To Build and Sustain | Momus

"To Build and Sustain: Publishing Roundtable"

Podcast August 25, 2026

Season 9: Episode 8

"To Build and Sustain: Publishing Roundtable"
Tiana Reid, Molly Kleiman, Dr. Kemi Adeyemi, Sky Goodden

Duane Linklater and the Limits of Dia Art Foundation’s Reckoning

Features June 24, 2026

David W. Norman

Duane Linklater and the Limits of Dia Art Foundation’s Reckoning

What it Means to Continue: On Gabrielle Goliath, Reparative Work, and Resisting State Violence

Features May 14, 2026

M. Neelika Jayawardane

What it Means to Continue: On Gabrielle Goliath, Reparative Work, and Resisting State Violence

A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles

Features May 7, 2026

Kate Wolf

A Trace of the Present in the Future: On Sam Sweet’s Invisible Los Angeles

Momus Convening: To Build and Sustain

June 26–27, 2026

PHI
Montreal

Momus Convening: To Build and Sustain

To Build and Sustain: Publishing Roundtable

June 27, 2026 7:00 PM–9:00 PM

PHI
Montreal

To Build and Sustain: Publishing Roundtable

Momus Residency: To Build and Sustain

Residency August 11–15, 2025

Momus Arts Journalism Residency

Residency June 10–July 25, 2024

Momus Critical Writing Fellowship 2025

Fellowship January 1–December 1, 2025

Another Small Disturbance: Shannon Garden-Smith at MKG127

Reviews February 12, 2026

Sky Goodden

Another Small Disturbance: Shannon Garden-Smith at MKG127

Residencies & Fellowships

Extraordinary Living Begins Here: Artists Negotiate Large-Scale Infrastructure

Features October 16, 2025

Jade Meili Barget

Extraordinary Living Begins Here: Artists Negotiate Large-Scale Infrastructure

“Staying with the Trouble” at the Helsinki Biennial: Challenges of Environmental Curating

Reviews September 11, 2025

Katie Lawson

“Staying with the Trouble” at the Helsinki Biennial: Challenges of Environmental Curating

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Features, Reviews September 4, 2025

Jeffrey Gibson Saves America

Programming the Diaspora: On How the Moving Image Shapes the Present

Features August 21, 2025

Nasrin Himada

Programming the Diaspora: On How the Moving Image Shapes the Present

A Note on Omission: Navigating Institutional Censorship and the Need for Repair

Features July 17, 2025

Najrin Islam

A Note on Omission: Navigating Institutional Censorship and the Need for Repair

On Weather and the Archive: Sofía Gallisá Muriente and Tony Cruz Pabón

Features, Reviews February 21, 2025

Alexandra Méndez García

On Weather and the Archive: Sofía Gallisá Muriente and Tony Cruz Pabón

REDCAT’s Rediscovery of the Iconic Feminist Art Program

Features, Reviews May 24, 2024

Catherine G. Wagley

REDCAT’s Rediscovery of the Iconic Feminist Art Program

Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape

Features February 2, 2024

Caitlin Jones

Magical/Market Thinking: Reflecting on the Rise and Fall of Artscape

When Feminisms and Futurisms Collide: Judy Chicago and Puppies Puppies at New Museum

Reviews January 19, 2024

Harley Wong

When Feminisms and Futurisms Collide: Judy Chicago and Puppies Puppies at New Museum

