How (Not) To Retrospect: Beverly Buchanan in Brooklyn and Georgia
It’s unfortunate, but not surprising, that critical attention and institutional acceptance usually arrives too late to the work of women artists and artists of…
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It’s unfortunate, but not surprising, that critical attention and institutional acceptance usually arrives too late to the work of women artists and artists of…
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A few weeks back, as autumn arrived to Berlin, I listened to a thirty year-old curator explain that she was leaving art to study…
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“We reason, that is, our mind wanders, each time our courage fails to force us to pursue an intuition through all the successive stages…
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It doesn’t matter what you think you know about Divya Mehra’s You have to tell Them, i’m not a Racist, currently at Georgia Scherman…
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Not an auspicious start. I stood under the regularly irregular German rain in front of one of Skulptur Projekte’s posters, annoyed by what might…
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“The closer we come to the danger, the more brightly do the ways into the saving power begin to shine and the more questioning…
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When the Oxford English Dictionary announced that its 2016 Word of the Year was post-truth, the understanding was that the political upheavals of the…
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Before we saw the art, we saw the hype: a press release, consisting of two seemingly mismatched parts, which circulated widely and even garnered…
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Midway through the rooftop opening for Stages: Drawing the Curtain – a show of public art at Winnipeg’s Plug-In Centre – I look through…
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One The first threatens all artists, and everyone else too: simple disregard. The viewer makes a rolling stop at each frame, not accelerating past,…
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