Momus is an online art publication that stresses “a return to art criticism,” one that is evaluative, accountable, and brave. It provides a reprieve from – and rebuke against – the toxic poles of elitism and populism that frame so much public conversation. In its first four years, Momus has worked to promote skepticism without cynicism; accessibility without infantilism; and an imperative, both aesthetic and political, to read a cultural text more deeply. As a publication, it dedicates itself to the vital, uphill work of art criticism in a mostly uncritical time.
As such, Momus has quickly become a trusted reference for those wishing to reflect on contemporary art at a slightly slower pace, and with greater focus and integrity, than online platforms typically allow. It’s been recognized by peer publications including Frieze, e-flux, The New Inquiry, LA Times, artnet News, and the College Art Association, and has attracted over 800,000 annual readers. Momus has also been shortlisted – twice – for the International Award for Art Criticism. It was recently featured in a Harvard University review for leading the charge in online writers’ remuneration.
In 2017, Momus began a podcast, extending its interests and approach to “criticism in conversation.” Momus: The Podcast is syndicated by NTS radio, in the UK, with a listenership of over 500,000. It features guests Tyler Green, Morgan Quaintance, Michelle Grabner, Peggy Gale, Mike Pepi, Julia Halperin, Catherine G. Wagley, Daniel Baumann, and Nora Khan, among others, and covers topics including “conflict of interest” and “art criticism vs. art journalism.” Momus thanks the Canada Council for the Arts’s “New Chapter” grant for making its first season possible.
Momus‘s first print anthology, Momus: A Return to Art Criticism, Vol. 1 (2014-17), was published in late October 2017. This beautifully-designed and weighted compendium of our best writing to date toured Canada, the US, and Mexico in 2017-18, and is available for purchase at bookstores and galleries around the world, and here on our website (though only a few copies remain).
Our publication is a place for risk-takers, art historians, popular voices, and truth-seekers – both emerging and established – who purvey the contemporary moment from a distance while fully ensconced. Together they claim an important platform for the revival of art criticism, and present art writing that promotes integrity and clarity in its reflection on the complexities, challenges, and potential emerging from an artworld in flux.
PUBLISHER and EDITOR Sky Goodden
SENIOR EDITOR Casey Beal
Tausif Noor, New York
Owen Duffy, New York
Rahel Aima, New York
Andrew Berardini, Los Angeles
Catherine G. Wagley, Los Angeles
Saelan Twerdy, Montreal
Mark Mann, Toronto and Montreal
Alison Hugill, Berlin
Mitch Speed, Berlin
Kimberlee Córdova, Mexico City
Juan José Santos, Santiago and Madrid
PODCAST CO-PRODUCERS AND CO-HOSTS
MARKETING & PRODUCT MANAGER
Mitra Shreeram (firstname.lastname@example.org)
GALLERY LIASON and SALES
Chris Andrews (email@example.com)
Elora Crawford (firstname.lastname@example.org)
Sky Goodden is the founding publisher and editor of Momus, an international online art publication that stresses “a return to art criticism.” It has attracted over 800,000 annual readers since its inauguration in 2014, and been shortlisted for two International Awards in Art Criticism. Momus published its first print anthology in 2017, titled Momus: A Return to Art Criticism Vol. 1 (2014-17), and produces Momus: The Podcast, syndicated by NTS Radio. Goodden has written for Modern Painters, Canadian Art, the National Post, Art21, and artnet News, among others. She holds an MFA in Criticism & Curatorial Practice from OCAD University (2010), which recently presented her with an Alumni of Influence Award, the “Trailblazer.” Based in Toronto and Montreal, Goodden is the 2018-19 Artist-in-Residence at Concordia University.
Andrew Berardini is a writer in Los Angeles and a contributing editor at Momus. A finalist for the Premio Bonaldi and winner of an Andy Warhol/Creative Capital Grant for Art Writers in 2013, he has a book forthcoming from Mousse on artist Danh Vo, and is currently at work on a another about color. Berardini is the co-founder of the Art Book Review, and edits for numerous other publications, including Artslant and Mousse. He has been a regular contributor to Art Review, LA Weekly, and Artforum.
Catherine G. Wagley writes about art and visual culture in Los Angeles. She currently works as an art critic for L.A. Weekly, and contributes to a number of other publications, most recently CARLA, ARTNews, East of Borneo, and L.A. Review of Books.
