Reviewing the Reviews: The 2024 Whitney Biennial
As the longest-running institutional survey of contemporary American art, the Whitney Biennial never fails to create “discourse.” Each iteration makes a claim about the…
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Reviewing the Reviews: Documenta 15
The coverage and criticism of Documenta 15 was an experience in itself, whether or not you made it to Kassel this year. This edition…
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Season 4 Episode 8: Muna Mire & Tourmaline
This episode gets a jump on summer with artist and filmmaker Tourmaline and writer and producer Muna Mire. In conversation, they discuss Mire’s profile of Toumaline in…
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“I Think I’m Really Enjoying Painting”: Margaux Williamson’s New Work
Every five or six years, the painter Margaux Williamson quits painting. In these moments, she thinks she might not go back. But something always…
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Episode 5: Conflict of Interest with Catherine G. Wagley and Tyler Green
In this episode of “Criticism in Conversation,” two art critics and historians discuss “conflict of interest” in contemporary art criticism. Tyler Green, the host…
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Episode 5: Conflict of Interest with Tyler Green and Catherine G. Wagley
In this episode of “Criticism in Conversation”, two art critics and historians discuss “conflict of interest” in contemporary art criticism. Tyler Green, the host of…
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Momus Best-Of: Vol. 2 2015-16
As we near our two-year anniversary, and summer draws to a close, Momus takes a moment to reflect on the last twelve months of…
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After Brexit, Art Must Break Out of Its Bubble
In the early days of 2009, to celebrate its ascendancy to the presidency of the European Union, the Czech Republic commissioned a special artwork…
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These Are Not Ideas; These Are Things: A Conversation with Liz Magor
Liz Magor claims her “space between the mould and the cast.” It’s a pronouncement reified by thirty years of installation and sculpture that reads…
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How to Read an Art Magazine
Most people don’t. Picture in your head an issue of the most important art magazine in the world: its circulation is less than the…
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