
“What Instruments Have We?”: A Conversation with Emily Roysdon
“1. I believe in an alchemy of time. That a certain combination of words, a length of inaction, a discomposed room, or with some…
Read More“1. I believe in an alchemy of time. That a certain combination of words, a length of inaction, a discomposed room, or with some…
Read More“Beauty” and “dreamscape” are not buzzwords in today’s critical-art discourse. And yet they describe the Mori Art Museum’s Lee Mingwei and His Relations: The…
Read MoreWhy would you even want to? We want to be makers, not bureaucrats or lecturers. But after a dozen years of making, maybe you…
Read MoreHow does performance art survive? What artifacts, narratives, or documents testify to performance’s occurrence? For the genre’s venerable practitioners from its historic moment of…
Read MoreHow can an artist enact failure without presenting a failed act? How does an artist present an ethos of collapse without making work that…
Read MoreStéphane Aquin holds a distinguished profile in the Canadian artworld and abroad, in part because he arrived to the role of curator from art…
Read MoreIn order to enter the Union Station’s Great Hall – a stunning keystone of Toronto’s historic architecture, with soaring coffered ceilings and heritage marble…
Read MoreMexican artist Pedro Reyes assumes a mantel that feels at once familiar and utterly unique. In a contemporary-art moment that is pronounced for its lateral reach…
Read MoreThis is an article about art and gentrification, the inescapable topic. I have something new to add—that I think we may be coming to the…
Read MoreI took this task a bit too seriously. I read every back issue of every magazine snow-drifting throughout my house, fingering all the books…
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