From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”
The degree to which contemporary culture understands (or fails to understand) “The Art World” can be measured in how it gets portrayed in film…
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The degree to which contemporary culture understands (or fails to understand) “The Art World” can be measured in how it gets portrayed in film…
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A dense black explosion looms, static in the museum’s center. Nuclear Fungus (2007), by Argentinean artist León Ferrari, sculpturally simulates the smoke caused by…
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The impulse to grieve publicly is a measure of our turbulent times. We know, lately, the need to share a collective sadness. However, before…
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Type “Ed Atkins” into Google, and you’ll shortly come face to face with an asshole: not the artist himself – though his smiling visage…
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The notion that we live in the Anthropocene, an era defined by human influence on our planet, bestows a new gravity upon representations of…
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Two brand-new, chunky metal triangles jut out and join above the glassy entrance of the black cinderblock edifice that houses the recently-renovated SITE Santa…
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The last time Leonard Cohen appeared on her radio show in 2006, Fresh Air host Terry Gross told him she wanted to play “one…
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Remember that chunk of the Antarctic that fell into the sea, earlier this year? How big was it? Three trillion tons? Three hundred miles?…
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Joseph Tisiga paints people in odd situations, and I keep wondering, how do they feel? The Yukon artist’s characters rarely show much emotion, even…
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On a Monday morning in May 2015, artist David Avalos stood on the stage of a packed auditorium at the Getty Center in Los…
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