2016
    Andrew Berardini

    How to Hang a Picture

    What’s Become of the “Curator”?
    Features November 25, 2016
    Hettie Judah

    What’s Become of the “Curator”?

    The 11th Gwangju Biennale’s Overreach: “What Does Art Do?”
    Reviews November 1, 2016
    Ben Eastham

    The 11th Gwangju Biennale’s Overreach: “What Does Art Do?”

    Wifredo Lam: The Albissola Years
    Features September 22, 2016
    Eskil Lam

    Wifredo Lam: The Albissola Years

    Simone Leigh’s Powerful Meditation on Race and Healthcare Suffers, Ironically, from Lack of Access
    Reviews September 13, 2016
    Mitch Speed

    Simone Leigh’s Powerful Meditation on Race and Healthcare Suffers, Ironically, from Lack of Access

    Liz Magor Waits, But Not For You
    Reviews August 17, 2016
    E.C. Woodley

    Liz Magor Waits, But Not For You

    The Renewed Focus and Acrid Targeting of Rachel Harrison at MoMA and Greene Naftali
    Reviews August 3, 2016
    Mitch Speed

    The Renewed Focus and Acrid Targeting of Rachel Harrison at MoMA and Greene Naftali

    Understanding Lina Bo Bardi’s Unending Popularity (and Misuse)
    Features June 23, 2016
    Juan José Santos

    Understanding Lina Bo Bardi’s Unending Popularity (and Misuse)

    Art and Architecture’s DIY Practices and “Folk Politics”: Radical or Picking Up the Social Tab?
    Features June 9, 2016
    Alison Hugill

    Art and Architecture’s DIY Practices and “Folk Politics”: Radical or Picking Up the Social Tab?

    “Please Hold Your Questions”: A Culture of Asking Questions as Criticism and Authority
    Features May 30, 2016
    Renan Laru-An

    “Please Hold Your Questions”: A Culture of Asking Questions as Criticism and Authority

    Zoë Chan

    Zoë Chan

    The Archive is a Set of Relations, Not a Record of History: Thomas Ruff at David Zwirner
    Reviews April 30, 2016
    Will Fenstermaker

    The Archive is a Set of Relations, Not a Record of History: Thomas Ruff at David Zwirner

    “Accessibility” and the New Hoser Aesthetics
    Features April 27, 2016
    Lee Henderson

    “Accessibility” and the New Hoser Aesthetics

    “You Can’t Win It”: Jon McCurley on the Art of Facebook
    Features April 7, 2016
    Sky Goodden

    “You Can’t Win It”: Jon McCurley on the Art of Facebook

    Misogyny and the Myth of the ’90s at Mexico City’s Kurimanzutto
    Reviews March 30, 2016
    Kimberlee Córdova

    Misogyny and the Myth of the ’90s at Mexico City’s Kurimanzutto

    Rosemary Heather

    Rosemary Heather

    Flickering Insight from the Whitechapel’s “Electronic Superhighway”
    Reviews March 20, 2016
    Ben Eastham

    Flickering Insight from the Whitechapel’s “Electronic Superhighway”

    The Art of Protest
    Features February 22, 2016
    Nina Power

    The Art of Protest

    Back to the Future: The Social-Activist Architecture of Moshe Safdie
    Features February 3, 2016
    Carol Strickland

    Back to the Future: The Social-Activist Architecture of Moshe Safdie

    The Inequality of Contemporary Art
    Features December 5, 2015
    Christian Viveros-Fauné

    The Inequality of Contemporary Art

    A Prismatic Picture of Colombian Street Culture in Jorge Lozano’s Experimental Films
    Features November 17, 2015
    Ulysses Castellanos

    A Prismatic Picture of Colombian Street Culture in Jorge Lozano’s Experimental Films

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review
    Features November 10, 2015
    Sky Goodden, Benjamin Genocchio, James McAnally, Sarrita Hunn

