To Cloak or Reveal: Ryan Gander on the Question That Dogs Him
At the end of our interview Ryan Gander is suggesting we meet again, “Same time next week?” He’s laughing. I’ve involuntarily submitted myself to…
Read MoreFeatures
The Art of Protest
The relationship between art and protest has never been a stable one. It’s also a relation that perhaps suffers from being posed in the…
Read More
“I Think We’re Changing Into a Tribal Nation”: A Conversation with Dave Hickey on “25 Women”
When you have as many critics as Dave Hickey, you don’t hope to publish a book quietly so much as attract the right kind…
Read More
Back to the Future: The Social-Activist Architecture of Moshe Safdie
A recent exhibition at the National Academy Museum in New York raised the question Moshe Safdie (born 1938) has wrestled with his whole career. Is…
Read More
“How to Lie About Canadian Art”: A Case Study in Art Criticism
Art criticism doesn’t often speculate on the value of pithy maxims such as ‘there’s no such thing as bad publicity.” But when an article…
Read More
How to See the Invisible
“An SEP,” he said, “is something that we can’t see, or don’t see, or our brain doesn’t let us see, because we think that…
Read More
Towards the Quiet, or with Larger Amplifiers: An Interview with Berlin Performance Artist Aleks Slota
Nothing about Aleks Slota’s elfin appearance prepares you for his performances. Small-framed and wiry, his body hardly looks bullish enough for acts of endurance…
Read More
Do You Have to Be Rich to Make It as an Artist?
On my end-of-the-year “Best Shows” list, I nominated Rachel Rose’s hypnotic Everything and More video at the Whitney Museum of American Art. In response,…
Read More
From Exile to Acclaim, the Unlikely Story of Mu Xin, and China’s Reformation
Landscaping along the 87-mile stretch of highway from Shanghai to the ancient village of Wuzhen in southern China is a work in progress. On…
Read More
Any Plans After the Exhibition?
The image above is an installation shot from When Attitudes Become Form: Bern 1969/Venice 2013. It was a recreation of Harald Szeeman’s famous exhibition…
Read More