In the first episode of Momus’s new “Criticism in Conversation” podcast series, an art critic and an art journalist parse the differing responsibilities and…
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Whatever specificity of place can be found in Susanna Heller’s paintings at Olga Korper Gallery shimmers with Wallace Stevens’s line, “Description is revelation. It…
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One of the pleasures of Ed Zelenak’s decades-long practice is its resistance to easy narrative. And yet, as John Bentley Mays wrote in 2015,…
Read MoreThe artist residency has risen to the top of the artworld’s global economy and increasing professionalization, becoming one of the key features of contemporary…
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Informing the artworld’s global economy and increasing professionalization, the artist residency has risen to the top, becoming one of the key features of contemporary…
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Toronto’s /edition art-book fair arrives, in its sophomore year, at an energizing time for art publishing. The event drew over 8,000 visitors last year…
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I confess to experiencing regular doubt, lately, about what art criticism can contribute to the fray when the conversations we need to be having,…
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I would like to be like water or rather like milk – completely pourable am right now more like stone but like sand or…
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Pilot Episode: The Venice Biennale Download Welcome to the pilot episode of Momus: The Podcast! For our first broadcast, we focus on the historic Venice Biennale. As…
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