Stay on It: Maintaining Julius Eastman’s Radical Desire
For months, a Times article about Julius Eastman accrued dust in my New Jersey apartment. It sat dormant within an increasingly oppressive stack of back issues,…
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Where the Bodies Go: Lili Huston-Herterich’s Poem to the Power of Community
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Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate
Three quarters of a lifetime ago, in the early spring of 1964, I saw an exhibition at the Whitechapel Art Gallery. Who exactly was…
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The Double-Bind in Raqs Media Collective’s Institutional Critique
Longing we say, because desire is full of endless distances …
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Forcing the Fortuitous: Tacita Dean Searches for Luck
Nothing is more frightening than not knowing where you’re going, but then again nothing can be more satisfying than finding you’ve arrived somewhere without…
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What Is an Art Fair Doing Asking “What Is To Be Done?”
Tented within Manhattan’s industrial piers, and under a cold sweep of wind, the Armory Art Fair rounded out its latest edition (under new director,…
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As Both Dancer and Texter: Julien Prévieux Choreographs Our Changing Bodies
Someone once told me that humans are evolving more flexible thumbs due to our growing propensity for text messaging. I know that this is…
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“A Self-Implicated Search”: Reviewing Robert Linsley’s Final Book
At an artist talk several years ago, I asked Robert Linsley to explain why artworks should be treated as human beings. Seemingly embarrassed, he…
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The Pulsing Body Wants of Jasmine Reimer
Like teeth crowding a dark mouth, Jasmine Reimer’s Small Obstructions pushes crude objects up through a dusky space – and then pocks them with…
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How Do We Decolonize Desire? Evelyn Taocheng Wang Massages Difficult Truths at Château Shatto
There is very little consent to be found, for example, in the fact that Flaubert’s encounter with an Egyptian courtesan produced a widely influential…
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