Hal Foster

Directly to the Adversary: Claude Cahun and Marcel Moore at CAM St. Louis

Reviews June 11, 2026

Farrah Karapetian

Directly to the Adversary: Claude Cahun and Marcel Moore at CAM St. Louis

To Build and Sustain: Publishing Roundtable

June 27, 2026 7:00 PM–9:00 PM

PHI
Montreal

To Build and Sustain: Publishing Roundtable

Adele D’Souza

Adele D’Souza

Momus Emerging Critics Residency 2021

Residency August 9–20, 2021

Momus Emerging Critics Residency 2020

Residency August 3–28, 2020

History as a Chorus: Reimagining Monumentality at SITE Santa Fe

Reviews January 8, 2026

Ceci Moss

History as a Chorus: Reimagining Monumentality at SITE Santa Fe

The Close-Up Reveals Nothing: How Deborah-Joyce Holman Complicates Interiority

Features July 10, 2025

Gervais Marsh

The Close-Up Reveals Nothing: How Deborah-Joyce Holman Complicates Interiority

Dreams Being Real: EDELO’s Frontline Resistance

Reviews April 17, 2025

Brian Karl

Dreams Being Real: EDELO’s Frontline Resistance

Ritual Maintenance: Edges and Encounters with Tina Girouard

Features, Reviews February 13, 2025

Ritual Maintenance: Edges and Encounters with Tina Girouard

The Wish in Yong Soon Min’s KISSSSS

Reviews January 17, 2025

The Wish in Yong Soon Min’s KISSSSS

Invasion from Mars: On the Charged Personae of Shelly Mars

Features September 27, 2024

Gyula Muskovics

Invasion from Mars: On the Charged Personae of Shelly Mars

Abstraction, Legibility, and Desire in the Work of Brenda Draney

Features, Reviews February 14, 2024

Lois Taylor Biggs

Abstraction, Legibility, and Desire in the Work of Brenda Draney

Tracking the Sapphic Social Imaginaries: Lesbian Art in Print

Features October 16, 2023

Tracking the Sapphic Social Imaginaries: Lesbian Art in Print

Dataspace: From the Observed Object to the Participating Subject

Features July 28, 2023

Dataspace: From the Observed Object to the Participating Subject

The Soft Syncretism of Tau Lewis

Reviews March 15, 2023

Darla Migan

The Soft Syncretism of Tau Lewis

All Positions Possible: Simone Forti Across Time, Through Community

Features January 31, 2023

Catherine G. Wagley

All Positions Possible: Simone Forti Across Time, Through Community

“We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery

Features December 22, 2022

Sky Goodden

“We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery

Preoccupied with Things Left Behind: On Three Nigerian Artists

Features November 2, 2022

Ayodeji Rotinwa

Preoccupied with Things Left Behind: On Three Nigerian Artists

“I Wish We Could Reach for New Language”: An Interview with Sky Goodden

Features April 4, 2022

Calum Sutherland

“I Wish We Could Reach for New Language”: An Interview with Sky Goodden

Oliver Lee Jackson, the People’s Painter

Features, Reviews February 17, 2022

Del O'Brien

Oliver Lee Jackson, the People’s Painter

Situating Great Ocean Art in Canadian Museums

Features October 29, 2021

Dr. Léuli Eshrāghi

Situating Great Ocean Art in Canadian Museums

Cameron Rowland’s Property Relations

Features August 16, 2021

Simon Wu

Cameron Rowland’s Property Relations

Haubitz+Zoche Frames India’s Iconic Movie Theaters—and Absents Them

Features, Reviews July 1, 2021

Deepa Bhasthi

Haubitz+Zoche Frames India’s Iconic Movie Theaters—and Absents Them

With Sharper Tools: Defending the National Endowment for the Arts

Features March 6, 2020

Ben Davis

With Sharper Tools: Defending the National Endowment for the Arts

Anna Oppermann Looks Down

Reviews February 29, 2020

Dagmara Genda

Anna Oppermann Looks Down

Love and Loneliness: Queering Modernisms in Figurative Painting

Features, Reviews August 1, 2019

Joseph Henry

Love and Loneliness: Queering Modernisms in Figurative Painting

Can a Lobby Be Subversive? Jenny Holzer’s Comcast Capitulation

Features, Reviews June 19, 2019

Jessica Rizzo

