Naming “Where is Here”: Ed Zelenak at Christopher Cutts
One of the pleasures of Ed Zelenak’s decades-long practice is its resistance to easy narrative. And yet, as John Bentley Mays wrote in 2015,…
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The Venice Biennale – Ep. 01
Welcome to the pilot episode of Momus: The Podcast. For our first broadcast, we focus on the historic Venice Biennale as the 57th edition opens to the public….
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Momus: The Podcast (Episode 2): The Artist Residency
The artist residency has risen to the top of the artworld’s global economy and increasing professionalization, becoming one of the key features of contemporary…
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The Artist Residency – Ep. 02
Informing the artworld’s global economy and increasing professionalization, the artist residency has risen to the top, becoming one of the key features of contemporary…
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Seeking a More Intimate Fair with /edition’s Paul Butler
Toronto’s /edition art-book fair arrives, in its sophomore year, at an energizing time for art publishing. The event drew over 8,000 visitors last year…
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Momus Best-Of Volume 3: 2016-17
I confess to experiencing regular doubt, lately, about what art criticism can contribute to the fray when the conversations we need to be having,…
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The Abject Intimacies of Chris Curreri
I would like to be like water or rather like milk – completely pourable am right now more like stone but like sand or…
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Momus: The Podcast: The Venice Biennale
Pilot Episode: The Venice Biennale Download Welcome to the pilot episode of Momus: The Podcast! For our first broadcast, we focus on the historic Venice Biennale. As…
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Where the Bodies Go: Lili Huston-Herterich’s Poem to the Power of Community
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What Is an Art Fair Doing Asking “What Is To Be Done?”
Tented within Manhattan’s industrial piers, and under a cold sweep of wind, the Armory Art Fair rounded out its latest edition (under new director,…
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