Saelan Twerdy is a freelance writer based in Montreal and a PhD candidate in Art History at McGill University. He is a contributing editor at Momus and his writing has appeared in venues such as Canadian Art, Border Crossings, C magazine, Magenta, Blackflash, Bad Day, and The New Inquiry. He has also contributed to books and exhibition catalogues published by Concordia University’s FOFA Gallery, Fogo Island Arts/Sternberg Press, and the Museum of Contemporary Canadian Art.
Mark Mann is a writer and critic based in Toronto and Montreal. His essays, reviews, and feature journalism have appeared in Toronto Life, The Walrus, the Globe and Mail, Vice, Maisonneuve, and The Dance Current, among others. Mann won the National Magazine Award for Humor in 2010.
Tausif Noor is a freelance writer and graduate student at Goldsmiths, University of London conducting research in visual culture, politics, and art history. He is a graduate of Dartmouth College and has worked in non-profit art spaces in India, where he was a Fulbright Research Fellow from 2014-15.
Rahel Aima is a writer based in Brooklyn. She is Special Projects editor at The New Inquiry and a founding editor of THE STATE.
Owen Duffy is an art historian, writer, and curator based in New York. He has published with ArtReview, Momus, frieze, Artforum, CURA., and Art & Education, among others, and has presented his research at such institutions as the National Gallery of Art, Washington D.C.; the Stedelijk Museum, Amsterdam; the Virginia Museum of Fine Arts, Richmond; and LASANAA Live Art Hub, Kathmandu. He has been a visiting critic at the Rhode Island School of Design, Maryland Institute College of Art, and through Frame Finland and earned his PhD from Virginia Commonwealth University where he completed a dissertation on the topic of The Politics of Immateriality and “The Dematerialization of Art.” He is a member of Essex Flowers.
Alison Hugill is an editor, writer, and curator based in Berlin. She is managing editor of Berlin Art Link magazine and contributes to Sleek Magazine, AQNB, uncube, Rhizome, and Artsy. Hugill has an MA in art theory from Goldsmiths College, University of London (2011). Her research focuses on Marxist-feminist politics and aesthetic theories of community, participatory art, and architecture. She is one half of the collective anti-forum and a host of Berlin Community Radio show Hystereo.
Mitch Speed is Momus‘s contributing editor, Berlin, as of August 2016. His writing has appeared in Frieze, Camera Austria, Turps, and Canadian Art. Speed has an MFA from Mason Gross School of the Arts, at Rutgers University, and a BFA from Emily Carr University, in Vancouver. While at Rutgers, he was a part-time lecturer at the undergraduate level, and founder of a reading group titled The Obsolete Juror, focusing on the relationship between contemporary art and writing. From 2011 until 2014, he was founder and co-editor of Setup, a journal of contemporary art and writing published by Publication Studio.
Kimberlee Córdova lives and works in Mexico City, DF. She received her BA in painting from the University of California at Santa Barbara (2007), and is a graduate of Soma’s postgraduate art program in Mexico City (2014). Solo exhibitions include The Dodo’s Verdict, Casa Mauuad (Mexico City, DF), and Brief Encounters with Tezcatlipoca at Bikini Wax (Mexico City, DF). Group exhibitions include exhibitions in Guadelajara, Mexico; Bogotá, Columbia; Los Angeles; and the CCA Wattis Institute for Contemporary Art in San Francisco.
Juan José Santos is an independent curator and critic based in Chile. He is a regular contributor to Artnexus, A*desk, and Dardo Magazine, among others. In 2016, his first book “Curating in Latin America: 30 Exhibitions of Contemporary Art” will be published. He is a journalism graduate and has done postgraduate studies in art criticism.
Lauren Wetmore is a curator and writer based in Brussels. She has contributed to exhibitions, biennials, and commissions internationally including Frieze Projects (London, 2014-15); the 2013 Carnegie International (Pittsburgh, 2013); and Meeting Points 8, a biennial of art from and in the Arab World, which took place at the Beirut Art Center (Beirut, 2017), La Loge (Brussels, 2016), and the Windsor Hotel (Cairo, 2016). Her curatorial project The Conversation won the Encura curatorial residency at Fundació AAVC Hangar (Barcelona, 2015). Wetmore was short-listed for the 2016 International Awards for Art Criticism for her piece in Momus, and she has contributed to publications including Xavier Cha: abduct (MOCA Cleveland, 2015) and These Are the Tools of the Present: Beirut – Cairo (Sternberg Press, 2017). She holds a MFA in Criticism & Curatorial Practice from OCAD University (Toronto, 2011) and a BA in Art History and Gender Studies from the University of British Columbia (Vancouver, 2008).
For inquiries about advertising, patronage, and submissions, please contact Sky Goodden at email@example.com