A Return to What?
As Momus nears its fourth anniversary, and cautiously begins celebrating its evolution from a very fledgling start, we’ve been met with a review from…
Read MoreSky Goodden
Episode 4: Art and Technology Criticism with Nora Khan and Mike Pepi
Two art and technology critics, Nora Khan and Mike Pepi, discuss pushing for a rigorous critical discourse in a creative field that can…
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Episode 3: Art Criticism vs. Journalism with Catherine G. Wagley and Julia Halperin
In the first episode of Momus’s new “Criticism in Conversation” podcast series, an art critic and an art journalist parse the differing responsibilities and…
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Painting “From Here”: Susanna Heller at Olga Korper
Whatever specificity of place can be found in Susanna Heller’s paintings at Olga Korper Gallery shimmers with Wallace Stevens’s line, “Description is revelation. It…
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Naming “Where is Here”: Ed Zelenak at Christopher Cutts
One of the pleasures of Ed Zelenak’s decades-long practice is its resistance to easy narrative. And yet, as John Bentley Mays wrote in 2015,…
Read MoreMomus: The Podcast (Episode 2): The Artist Residency
The artist residency has risen to the top of the artworld’s global economy and increasing professionalization, becoming one of the key features of contemporary…
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The Artist Residency – Ep. 02
Informing the artworld’s global economy and increasing professionalization, the artist residency has risen to the top, becoming one of the key features of contemporary…
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Seeking a More Intimate Fair with /edition’s Paul Butler
Toronto’s /edition art-book fair arrives, in its sophomore year, at an energizing time for art publishing. The event drew over 8,000 visitors last year…
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Momus Best-Of Volume 3: 2016-17
I confess to experiencing regular doubt, lately, about what art criticism can contribute to the fray when the conversations we need to be having,…
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The Abject Intimacies of Chris Curreri
I would like to be like water or rather like milk – completely pourable am right now more like stone but like sand or…
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