
The New World Looks Like the Old One: DYOR at Kunsthalle Zürich
A few years ago, I saw the same graffiti tag in Berlin and later in Athens: “Take acid, buy crypto,” it read, as if…
Read MoreA few years ago, I saw the same graffiti tag in Berlin and later in Athens: “Take acid, buy crypto,” it read, as if…
Read MoreThe coverage and criticism of Documenta 15 was an experience in itself, whether or not you made it to Kassel this year. This edition…
Read MoreLegacy Russell doesn’t do things IRL. Throughout her writing, you’ll find instead the term “AFK” (Away From Keyboard). As the mobile internet became ubiquitous in…
Read MoreThe Heritage Foundation and conservative groups like it have been trying to kill the National Endowment for the Arts for decades. Last month, the Trump…
Read MoreIn the pantheon of texts about art, there are very, very few that have had the impact of “The Tear Gas Biennial.” Published online…
Read MoreIn the popular imagination, calling someone a “modern Medici” is a synonym for “visionary patron of the arts.” That association itself shows how much…
Read MoreVelvet Buzzsaw, launching on Netflix tomorrow, had me hooked from the first line uttered by its protagonist. In the opening scene, we see Jake Gyllenhaal’s…
Read MoreI’ve spent the better part of five months trying to write a review of a show that’s now closed: MOCA Toronto’s inaugural exhibition, Believe….
Read MoreThere is a small historical irony in the topic of Hal Foster’s lecture for the 67th A.W. Mellon Lectures at the National Gallery of…
Read MoreThe degree to which contemporary culture understands (or fails to understand) “The Art World” can be measured in how it gets portrayed in film…
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