Reviewing the Reviews: The 2024 Whitney Biennial
As the longest-running institutional survey of contemporary American art, the Whitney Biennial never fails to create “discourse.” Each iteration makes a claim about the…
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Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative
Late last year, the artist Adam Broomberg again found himself punished for speaking out in support of Palestinian liberation. Karlsruhe University of Arts and…
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“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Yoshio Taniguchi’s 2004 expansion of the Museum of Modern Art integrated the glass buildings on either side of the museum so that when you…
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Detective Stories about Feelings: The Driving Force of Peter Schjeldahl
Most of us have never known an art world without Peter Schjeldahl in it. We count on him being part of New York like…
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The Renewed Focus and Acrid Targeting of Rachel Harrison at MoMA and Greene Naftali
Rachel Harrison’s acidic colors, faux-finish surfaces, and otherwise unseemly media screech like saboteurs of good taste. Unlike a certain nascent presidential candidate, however, they…
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It’s Not Stealing If It’s Art: A Re-Primer on Image Appropriation for the Internet Generation
… every text is from the outset under the jurisdiction of other discourses which impose a universe on it… [text operate] within the totality…
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