“Velvet Buzzsaw” Should Terrify the Artworld
Velvet Buzzsaw, launching on Netflix tomorrow, had me hooked from the first line uttered by its protagonist. In the opening scene, we see Jake Gyllenhaal’s…
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Confronting Gender Imbalance at the Rencontres d’Arles
The Rencontres d’Arles is arguably the most important photography event of the year. From tiny galleries to medieval churches to a Roman amphitheater, the…
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Episode 3: Art Criticism vs. Journalism with Catherine G. Wagley and Julia Halperin
In the first episode of Momus’s new “Criticism in Conversation” podcast series, an art critic and an art journalist parse the differing responsibilities and…
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What Will Art Look Like in 100 Years? Sixteen Contemporary Artists Predict the Future
It’s an understatement to say that a lot can change in 100 years. A century ago, Europe was just limping out of World War…
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Irreligious Icons: Superficial Heresy at the Met
Three days before the opening of the Met Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination, the Museum held its annual gala. Those…
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An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde
There is a small historical irony in the topic of Hal Foster’s lecture for the 67th A.W. Mellon Lectures at the National Gallery of…
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“Seen Anything Good?” The Burden of Biennial Excess
How much art can the human mind realistically absorb from a mega-exhibition? I’m not talking about superstar retrospectives or major surveys – mainstays of…
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“Pacific Standard Time” Writes Overlooked Chicano Artists Back Into Art History
On a Monday morning in May 2015, artist David Avalos stood on the stage of a packed auditorium at the Getty Center in Los…
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Place, Space, or Backdrop: The Dilemma of Desert X, the “Coachella Biennial”
Against this summer’s alignment of Documenta 14, the Venice Biennale, and Skulptur Projekte Münster, the first edition of the Desert X biennial seemed to…
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Hélio Oiticica’s Journey From Art Visionary to Coke Dealer and Back Again
Hélio Oiticica, one of the most famous figures of Brazil’s mid-century surge of experimental art, once said that his goal was to strike “a…
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