“What Makes Great Art?” with Jarrett Earnest – Ep. 14
For this month’s episode, towards our season’s question, “what makes great art?”, Sky Goodden spoke with artist, curator, and writer Jarrett Earnest. He’s the…
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“What Makes Great Art?” with Jarrett Earnest
For this month’s episode, towards our season’s question, “what makes great art?”, Sky Goodden spoke with artist, curator, and writer Jarrett Earnest. Earnest is the…
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The Future Wandering of Tau Lewis
A conversation with Tau Lewis is an exercise in looking back as much as in looking forward. In discussing her figurative sculptures, she circles…
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Episode 13: “What Makes Great Art?” with Francis McKee
For this month’s episode, still circling the question “what makes great art?”, Lauren Wetmore enters into a searching conversation with Irish curator and…
Read More“What Makes Great Art?” with Dushko Petrovich – Ep. 10
In our 10th episode, we continue our season-long exploration of the question, “What makes great art,” speaking to essential voices of our time about…
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“What Makes Great Art?” with Dushko Petrovich
In our 10th episode, we continue our season-long exploration of the question, “What makes great art,” speaking to essential voices of our time about…
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Grafting the Baroque: The Scaled-Up Frames of David Armstrong Six
“Everything is composed of small particles of itself and they are flying around in concentric circles and arcs and segments and innumerable other geometrical…
Read More“What Makes Great Art?” with Jeanne Randolph and Sheila Heti – Ep. 08
What makes “great art”? How do we account for what Gertrude Stein called the “itness” of art, and what are we seeking – and…
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Shannon Bool Traces the Women of Algiers
The symbolism of ornament has long founded Shannon Bool’s practice, and that’s lucky. It’s lucky that something so alluring could be both legitimating and…
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Episode 6: An Ethics of Abundance with Jacob Wren and Dayna Danger
For this episode of our Criticism in Conversation series, a writer and collaborative performer, Jacob Wren, speaks with artist Dayna Danger, about the line…
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