“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Yoshio Taniguchi’s 2004 expansion of the Museum of Modern Art integrated the glass buildings on either side of the museum so that when you…
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Bad Reviews
I took a community-college workshop five years ago with Kirk Stoller, an artist whose work I could look at forever. Kirk used carpentry tailings…
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Failure in Infinitives: A Remembrance of Bernadette Mayer
A raccoon was screaming in agony with a gash in their side in Mollie’s backyard when I called to check in. “Animal control refused…
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Reviewing the Reviews: Documenta 15
The coverage and criticism of Documenta 15 was an experience in itself, whether or not you made it to Kassel this year. This edition…
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Akram Zaatari: Dance to the End of Love
Dance to the End of Love is a four-channel polyphonic, visual fantasia composed of found YouTube footage of young men in the MENA region….
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“I Wish We Could Reach for New Language”: An Interview with Sky Goodden
Sky Goodden is the founding publisher and editor of Momus, an online art publication based in Canada. Since its founding in 2014 Momus has…
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On Whiteness
In 2017, I started working with Claudia Rankine and a collective called the Racial Imaginary Institute (TRII). For their inaugural project they were curating…
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Season 4 Episode 9: Kristian Vistrup Madsen
In the penultimate episode of Season 4 – across which Momus: The Podcast has been engaging writers on the genesis and reception of a…
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Season 4 Episode 3: Tausif Noor on “Hand in Glove”
“Like writing, fisting is both a replicable skill and a rarefied art form.” This brachioproctic line begins writer Tausif Noor’s “Hand In Glove” (Artforum, 12 April…
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Blood and Paper: Zarina and the Currencies of Violence in India
This past winter was a tumultuous one for India. Braving police brutality and state repression, protests raged against draconian anti-Muslim legislation and a forthcoming…
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