After Ferguson, A New Protest Culture’s Challenge to Art
Walter Benjamin has a line about the Angel of History who sees the past as “one single catastrophe, which unceasingly piles rubble on top of rubble and…
Read MoreWalter Benjamin has a line about the Angel of History who sees the past as “one single catastrophe, which unceasingly piles rubble on top of rubble and…
Read MoreIn 2012, Frieze surveyed art critics writing for newspapers, magazines, and online publications, asking how they conceived of their connection with the public. None…
Read MoreI wanted to make “the fourth wall” no longer a mirror, but a membrane that makes the spectator aware of this coming and going…
Read MoreI won’t blow my own trumpet too much, since it was fairly obvious that Duncan Campbell was going to win this year’s Turner Prize…
Read MoreSitting down to read an epic novel is to relive an epoch, embark on a long journey – it’s not enough to sit back and…
Read MoreYou are a writer, a curator, an installation artist, a social practitioner, a fly-by-night art advisor, an art-fair fixture, an inveterate biennialist. You live…
Read MoreA dramatic narrative emerged in Toronto’s artworld, this fall, regarding the perceived challenge presented to Canada’s best-established international art fair, Art Toronto, by the…
Read MoreThe word “post-internet” is a useful, if maybe not quite necessary, evil. First attributed to the writing of artist Marisa Olson, the term has…
Read MoreAn infamous art historical tale goes a little something like this. In April of 1917 the Society of Independent Artists was preparing for its…
Read MoreContinued from “A Theory of Everything: On the State of Theory and Criticism (Part One)” Looking at Towards an Anthropology of Influence, it’s possible to see…
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