
The Final Fart: A Meditation on Hannah Wilke’s Last Work
Hannah Wilke knew what a death mask was. She knew that a death mask is an event, not an object. She knew that the…
Read MoreHannah Wilke knew what a death mask was. She knew that a death mask is an event, not an object. She knew that the…
Read MoreIn recent weeks, piles of fortune cookies materialized around the world – in art spaces, restaurants, and private homes in Dubai, Beijing, Montevideo, and…
Read MoreThe erection that introduces Baselitz: Six Decades seems an appropriate prelude to what follows. That it protrudes like Pinocchio’s nose from a disproportionately small…
Read More“Artists don’t own the meaning of their work.” New York Times critic Roberta Smith issued this controversial and affecting line to a full auditorium…
Read MoreEverything about publishing is changing, including art criticism and news. What sort of art coverage we consume, how we consume it, and on what…
Read MoreIn a 2008 commercial for the Swiffer SweeperVac, a conservatively clad woman weaves back and forth with the futuristic device, apparently engaged in an…
Read MoreThe best way to fuck something up is to give it a body. A voice is killed when it is given a body. Whenever…
Read MoreLuc Tuymans does not shy away from controversy. For his new exhibition at David Zwirner in London, for example, one of his paintings is…
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