Episode 16: “What Makes Great Art?” with Margaux Williamson
As we continue to circle the question “what makes great art?”, Sky Goodden spoke with Margaux Williamson, a slow painter who gives the greatest primacy…
Lives of the Artists: Remembering Vilmos
I first met Vilmos in January of 1970, in the depths of an Ontario winter, at the London Psychiatric Hospital. I was twenty-two and…
To Better Days: Optimistic Design for an Uncertain Future
If it’s common knowledge among architects, engineers, and urban planners that design determines quality of life, the Designs for Different Futures exhibition, currently on…
The Weight of Enduring: Miles Greenberg’s Sanguine Devotion
Weeks before the new year, the artist Miles Greenberg staged a seven-hour performance that saw him standing semi-nude, wearing what looked to be a…
The Apocalypse is Selective, Not Total: Geoffrey Pugen’s Disanthropic Moment
I clung to my ferocious habits, yet half despised them; I continued my war against civilization, and yet entertained a wish to belong to…
Detective Stories about Feelings: The Driving Force of Peter Schjeldahl
Most of us have never known an art world without Peter Schjeldahl in it. We count on him being part of New York like…
An Arch and a Gulf: When Public Art Falls Short of Social Reality
Today, iconic public artworks, both permanent and temporary, are defining visual elements of many urban landscapes – from the LOVE sculpture (1976) in Philadelphia…
“There is a Tongue for This”: Aurora as Art Writing
The sky is called the firmament because it supposedly stays still. Abruptly, we saw this etymology break down: a thin vaporous green trail, like…
Open Secrets: Gossip and the Reframing of a Canadian Painting Dynasty
The October 12, 2019, edition of CBC Radio’s “Weekend AM Newfoundland with Heather Barrett” begins with a Thanksgiving-themed story about Newfoundland’s love of the…
After the Afterparty: Alan Belcher and Friends, in Retrospect
Alan Belcher’s Friends at Downs & Ross is an afterparty. The works in the exhibition are a series of mascot-like plush sculptures sitting in…
The Art We Deserve: Luc Tuymans’s Exhausted Image
After days of historic high water and watching Venice’s warren of shops and restaurants struggle to survive, it was a relief to enter the…
In the Waiting Room: The Sticky, Slippery Duration of “Sick Time”
It’s my last morning in Detroit, where I’ve come for two days to see an art exhibition. The wind’s picking up as I stand…
Land and Landlessness: A Conversation with Larry Towell
Despite living all his life in peaceful rural Ontario, celebrated photojournalist Larry Towell’s work is characterized by struggle, from his projects in Gaza and…
Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art
The following words are angry. Their author has discarded the separation between emotion and analysis customary in his line of work. How else could…
The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick
At the center of contemporary art, there is increasingly the absence of any center at all. We are flown wide, work digitally, and shuttle…
It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
When we meet on St. Catherine Street in Montreal on a chilly Thursday afternoon in October, Bridget Moser tells me she has recently been…