Embracing the Sāo Paulo Biennial’s Acute Uncertainty
1951. “I don’t look back. I don’t want to know. I only think about the future, and I know that it’s certain.” These words…
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“It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure
I first sat down with Jessica Bradley in late July, hoping to discuss her recently shuttered gallery. I was, at that time, wanting what…
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Interview: The Compressed Violence of Dana Schutz
When I meet Dana Schutz amidst the clash and clatter of the installation of her solo mid-career survey at the Musée d’art contemporain de…
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