Can a Lobby Be Subversive? Jenny Holzer’s Comcast Capitulation

Chinese Futures for American Eyes at the Guggenheim

Reviews June 29, 2018

Elliat Albrecht

Chinese Futures for American Eyes at the Guggenheim

An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde

Features March 26, 2018

Ben Davis

An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde

Risking Pop-Solipsism, Moyra Davey Gets Earnest in Berlin

Reviews October 23, 2017

Mitch Speed

Risking Pop-Solipsism, Moyra Davey Gets Earnest in Berlin

Seeking a More Intimate Fair with /edition’s Paul Butler

Features October 18, 2017

Sky Goodden

Seeking a More Intimate Fair with /edition’s Paul Butler

For Common and Decent Things: Resisting Co-opted “Collaboration”

Features September 22, 2017

Owen Duffy

For Common and Decent Things: Resisting Co-opted “Collaboration”

Spoiled Roots: Mark Bradford and the Erasure of Community

Features September 20, 2017

Catherine G. Wagley

Spoiled Roots: Mark Bradford and the Erasure of Community

Gallerist Virginia Dwan, the Reluctant Legend

Features, Reviews May 5, 2017

Catherine G. Wagley

Gallerist Virginia Dwan, the Reluctant Legend

“A Self-Implicated Search”: Reviewing Robert Linsley’s Final Book

Features, Reviews March 1, 2017

Mitch Speed

“A Self-Implicated Search”: Reviewing Robert Linsley’s Final Book

Cassils and the Complicated Rhetoric of the Hero

Features February 9, 2017

Cassils and the Complicated Rhetoric of the Hero

Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados

Features January 12, 2017

Fabien Maltais-Bayda

Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados

Isa Genzken Plays with the Artworld’s Insides in “I Love Michael Asher”

Reviews December 8, 2016

Catherine G. Wagley

Isa Genzken Plays with the Artworld’s Insides in “I Love Michael Asher”

Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial

Features, Reviews November 22, 2016

Saelan Twerdy

Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial

Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding

Reviews May 11, 2016

Zoë Chan

Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding

From Exile to Acclaim, the Unlikely Story of Mu Xin, and China’s Reformation

Features January 11, 2016

Carol Strickland

From Exile to Acclaim, the Unlikely Story of Mu Xin, and China’s Reformation

The Most Important Art Essays of the Year

Features December 22, 2015

Ben Davis

The Most Important Art Essays of the Year

The Function of Gossip as Criticism in Mexico’s Artworld

Features December 1, 2015

Kimberlee Córdova

The Function of Gossip as Criticism in Mexico’s Artworld

The First Modern Art Dealer and the Movement He Incited

Features September 21, 2015

Carol Strickland

The First Modern Art Dealer and the Movement He Incited

Shedding New Light on the Night: Obscurity and Clarity in the American Nocturne

Features September 11, 2015

Carol Strickland

Shedding New Light on the Night: Obscurity and Clarity in the American Nocturne

The Exit Interview: Matthew Teitelbaum

Features June 26, 2015

Jennifer Matotek

The Exit Interview: Matthew Teitelbaum

The Suffering Body of 1993: Whatever Happened to the “Abject”

Features April 27, 2015

Joseph Henry

The Suffering Body of 1993: Whatever Happened to the “Abject”

Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East

Features, Reviews February 18, 2015

Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East

Bad Dream of the Bauhaus: Juan Ortiz-Apuy’s IKEA Fantasia

Reviews February 16, 2015

Saelan Twerdy

Bad Dream of the Bauhaus: Juan Ortiz-Apuy’s IKEA Fantasia

Kill the Expert: An Interview with Brian Droitcour

Features November 17, 2014

Joseph Henry

Kill the Expert: An Interview with Brian Droitcour

Sign up for the Momus newsletter to hear about new publishing & podcast episodes, open calls, upcoming residencies, talks, and more.