Me For You: The Modest Directives of Ho Tam and Rainer Ganahl
Remember the “long tail”? It was the theory that digital technology would redistribute demand for cultural products, away from a few empowered hit-makers and…
Read More
Remember the “long tail”? It was the theory that digital technology would redistribute demand for cultural products, away from a few empowered hit-makers and…
Read More
Speech often fails when America talks to itself about race, about dissent, about protest, inequality, or exclusion. Those in positions to manifest systemic change…
Read More
A gift embedded in the trip to leafy, tony Oakville Galleries (a half-hour train ride from Toronto) is the moment you give yourself by…
Read More
Celia Perrin Sidarous’s second solo exhibition at Montreal’s Parisian Laundry was suffused with a sense of authority and sobriety that feels new in her…
Read More
Adrian Piper’s artistic statements reject a moralizing approach. “I try for simplicity, not simplification. I don’t want to make prescriptions about what people should…
Read More
Nick Mauss is a fan of verre eglomisé, or “distressed hand-gilded mirror,” a phrase that sounds very European, and very gay. The artist takes…
Read More
Three days before the opening of the Met Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination, the Museum held its annual gala. Those…
Read More
Three months ago, I bought a CD of poetry from Johnny Marceland, a sixty-year-old Dene man who lives in my hometown of Saskatoon. Throughout…
Read More
Harald Szeemann organized a show called Friends and Their Friends in 1969, his last year as chief curator at the Kunsthalle Bern. Selected artists…
Read More
In his recent polemic Against the Anthropocene, art historian T. J. Demos calls for a shift in the language we use to think through…
Read More