“What’s Changed, and What Should?” with Sophia Al Maria
For episode 23, Lauren Wetmore spoke with Sophia al Maria, a Qatari-American artist, writer, and filmmaker based in London. Author of publications including Sad Sack, Virgin…
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“What Makes Great Art?” with Francis McKee
For this month’s episode, still circling the question “what makes great art?”, Lauren Wetmore enters into a searching conversation with Irish curator and writer…
Read More“What Makes Great Art?” with Jeanne Randolph and Sheila Heti – Ep. 08
What makes “great art”? How do we account for what Gertrude Stein called the “itness” of art, and what are we seeking – and…
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“What Makes Great Art?” with Jeanne Randolph and Sheila Heti
What makes “great art”? How do we account for what Gertrude Stein called the “itness” of art, and what are we seeking – and…
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Claudia La Rocco
Esteemed critic and writer Claudia La Rocco speaks to Lauren Wetmore about being a “dance partisan” and how “language can nail things down in…
Read MorePrograms
Momus is committed to a model of art writing and criticism that is plural and rigorous. Our residencies and fellowships are designed to support emerging…
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Dana Kopel
In this episode Lauren Wetmore speaks with writer and organizer Dana Kopel about her widely-read article “Against Artspolitation: Unionizing the New Museum,” published in…
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Emmanuel Iduma
In the first episode of Season 5, Lauren Wetmore speaks with Nigerian art writer Emmanuel Iduma, who reads from “Mileage from Here: Nine Narratives.”…
Read MoreEmmanuel Iduma – Season 5, Episode 1
In the first episode of Season 5, Lauren Wetmore speaks with Nigerian critic Emmanuel Iduma. He reads from “Mileage from Here: Nine Narratives,” published…
Read MoreAlexandra Stock on “The Privileged, Violent Stunt” – Season 4, Episode 6
Lauren Wetmore interviews Swiss American curator and writer Alexandra Stock about her scathing critique of Christophe Büchel’s 2019 Venice Biennale project Barca Nostra. Published that same…
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