Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art
The following words are angry. Their author has discarded the separation between emotion and analysis customary in his line of work. How else could…
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The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick
At the center of contemporary art, there is increasingly the absence of any center at all. We are flown wide, work digitally, and shuttle…
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It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
When we meet on St. Catherine Street in Montreal on a chilly Thursday afternoon in October, Bridget Moser tells me she has recently been…
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Episode 15: “What Makes Great Art?” with Isabel Lewis
For this month’s episode circling the question “what makes great art?”, Lauren Wetmore spoke with Berlin-based artist Isabel Lewis. Lewis was trained in…
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Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven
I was lured by the promise of a sepia-tinged ideal: west Texas golden hours and wide-open spaces. A visit to Marfa had long been…
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Episode 14: “What Makes Great Art?” with Jarrett Earnest
For this month’s episode, towards our season’s question, “what makes great art?”, Sky Goodden spoke with artist, curator, and writer Jarrett Earnest. Earnest…
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The Future Wandering of Tau Lewis
A conversation with Tau Lewis is an exercise in looking back as much as in looking forward. In discussing her figurative sculptures, she circles…
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Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney
In September 2018, word traveled of accusations of trans censorship by a Mohkinstsis (Calgarian) arts facility. The allegedly-censored video work in question, A Thousand…
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Art and Labor: Writers Bloc
It was an ordinary Friday evening in September, perhaps already giving way to Saturday morning bleariness, when I turned to my partner half asleep and…
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A Crit of the Crit
Lately I’ve been thinking about how we do “crits” at art school, and how we might do them differently. The crit, or critique, is…
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