Caribbean Being and Becoming in “Fragments of Epic Memory”
In his 1992 Nobel Lecture The Antilles: Fragments of Epic Memory, Derek Walcott characterized Caribbean poetry as a remaking of fragmented memory. The Art…
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The Bodies That Scramble India’s “Constitutions”
Visibly shaken professors made a special announcement at our university’s recent Race Equity Caucus meeting. They’d been harassed for participating in a virtual conference…
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Seeking Specificity in Postcommodity
To be given the opportunity to travel for the sake of art, even if it’s from one small dusty Prairie city to another, is…
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Plant People
What is it about the threat of impending death that drives us into the arms of Mother Nature? In 2020, there was a curious…
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Losing Ground in Singapore’s State-Curated Digital Age
The Substation, a leading arts center in Singapore, announced its permanent closure in March after its thirty-year stint as an independent home for the…
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Season 5 Episode 2: Harry Dodge
In this episode, artist Harry Dodge reads from My Meteorite, or Without the Random There Can Be No New Thing (Penguin Press, 2020). Dodge, a…
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Don’t Look Back: Renée Green’s Present Tense
Renée Green’s latest exhibition Inevitable Distances unfolds across two locations, the KW Institute of Contemporary Art and the daadgalerie, both of which bill the…
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Across This Fraught Place: Survivance at the 2021 Texas Biennial
In one part of Tomashi Jackson’s video Vibrating Boundaries (Law of the Land) (Self Portrait as Tatyana, Dajerria, & Sandra) (2015), we hear audio…
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An Aesthetic of Enough
This month, COP26, the UN’s near-annual climate conference, gathered global heads of state to set a new round of targets to limit global emissions…
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The Capaciousness of Blackness: An Interview with Dawit. L. Petros
Not very long ago I read Toni Morrison’s Home. This, her tenth novel, chronicles the wayward journey of a young war veteran, Frank Money,…
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