The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive
Gazing out from a large photograph on the second floor of Susan Hobbs Gallery in Toronto, Althea Thauberger wears a yellow dress, pearl earrings,…
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Remnant Intuition: Contemporary Turns on the Grace of Still Life
“We reason, that is, our mind wanders, each time our courage fails to force us to pursue an intuition through all the successive stages…
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Feeling Good, Feeling Bad: The Self-Help Vibrations of Patrick Howlett
After Trump was elected, the first photo I posted to Instagram was a view of glass baubles foregrounding yellow leaves and blue sky between…
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Liz Magor Waits, But Not For You
A retrospective exhibition should be thick with time. More ephemeral than the objects it displays, it is a stillness that passes, a terrain upon…
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The Spinning “YOLO” Sympathies of Sandra Meigs
An early critique I received as an artist was in jury feedback for an unsuccessful grant application: “why does this work need to be…
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