The Miserable Quips of Brad Phillips
Love makes love, hate makes hate, and disdain has a strange way of eliciting both. Brad Phillips’s show I Didn’t Retire, I Surrendered, a…
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Rural Exhibitions: Their Gambit and Their Trope
The artworld’s proclivity for travel requires little explication. Between biennials, fairs, historical pilgrimages, and emerging art destinations, the dedicated art viewer crosses continents to…
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Frank Mädler’s Fleeting Capture
Before the Polaroid very nearly went extinct, five years ago, there was something about the medium that, poignantly, already suggested its devolution. Iconic in…
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