Isa Genzken Plays with the Artworld’s Insides in “I Love Michael Asher”
“And why is this dedicated to Michael Jackson?” journalist Randy Kennedy asked Isa Genzken last February as both sat on a stage at the…
Read More“And why is this dedicated to Michael Jackson?” journalist Randy Kennedy asked Isa Genzken last February as both sat on a stage at the…
Read MoreRachel Harrison’s acidic colors, faux-finish surfaces, and otherwise unseemly media screech like saboteurs of good taste. Unlike a certain nascent presidential candidate, however, they…
Read MoreHow much homework should we expect to slog through, en route to art? One could surmise “A lot,” according to Jean Marie Straub and…
Read MoreAs subject matter, the debased utopia is low-hanging fruit. Every continent has a few, and they emanate intoxicating aromas of corrupted idealism. In making…
Read MoreOn my end-of-the-year “Best Shows” list, I nominated Rachel Rose’s hypnotic Everything and More video at the Whitney Museum of American Art. In response,…
Read MoreOver five years, from 1992 to 1997, Tom Friedman produced 1000 Hours of Staring, a work of pure intention and immaculate material. A blank…
Read MoreAre art museums better off offering free admission? As the art market surges, and museum attendance rises, the question of what kind of ticket…
Read MoreYoko Ono: One-Woman Show, 1960-1971 arrives at the Museum of Modern Art pre-freighted with issues of art and celebrity that have dogged the institution of…
Read MoreIn recent years, the reputation of postwar abstract painter Kazuo Shiraga (1924-2008) – known for turbulent, crimson paintings made with his feet – has…
Read MoreJournalists follow a time-tested format. An example of this occurs in what is perhaps the most important article about art published in any magazine,…
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