Momus is an international online art publication that promotes art writing and journalism, and stresses a return to an art criticism that is evaluative, accountable, and brave.
Since October 2014, Momus has quickly become a trusted reference for those wishing to reflect on contemporary art at a slightly slower pace, and with greater focus and integrity, than online platforms typically allow. We’ve been recognized by peer publications including Frieze, e-flux, The New Inquiry, LA Times, artnet News, and the College Art Association. Momus has attracted over 500,000 readers in its first two years, producing a platform of already lasting value, and promoting a discourse that addresses both the flaws and strengths of an artworld fast expanding – and in need of renewed reflection.
Momus’s essential value lies in its critical content. In stressing a return to art criticism, we distinguish ourselves from our journalistic, market-driven, and promotional competitors, and usher into the artworld an unparalleled resource for thoughtful and urgent reflection on contemporary art.
Momus‘s list of esteemed critics and voices includes Andrew Berardini, Amy Zion, Tausif Noor, Kimberlee Córdova, Catherine Wagley, and Ben Davis, among many others. These are risk-takers, art historians, popular voices, and truth-seekers – both emerging and established – who purvey the contemporary moment from a distance while fully ensconced. Together they claim an important platform for the revival of art criticism, and present art writing that promotes integrity and clarity in its reflection on the complexities, challenges, and potential emerging from an artworld in flux.
PUBLISHER and EDITOR Sky Goodden
SENIOR EDITOR Casey Beal
Amy Zion, New York
Andrew Berardini, Los Angeles
Catherine G. Wagley, Los Angeles
Saelan Twerdy, Montreal
Ben Eastham, London
Tausif Noor, London
Alison Hugill, Berlin
Mitch Speed, Berlin
Kimberlee Córdova, Mexico City
Juan José Santos, Santiago
PRODUCT AND MARKETING
Sky Goodden is the founding editor of Momus, an international online art publication that stresses a return to art criticism. It has attracted over 500,000 readers, and regularly publishes some of the world’s most highly-regarded critics. Momus has been praised by peer publications and institutions including Frieze, The New Inquiry, artnet News, the College Art Association, and the LA Times. Before Momus, Goodden was the founding editor of BLOUIN ARTINFO Canada, which she ran from 2011 to 2014. She has written for Modern Painters, Art + Auction, Canadian Art, the National Post, Art21, artnet News, and C Magazine. She holds an MFA in Criticism & Curatorial Practice from OCAD University (2010), which recently presented her with an Alumni of Influence Award, the “Trailblazer.”
Amy Zion is a curator and writer living in New York City. As of Fall 2016, she is part-time faculty at CCS, Bard College. In 2017, Zion will be Guest Curator of the 3rd People’s Biennial, co-curated by Jens Hoffmann and Harrell Fletcher. Zion has worked on many exhibitions internationally, including the Danish Pavilion at the 56th Venice Biennale; “Rasmus Røhling: A.U.T.O.E.N.U.C.L.E.A.T.I.O.N.,” at Sismógrafo, Porto; “Slip of the Tongue” (2015), at the Pinault Foundation, Venice; and “Tell It To My Heart–Collected by Julie Ault” (2013-14). Zion has published articles and criticism in frieze, Art Journal, Fillip, Witte de With journal, and Momus, among others. She was associate editor of Fillip (2007-15), and has edited monographs including Danh Vo: Go Mo Ni Ma Da (2014), and the forthcoming Abbas Akhavan (2017).
Andrew Berardini is a writer in Los Angeles and a contributing editor at Momus. A finalist for the Premio Bonaldi and winner of an Andy Warhol/Creative Capital Grant for Art Writers in 2013, he has a book forthcoming from Mousse on artist Danh Vo, and is currently at work on a another about color. Berardini is the co-founder of the Art Book Review, and edits for numerous other publications, including Artslant and Mousse. He has been a regular contributor to Art Review, LA Weekly, and Artforum.
Catherine G. Wagley writes about art and visual culture in Los Angeles. She currently works as an art critic for L.A. Weekly, and contributes to a number of other publications, most recently CARLA, ARTNews, East of Borneo, and L.A. Review of Books.
Saelan Twerdy is a freelance writer based in Montreal and a PhD candidate in Art History at McGill University. He is a contributing editor at Momus and his writing has appeared in venues such as Canadian Art, Border Crossings, C magazine, Magenta, Blackflash, Bad Day, and The New Inquiry. He has also contributed to books and exhibition catalogues published by Concordia University’s FOFA Gallery, Fogo Island Arts/Sternberg Press, and the Museum of Contemporary Canadian Art.
Ben Eastham is co-founder and editor of The White Review and assistant editor at art-agenda. His writing has been published in the London Review of Books, frieze, the New York Times, the TLS, and elsewhere. He is the co-author with Katya Tylevich of My Life as a Work of Art, published in September 2016 with Laurence King.
Tausif Noor is a freelance writer and graduate student at Goldsmiths, University of London conducting research in visual culture, politics, and art history. He is a graduate of Dartmouth College and has worked in non-profit art spaces in India, where he was a Fulbright Research Fellow from 2014-15.
Alison Hugill is an editor, writer, and curator based in Berlin. She is managing editor of Berlin Art Link magazine and contributes to Sleek Magazine, AQNB, uncube, Rhizome, and Artsy. Hugill has an MA in art theory from Goldsmiths College, University of London (2011). Her research focuses on Marxist-feminist politics and aesthetic theories of community, participatory art, and architecture. She is one half of the collective anti-forum and a host of Berlin Community Radio show Hystereo.
Mitch Speed is Momus‘s contributing editor, Berlin, as of August 2016. His writing has appeared in Frieze, Camera Austria, Turps, and Canadian Art. Speed has an MFA from Mason Gross School of the Arts, at Rutgers University, and a BFA from Emily Carr University, in Vancouver. While at Rutgers, he was a part-time lecturer at the undergraduate level, and founder of a reading group titled The Obsolete Juror, focusing on the relationship between contemporary art and writing. From 2011 until 2014, he was founder and co-editor of Setup, a journal of contemporary art and writing published by Publication Studio.
Kimberlee Córdova lives and works in Mexico City, DF. She received her BA in painting from the University of California at Santa Barbara (2007), and is a graduate of Soma’s postgraduate art program in Mexico City (2014). Solo exhibitions include The Dodo’s Verdict, Casa Mauuad (Mexico City, DF), and Brief Encounters with Tezcatlipoca at Bikini Wax (Mexico City, DF). Group exhibitions include exhibitions in Guadelajara, Mexico; Bogotá, Columbia; Los Angeles; and the CCA Wattis Institute for Contemporary Art in San Francisco.
Juan José Santos is an independent curator and critic based in Chile. He is a regular contributor to Artnexus, A*desk, and Dardo Magazine, among others. In 2016, his first book “Curating in Latin America: 30 Exhibitions of Contemporary Art” will be published. He is a journalism graduate and has done postgraduate studies in art criticism.
For inquiries about content, advertising, and submissions, please contact Sky Goodden at email@example.com