“You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished
In 1969, the young Abenaki singer and activist Alanis Obomsawin, newly hired as a consultant at the National Film Board of Canada (NFB), took…
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In 1969, the young Abenaki singer and activist Alanis Obomsawin, newly hired as a consultant at the National Film Board of Canada (NFB), took…
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Walter Scott faces a dilemma that has confronted many multi-disciplinary artists, especially those who work in both contemporary art and more mass-cultural fields: being…
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When we meet on St. Catherine Street in Montreal on a chilly Thursday afternoon in October, Bridget Moser tells me she has recently been…
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Gazing out from a large photograph on the second floor of Susan Hobbs Gallery in Toronto, Althea Thauberger wears a yellow dress, pearl earrings,…
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The impulse to grieve publicly is a measure of our turbulent times. We know, lately, the need to share a collective sadness. However, before…
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Staging a major retrospective of Edmund Alleyn as a flagship summer show is a bold move on the part of the Musée d’art contemporain…
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At the end of our interview Ryan Gander is suggesting we meet again, “Same time next week?” He’s laughing. I’ve involuntarily submitted myself to…
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Tricia Middleton came late to showing in commercial galleries. In a career spanning fifteen years, her late-2014 exhibition at Jessica Bradley Gallery in Toronto…
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When I meet Dana Schutz amidst the clash and clatter of the installation of her solo mid-career survey at the Musée d’art contemporain de…
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Stéphane Aquin holds a distinguished profile in the Canadian artworld and abroad, in part because he arrived to the role of curator from art…
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