They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith

Reviews December 12, 2023

Eliza Swann

They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith

Tracking the Sapphic Social Imaginaries: Lesbian Art in Print

Features October 16, 2023

Tracking the Sapphic Social Imaginaries: Lesbian Art in Print

“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color

Features September 8, 2023

Simon Wu

“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color

The Polyphonous Calls for Land (and Land Back) of Manuel Axel Strain

Features, Reviews August 5, 2023

Leo Cocar

The Polyphonous Calls for Land (and Land Back) of Manuel Axel Strain

Evidence of Things Seen*: Capture and Control in India

Features May 22, 2023

Arushi Vats

Evidence of Things Seen*: Capture and Control in India

How Does a Collective End? An Interview with Robert Gabris and Ľuboš Kotlár

Features October 3, 2022

Denisa Tomková

How Does a Collective End? An Interview with Robert Gabris and Ľuboš Kotlár

Rearrange: Torkwase Dyson and Black Feminist Breathing

Features August 3, 2022

Camille Bacon

Rearrange: Torkwase Dyson and Black Feminist Breathing

Against Nations

Features, Reviews July 8, 2022

Jayne Wilkinson

Against Nations

Mary Mattingly’s Way to Adapt

Features May 2, 2022

Michael McCanne

Mary Mattingly’s Way to Adapt

“I Left This for a Reason”: An Interview with Amy Fung

Features May 17, 2021

Jarrett Earnest

“I Left This for a Reason”: An Interview with Amy Fung

“I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting

Features April 30, 2021

Jason Stopa

“I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting

“As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge

Features September 17, 2020

Andrew Woolbright

“As a Matter of Survival”: Dark Study on Making Art School a Radical Refuge

“A Planetary Expenditure”: Ensayos on Learning Across a Distance

Features August 6, 2020

Jarrett Earnest

“A Planetary Expenditure”: Ensayos on Learning Across a Distance

The Invention of the Humane: Ken Lum’s Collected Writings

Features, Reviews April 6, 2020

Andy Patton

The Invention of the Humane: Ken Lum’s Collected Writings

Writing About Indigenous Art with Critical Care

Features March 25, 2020

David Garneau

Writing About Indigenous Art with Critical Care

The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA

Features March 13, 2020

Catherine G. Wagley

The Spaces Where We Live: Gentrification, Insecurity, and Experimental Living in LA

With Sharper Tools: Defending the National Endowment for the Arts

Features March 6, 2020

Ben Davis

With Sharper Tools: Defending the National Endowment for the Arts

Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame

Reviews November 25, 2019

Vince Rozario

Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame

The Thread of the Weave: Meaning from Material at Oakville Galleries

Reviews September 17, 2019

Vince Rozario

The Thread of the Weave: Meaning from Material at Oakville Galleries

Art and Labor: Writers Bloc

Features September 16, 2019

Jasmine Amussen

Art and Labor: Writers Bloc

Can a Lobby Be Subversive? Jenny Holzer’s Comcast Capitulation

Features, Reviews June 19, 2019

Jessica Rizzo

Can a Lobby Be Subversive? Jenny Holzer’s Comcast Capitulation

“But Can a Spirit Burn?”: Alternatives for Art Under Capital

Features April 1, 2019

Catherine G. Wagley

“But Can a Spirit Burn?”: Alternatives for Art Under Capital

Deeper Wounds: Nep Sidhu and Aestheticizing Trauma

Reviews March 28, 2019

Vince Rozario

Deeper Wounds: Nep Sidhu and Aestheticizing Trauma

“In the Round of Her Need”: An Interview with Ambera Wellmann

Features November 13, 2018

Sky Goodden

“In the Round of Her Need”: An Interview with Ambera Wellmann

O Narciso: The Streets Look Back at Hudinilson Jr.

Reviews September 5, 2018

Philip Monk

O Narciso: The Streets Look Back at Hudinilson Jr.

The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself”

Reviews March 3, 2018

Marcus Civin

The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself”

From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”

Features, Reviews January 23, 2018

Ulysses Castellanos

From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”

Everybody Knows: Prada Foundation’s Stylish Cynicism

Reviews November 23, 2017

Catherine G. Wagley

Everybody Knows: Prada Foundation’s Stylish Cynicism

Privilege as Political Tool: Tania Bruguera on the Usefulness of Art

Features November 21, 2017

Merray Michael Mina

Privilege as Political Tool: Tania Bruguera on the Usefulness of Art

Acting Out: The Visibility of Blackness in the Work of Martine Syms

Reviews November 30, 2016

Zoë Chan

Acting Out: The Visibility of Blackness in the Work of Martine Syms

Liz Magor Waits, But Not For You

Reviews August 17, 2016

E.C. Woodley

Liz Magor Waits, But Not For You

DIS Collective’s Apathetic and Ironic Berlin Biennial Underestimates its Audience

Reviews August 16, 2016

Alison Hugill

DIS Collective’s Apathetic and Ironic Berlin Biennial Underestimates its Audience

Do You Have to Be Rich to Make It as an Artist?

Features January 14, 2016

Ben Davis

Do You Have to Be Rich to Make It as an Artist?

The Function of Gossip as Criticism in Mexico’s Artworld

Features December 1, 2015

Kimberlee Córdova

The Function of Gossip as Criticism in Mexico’s Artworld

The Spinning “YOLO” Sympathies of Sandra Meigs

Reviews October 20, 2015

Kelly Jazvac

The Spinning “YOLO” Sympathies of Sandra Meigs

Beware the “Creative Economy”

Features September 15, 2015

Ben Davis

Beware the “Creative Economy”

Labor Lost: Okwui Enwezor’s Artworld Biennale

Reviews May 27, 2015

David Balzer

Labor Lost: Okwui Enwezor’s Artworld Biennale

Why I Believe New York’s Art Scene Is Doomed

Features January 12, 2015

Ben Davis

Why I Believe New York’s Art Scene Is Doomed

The Future of Art Toronto, and How It Plans to Adapt

Features November 24, 2014

Sky Goodden

The Future of Art Toronto, and How It Plans to Adapt

Kill the Expert: An Interview with Brian Droitcour

Features November 17, 2014

Joseph Henry

Kill the Expert: An Interview with Brian Droitcour

Rural Exhibitions: Their Gambit and Their Trope

Features October 12, 2014

Caoimhe Morgan-Feir

Rural Exhibitions: Their Gambit and Their Trope

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