The Polyphonous Calls for Land (and Land Back) of Manuel Axel Strain
Among the works installed by Manuel Axel Strain in Unit 17’s florist turned gallery space were: A stolen white-picket fence hemmed in by a…
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Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame
The fanfare and the pageantry of press junkets, patrons’ previews, and inaugural performances have long subsided. A reluctant holdout, I belatedly find myself in…
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