The Most Important Art Essays of the Year
This time last year, my editor asked me to put together a list of the most important essays of 2014, and I drew a blank….
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The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review
Everything about publishing is changing, including art criticism and news. What sort of art coverage we consume, how we consume it, and on what…
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How to Read an Art Magazine
Most people don’t. Picture in your head an issue of the most important art magazine in the world: its circulation is less than the…
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Helen Molesworth Upends the Permanent Hang at MOCA LA
Ruth Asawa spent the summer of 1948 making buttermilk for her teachers, Josef and Anni Albers, in Asheville, North Carolina. She was enrolled at…
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This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
In a recent essay for Artforum, Jon Rafman described his early work as “romantic.” Specifically, he cited his virtual safaris of Kool-Aid Man in…
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Labor Lost: Okwui Enwezor’s Artworld Biennale
Consuming visual art is conspicuously, if oddly, social. You are inherently distracted, aware of watching and being watched, even, perhaps especially, in the darkened…
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The Suffering Body of 1993: Whatever Happened to the “Abject”
The best way to fuck something up is to give it a body. A voice is killed when it is given a body. Whenever…
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Girls Gone Viral: Anicka Yi’s Pathological Feminism
Pathological feminism – the premise informing Anicka Yi’s current exhibition at The Kitchen in New York – is perversely seductive. Yi, the show’s press…
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A Theory of Everything: On the State of Theory and Criticism (Part One)
Given that I’ve chosen to contribute to a platform that boasts “a return to art criticism,” it would be worth considering what that might…
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