
Darkling Futures and Desert Hangover at the New SITE Sante Fe
Two brand-new, chunky metal triangles jut out and join above the glassy entrance of the black cinderblock edifice that houses the recently-renovated SITE Santa…
Read MoreTwo brand-new, chunky metal triangles jut out and join above the glassy entrance of the black cinderblock edifice that houses the recently-renovated SITE Santa…
Read MoreLike a catchy Schlager tune, rightwing populism in Germany has matured into a countrywide plague. Historical guilt, which had until recently stalled the nationalism…
Read MoreBecause the question of art’s utility isn’t new, Tania Bruguera, the Cuban artist who’s often been referred to as a “dissident” and “political activist,”…
Read MoreIn the summer of 1994, the end of my second year at the IFA and Linda Nochlin’s first, she came to stay with my…
Read MoreToronto’s /edition art-book fair arrives, in its sophomore year, at an energizing time for art publishing. The event drew over 8,000 visitors last year…
Read MoreWhen the Oxford English Dictionary announced that its 2016 Word of the Year was post-truth, the understanding was that the political upheavals of the…
Read MoreIt’s more than working together. “Collaboration” has enjoyed a distinct currency in the twenty-first century as a buzzword that sailed from the open-office playgrounds…
Read MoreArtists tasked with filling the US Pavilion at the Venice Biennale have often poked at its resemblance to Monticello, the plantation designed by the…
Read MoreI confess to experiencing regular doubt, lately, about what art criticism can contribute to the fray when the conversations we need to be having,…
Read MoreThis year’s spate of artworld controversies surrounding cultural appropriation and the ethics of representation suggests that we should sharpen our vocabulary, and find precise…
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