Cyclical Gods: Reliving Pandemic
I arrived at the opening of Sanctuary, artist Chen Dongfan’s first institutional exhibition in New York City, overcome with a profound sense of disorientation….
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I arrived at the opening of Sanctuary, artist Chen Dongfan’s first institutional exhibition in New York City, overcome with a profound sense of disorientation….
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Live on Facebook from the artist’s home-studio on a March afternoon, Nadège Grebmeier Forget disgorged an urgent, spontaneous, and cathectic release of maximalist body…
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For this episode, Sky Goodden spoke with art writer and musician Johanna Fateman, a regular contributor to The New Yorker, a contributing editor…
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“We are not where we think we are,” Dr. Fauci warned, before we all woke up to an altered time. In this new reality,…
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Sometime that feels pretty recent, the internet turned into an actual talent show. Social media always felt performative, and now, with TikTok ascendant and…
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Momus: The Podcast launched Season 3 with the question “what’s changed – and what should?”, which we continue with Alessandro Bava, an architect and…
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In 2007 Wafaa Bilal locked himself inside a Chicago gallery. He lived there alone for a month, using a webcam to broadcast around the…
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I was planning to attend the Art Metropole launch of Everything is Relevant: Writings on Art and Life, Ken Lum’s book of his selected…
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Momus: The Podcast launches Season 3 with the question “what’s changed – and what should?” with curator and art historian Eleanor Nairne. This…
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A figure stands pinned in place. He was fighting. Shadowboxing, maybe. Now he’s halted and just breathing and waiting and watching, nervously. Late-frost synthesizers…
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