The Anxious “I”: Walter Scott’s Autofictional Universe
Walter Scott faces a dilemma that has confronted many multi-disciplinary artists, especially those who work in both contemporary art and more mass-cultural fields: being…
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It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
When we meet on St. Catherine Street in Montreal on a chilly Thursday afternoon in October, Bridget Moser tells me she has recently been…
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The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive
Gazing out from a large photograph on the second floor of Susan Hobbs Gallery in Toronto, Althea Thauberger wears a yellow dress, pearl earrings,…
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Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen
The impulse to grieve publicly is a measure of our turbulent times. We know, lately, the need to share a collective sadness. However, before…
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Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent
Staging a major retrospective of Edmund Alleyn as a flagship summer show is a bold move on the part of the Musée d’art contemporain…
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To Cloak or Reveal: Ryan Gander on the Question That Dogs Him
At the end of our interview Ryan Gander is suggesting we meet again, “Same time next week?” He’s laughing. I’ve involuntarily submitted myself to…
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The Sadean Woman: Tricia Middleton and the Violence of Art
Tricia Middleton came late to showing in commercial galleries. In a career spanning fifteen years, her late-2014 exhibition at Jessica Bradley Gallery in Toronto…
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Interview: The Compressed Violence of Dana Schutz
When I meet Dana Schutz amidst the clash and clatter of the installation of her solo mid-career survey at the Musée d’art contemporain de…
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The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn
Stéphane Aquin holds a distinguished profile in the Canadian artworld and abroad, in part because he arrived to the role of curator from art…
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Year in Review: Montreal From the Ground Up
A principal difference between year-end lists, rankings, and recollections about art, and those about music, books, or films is that it’s much more difficult…
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