The Depressing Power of Art in Raphaëlle de Groot’s “Summit Meetings”
Between 2009 and 2012, Raphaëlle de Groot invited people to give her objects that they no longer wanted but couldn’t get rid of. As…
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“As a Relief from Language”: Hilton Als, as Artist
To read White Girls, Hilton Als’s 2013 collection of upending essays, is to feel calcified assumptions about sexual and racial identification dissolve. A chain of…
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The Humanist Impulse of Yousuf Karsh
Artist Paul Klee said that art does not reproduce the “visible,” it makes visible. What interested him was to get to the other side…
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Misogyny and the Myth of the ’90s at Mexico City’s Kurimanzutto
Kurimanzutto is a pristine, vaulted gallery in the San Miguel de Chapultepec neighborhood of Mexico City. As part of the recent exhibition XYLAÑYNU. Taller…
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Fantasies Both Light and Dark in Veteran Mavericks Eldon Garnet and Max Dean
Two veteran mavericks whose wide-ranging practices gradually came to concentrate around photography are enjoying late-career exhibitions in Toronto. Max Dean has received recent accolades,…
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Flickering Insight from the Whitechapel’s “Electronic Superhighway”
“The internet does not exist,” wrote Julieta Aranda, Brian Kuan Wood, and Anton Vidokle in e-flux journal’s critical anthology of the same name. Perhaps…
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What Should Art “Do”? The Eccentrics’ Vital Nonsense in a Time of Crisis
What should artists do in a time of crisis? This grave question haunted the avant-garde movements of the early twentieth-century. In the wake of…
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In Search of Himself: Sky Glabush’s Mimetic Practice Drifts Into the Neo-Modernist Trend
“Artists don’t own the meaning of their work.” New York Times critic Roberta Smith issued this controversial and affecting line to a full auditorium…
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Emergence and Ruin in Carol Wainio
Carol Wainio is a wonderful and troubling painter. For decades, a constant inventiveness in the ways of handling paint, of creating figures and spaces, has…
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The Sadean Woman: Tricia Middleton and the Violence of Art
Tricia Middleton came late to showing in commercial galleries. In a career spanning fifteen years, her late-2014 exhibition at Jessica Bradley Gallery in Toronto…
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