The Invention of the Humane: Ken Lum’s Collected Writings
I was planning to attend the Art Metropole launch of Everything is Relevant: Writings on Art and Life, Ken Lum’s book of his selected…
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I was planning to attend the Art Metropole launch of Everything is Relevant: Writings on Art and Life, Ken Lum’s book of his selected…
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Momus: The Podcast launches Season 3 with the question “what’s changed – and what should?” with curator and art historian Eleanor Nairne. This…
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A figure stands pinned in place. He was fighting. Shadowboxing, maybe. Now he’s halted and just breathing and waiting and watching, nervously. Late-frost synthesizers…
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With arms crossed, a Métis curator contemplates Kent Monkman’s The Scream (2017) at the Winnipeg Art Gallery. The history painting dramatizes Canada’s seizure of First Nations,…
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Four men came to our house because they were interested in architecture. They knew someone who knew our landlord, which is how they got…
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The Heritage Foundation and conservative groups like it have been trying to kill the National Endowment for the Arts for decades. Last month, the Trump…
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I, for one, want to be broken into pieces. The way sappy music breaks its lovers. We bright-lit gallery people are more reserved. But…
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As we continue to circle the question “what makes great art?”, Sky Goodden spoke with Margaux Williamson, a slow painter who gives the greatest primacy…
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I first met Vilmos in January of 1970, in the depths of an Ontario winter, at the London Psychiatric Hospital. I was twenty-two and…
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Most of us have never known an art world without Peter Schjeldahl in it. We count on him being part of New York like…
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