Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”
Kathleen Ritter is an artist. This may come as a surprise to some who knew her better as associate curator at the Vancouver Art…
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Identity After the Internet: Three Berlin Exhibitions in Search of Commonality
Does anyone write diaries any more? Does anyone learn about themselves through reflexive engagement with their own written word? Or do we form conceptions…
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Douglas Gordon at the Armory Is All Flash and No Follow-Through
The idea sounds perfectly Gatsby-esque. Build a massive pool inside the 55,000 square foot Wade Thompson Drill Hall of the Park Avenue Armory, fill…
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Tadej Pogačar’s Persistent Perversion of Institutional Critique
Tadej Pogačar is a Slovenian artist who has been making work for over thirty years. For much of that period he has operated under…
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Criticism Project Altered Twice: A Dual Response to Xavier Le Roy’s Retrospective
I wanted to make “the fourth wall” no longer a mirror, but a membrane that makes the spectator aware of this coming and going…
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A Ghostly Form: Scrap Metal Embraces Presence, Absence, and the Space Between
Emerging curator Rui Amaral is troubling the third rail of contemporary art. He’s been fingering the margins of what’s visible, the all-important link to…
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Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough
The story of gentrification is both too complicated and too simple to be told well. There’s no proper shape for it, nothing to support…
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Russian Collective Chto Delat Heads Straight at the Violence of the Contemporary
Chto Delat is a Russian collective of artists; founded in 2003, they are one of the most respected political art groups working today. Their…
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Time, Travel, and Trial in the Work of Jason de Haan
Sitting down to read an epic novel is to relive an epoch, embark on a long journey – it’s not enough to sit back and…
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Looking At Us Looking At You: Looking Down on Isa Genzken
Isa Genzken is one of the most respected German artists working today, whose brittle sculptures and shiny, glittery collages document a world of trash…
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