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review

    Kelly Jazvac

    Kelly Jazvac

    A.L. Steiner’s Personal Archive: Underground Heroes, Everyday Lovers, and Global Catastrophe
    Reviews August 21, 2015
    Andrew Berardini

    A.L. Steiner’s Personal Archive: Underground Heroes, Everyday Lovers, and Global Catastrophe

    The Outsider That Invites Us In: Jordan Maclachlan’s “Ways of Living”
    Reviews August 21, 2015
    Ulysses Castellanos

    The Outsider That Invites Us In: Jordan Maclachlan’s “Ways of Living”

    The Meaning Behind the Merger of ARTnews and Art in America
    Features July 30, 2015
    Ben Davis

    The Meaning Behind the Merger of ARTnews and Art in America

    Sheila Heti Interviews John Currin on the Fun, Beautiful Things
    Features June 24, 2015
    Sheila Heti

    Sheila Heti Interviews John Currin on the Fun, Beautiful Things

    Interview: Tacita Dean
    Features June 17, 2015
    Sky Goodden

    Interview: Tacita Dean

    Labor Lost: Okwui Enwezor’s Artworld Biennale
    Reviews May 27, 2015
    David Balzer

    Labor Lost: Okwui Enwezor’s Artworld Biennale

    Trenton Doyle Hancock Moves to Mythos at Sarasota’s Ringling Museum
    Reviews May 20, 2015
    Danny Olda

    Trenton Doyle Hancock Moves to Mythos at Sarasota’s Ringling Museum

    To Cut and To Swipe: Understanding Hito Steyerl Through “HOW NOT TO BE SEEN”
    Features May 12, 2015
    Kaegan Sparks

    To Cut and To Swipe: Understanding Hito Steyerl Through “HOW NOT TO BE SEEN”

    Taking On “The Gaze,” and Doing Away With it, Too: Warsaw’s Elsner and Rogalski
    Reviews May 5, 2015
    RM Vaughan

    Taking On “The Gaze,” and Doing Away With it, Too: Warsaw’s Elsner and Rogalski

    Valérie Blass Is Both Accessible and Locked-Up in “My Life”
    Reviews April 19, 2015
    Wojciech Olejnik

    Valérie Blass Is Both Accessible and Locked-Up in “My Life”

    Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography
    Features April 16, 2015
    Sky Goodden

    Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography

    The Alchemist: A Studio Visit with Sadie Weis
    Features April 7, 2015
    RM Vaughan

    The Alchemist: A Studio Visit with Sadie Weis

    Tools for Redress: A Century of Political Art Between “Zero Tolerance” and “The Left Front”
    Features April 1, 2015
    Will Fenstermaker

    Tools for Redress: A Century of Political Art Between “Zero Tolerance” and “The Left Front”

    Interview: The Difficulty in Distilling Suzy Lake
    Features March 23, 2015
    Sky Goodden

    Interview: The Difficulty in Distilling Suzy Lake

    Aiming to Please: Division Gallery Surveys Post-Internet Entertainment
    Reviews March 17, 2015
    Saelan Twerdy

    Aiming to Please: Division Gallery Surveys Post-Internet Entertainment

    Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East
    Features, Reviews February 18, 2015
    Matthew Carver

    Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East

    Bad Dream of the Bauhaus: Juan Ortiz-Apuy’s IKEA Fantasia
    Reviews February 16, 2015
    Saelan Twerdy

    Bad Dream of the Bauhaus: Juan Ortiz-Apuy’s IKEA Fantasia

    In Praise of Good Art Writing
    Features January 6, 2015
    Andrew Berardini

    In Praise of Good Art Writing

    Year in Review: Montreal From the Ground Up
    Features December 31, 2014
    Saelan Twerdy

    Year in Review: Montreal From the Ground Up

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”
    Reviews December 29, 2014
    Saelan Twerdy

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”

    The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series
    Reviews November 10, 2014
    Clint Burnham

    The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series

    How to Write About Contemporary Art
    Features October 15, 2014
    Andrew Berardini

    How to Write About Contemporary Art

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