End of the World: Revisiting a Lost Future at Spiral Jetty
They arrive at my Salt Lake City apartment in the middle of the afternoon on the tenth of September, 2016, and we’re on the…
Read MoreAndrea Fraser
The Boy in the Bathroom: Tom Burr’s Torrington Project
It was with a frisson of anticipatory delight that I crossed the threshold of Tom Burr’s warehouse in Connecticut, two hours northeast of New…
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Working It
In an interview about her 2003 performance Untitled, in which she had sex with an art collector on camera for a sum initially reported…
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“But Can a Spirit Burn?”: Alternatives for Art Under Capital
We were reprimanded before the meeting even began. The guard, a tough looking woman employed at the Lisbon Tropical Botanical Garden, told us that…
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What’s Wrong with a Fairly Good Biennial?
What’s not to like about good art, hung well – not too packed, not too sparse – across venues of many scales and vintages,…
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What is the Museum of the Future?
We know that museums the world over are incredibly popular, but how do we keep the visitors coming? In a globalized art economy, the question…
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