
What Kind of Criticism Do We Need Now? Coming to Terms with Teju Cole’s “Known and Strange Things”
“We look at them for the way they cooperate with the imagination, the way they contain what cannot otherwise be accommodated, and the…
Read More“We look at them for the way they cooperate with the imagination, the way they contain what cannot otherwise be accommodated, and the…
Read More“It’s in hell where solidarity is important, not in heaven.” – John Berger, Seasons in Quincy Media veracity, it seems clear, has dissolved into…
Read MoreIn the wake of last year’s No Man’s Land: Women Artist’s from The Rubell Family Collection, and the unprecedented Larry Gagosian / Jeffrey Deitch…
Read MoreThe most grievous problem with post-internet art has been its nebulousness. If, as Saelan Twerdy recently claimed in Momus, post-internet art may have reached…
Read MoreMomus was founded a short time ago. It was initiated as a proposed recovery from a confused and defensive (and, so I thought, largely…
Read MoreLet me begin with an art historical chestnut — a 1855 painting by the French painter Gustave Courbet called The Artist’s Studio, A Real…
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