On Weather and the Archive: Sofía Gallisá Muriente and Tony Cruz Pabón
For five months I lived with open windows in a suburb of San Juan, air ventilating through my apartment on days of both intense…
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Ritual Maintenance: Edges and Encounters with Tina Girouard
Maintenance I: Role Change, 1970 I give myself a haircut using the video system as a mirror. It is completely private, no one in…
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“You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished
In 1969, the young Abenaki singer and activist Alanis Obomsawin, newly hired as a consultant at the National Film Board of Canada (NFB), took…
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The Wish in Yong Soon Min’s KISSSSS
“It is worth wondering, perhaps, what the wishes are in kissing,” Adam Phillips writes. In his readings of Freud, Phillips suggests that a kiss…
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Prescient About Still-Active Threats, Marisol Is Right on Time
Near the end of the definitive, long-overdue survey of the artist Marisol at the Buffalo AKG Art Museum, after a parade of totemic sculptural…
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Arenas of Freedom
“Time is more than a container; time participates.” —Susan Rethorst, A Choreographic Mind I often enter retrospectives with a certain girding of the…
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Swelling Time: Sam Tam Ham Probes the Prime Meridian
Like most other instruments of empire used to chart our world, the international prime meridian is an invisible, regnant force. A product of colonial…
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Picturing Disease and Desire
Across fourteen photographs, clothes strewn in a moment of passion transfigure into lasting compositions. Empty shoes perch and keel over, bra straps lie tangled,…
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Sinister and Playful: Anne Duk Hee Jordan at Canal Projects
Snailing (Slippy slimy slug slut), the first solo institutional show in New York by Anne Duk Hee Jordan, features an immersive installation that explores…
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Spaces of Doubt: Ursula Biemann at MUAC
Ursula Biemann has been challenging, and excavating, how knowledge is produced for thirty years now, but in the past decade she has turned her…
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