Paper Abstractions: Virginia Jaramillo’s Social Theory
Perhaps more than any other recent survey of abstract art, Virginia Jaramillo: Principle of Equivalence reframes what abstract art is and can do, politically…
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We’re Alive, Pablo Is Dead
Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though…
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On Whiteness
In 2017, I started working with Claudia Rankine and a collective called the Racial Imaginary Institute (TRII). For their inaugural project they were curating…
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The Orgasmic Capacity of Color: Judy Chicago’s Los Angeles
Throughout this period I was also discovering that I was multi-orgasmic … I was developing color systems which made forms turn, dissolve, open, close,…
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Real Bodies: A Tribute to Linda Nochlin
In the summer of 1994, the end of my second year at the IFA and Linda Nochlin’s first, she came to stay with my…
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The Intimate Dangers of Reading Georgia O’Keeffe Through a Blouse
Any description of the new traveling Georgia O’Keeffe exhibit Living Modern must start with a blouse. On a hanger in the middle of the…
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Battle Hymn of the Republic: The Measure of Kehinde Wiley in the American South
Though history is said to have been written by the victors, one might be forgiven for casting doubt on this particular adage in Richmond,…
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Any Plans After the Exhibition?
The image above is an installation shot from When Attitudes Become Form: Bern 1969/Venice 2013. It was a recreation of Harald Szeeman’s famous exhibition…
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Can Art Museums Afford to Be Free?
Are art museums better off offering free admission? As the art market surges, and museum attendance rises, the question of what kind of ticket…
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Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough
The story of gentrification is both too complicated and too simple to be told well. There’s no proper shape for it, nothing to support…
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