How to Act Ethically in Art
Don’t fuck the curator. Or the artist, the gallerist, the writer, or their editor. Unless, of course, you really want to. And, it almost…
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Art at the Border: Cutting for Signs in Pace Gallery’s “Border Cantos”
The phrase “cutting for sign” means searching a landscape for clues. This might refer to the search for a lost herd of cattle or…
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Mourning Jimmie Durham
In April, I wrote a review of an exhibition at the Hammer Museum at UCLA: “Jimmie Durham: At the Center of the World.” I…
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That’s the Way to Do It!: The Fairy Tale Life of Ydessa Hendeles
Let’s start with the premise that Ydessa Hendeles is an artist. And why shouldn’t we? Is it the fact that she started as a…
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The Intimate Dangers of Reading Georgia O’Keeffe Through a Blouse
Any description of the new traveling Georgia O’Keeffe exhibit Living Modern must start with a blouse. On a hanger in the middle of the…
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“Made in Germany”: Can the Artworld Have a Nation?
Like exotic flowers, international art exhibitions bloom in Berlin, Kassel, and Münster every two, five, or ten years, helping to establish Germany, alongside Venice,…
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Nonsense! She Said: Marvin Gaye Chetwynd Pantomimes Politics in Paris
The bad news is Brexit. The good news (other than the recent British election) is that British humor, of the nonsense variety, is alive…
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Sound/Off: Uneasy Listening at documenta 14 in Kassel
International art gatherings are loud affairs, and a trip through documenta 14 in Kassel rewards an ability to separate signal from noise. In a…
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“All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project
“What, then, is the aura? A strange tissue of space and time: the unique apparition of a distance, however near it may be. To…
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The Abject Intimacies of Chris Curreri
I would like to be like water or rather like milk – completely pourable am right now more like stone but like sand or…
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