
The Apocalypse is Selective, Not Total: Geoffrey Pugen’s Disanthropic Moment
I clung to my ferocious habits, yet half despised them; I continued my war against civilization, and yet entertained a wish to belong to…
Read MoreI clung to my ferocious habits, yet half despised them; I continued my war against civilization, and yet entertained a wish to belong to…
Read MoreWhen we meet on St. Catherine Street in Montreal on a chilly Thursday afternoon in October, Bridget Moser tells me she has recently been…
Read More1. “I do not mourn for what I have lost. For if there is one new art that we have had to learn, those…
Read MoreOn a perfect spring day in late May, I found myself huddled in a crowded gallery for an artist talk, my head leaning forward,…
Read MoreAnthropocene – the wide-reaching exhibition at the Art Gallery of Ontario (AGO) and the National Gallery of Canada (NGC) – tackles perhaps the greatest…
Read MoreIn movement study of a standard North American strip-search procedure, Francisco-Fernando Granados gambols through a codified gestural sequence: “empty pockets … remove clothing ……
Read MoreTouted as “a new immersive work,” Theaster Gates‘s first museum solo exhibition – self-knowingly titled How to Build a House Museum, and recently on show…
Read MoreSometimes you get the history you want. Sometimes you get the history you deserve. And sometimes you get the history that’s good for you….
Read MoreI woke up this morning to find that Jon McCurley was emitting tiny wails from the “isolation chamber” of Facebook late last night, a…
Read MoreI first sat down with Jessica Bradley in late July, hoping to discuss her recently shuttered gallery. I was, at that time, wanting what…
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