It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
When we meet on St. Catherine Street in Montreal on a chilly Thursday afternoon in October, Bridget Moser tells me she has recently been…
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Me For You: The Modest Directives of Ho Tam and Rainer Ganahl
Remember the “long tail”? It was the theory that digital technology would redistribute demand for cultural products, away from a few empowered hit-makers and…
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The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive
Gazing out from a large photograph on the second floor of Susan Hobbs Gallery in Toronto, Althea Thauberger wears a yellow dress, pearl earrings,…
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Maria Hupfield Returns to the Beginning
Maria Hupfield is a Brooklyn-based artist from Wasauksing First Nation, an Anishinabek community on Parry Island, five hours north of Toronto along Georgian Bay….
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Joseph Tisiga Unsettles Exoticism with Mythic Force at Parisian Laundry
Joseph Tisiga paints people in odd situations, and I keep wondering, how do they feel? The Yukon artist’s characters rarely show much emotion, even…
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White Like Me: Encountering Divya Mehra’s “You have to tell Them, i’m not a Racist”
It doesn’t matter what you think you know about Divya Mehra’s You have to tell Them, i’m not a Racist, currently at Georgia Scherman…
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The Five Disappearances of Tammi Campbell
One The first threatens all artists, and everyone else too: simple disregard. The viewer makes a rolling stop at each frame, not accelerating past,…
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From a Safe Distance: Guy Maddin Stills His Lens with Collage
Guy Maddin’s latest exhibition finds the artist in a splendid mood, if preoccupied by the subtle, inescapable persistence of his loneliness. Maddin and his…
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The Temptation of Everything in Michael Dudeck’s “Messiah Complex 5.0”
When a contemporary performance artist adopts religion in general as the theme of a work, a few things are likely to occur: the work…
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Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough
The story of gentrification is both too complicated and too simple to be told well. There’s no proper shape for it, nothing to support…
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